Here are 100 books that Ocean's 11 fans have personally recommended if you like
Ocean's 11.
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My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.
At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.
That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.
But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
I love the psychology behind a good con. Con artists are the ultimate anti-heroes - masterful manipulators and highly observant, but unscrupulous at heart. And after reading a GQ article on “real-life superheroes” – people who dress up in homemade costumes and patrol their neighborhoods – I became fascinated by that psychology, too. Las Vegas is the capital of con and Cons—a unique city bursting with swindlers and cosplayers decked out in full regalia. What better place to set a crime novel? And thus—voila—Con Me Once was born.
The tagline says it all – “Whoever says crime doesn’t pay isn’t doing it right.” Pubbed in 2015, this book is often compared to Ocean’s Eleven as it contains the same main elements: the con artist and his experienced crew, the girl, Vegas. What’s opposite is the focus – this book emphasizes plot over character. While I love this book’s complex con-within-a-con, Billy Cunningham is not particularly likable as a main character. If you enjoy Vegas’s dark side, this book and its two sequels, Bad Action and Super Con, are for you.
Whoever says crime doesn't pay isn't doing it right.
There are hundreds of casinos in Las Vegas, and Billy Cunningham knows how to rip off every one. His scams are a thing of beauty-so perfectly orchestrated that onlookers believe he and his crew are winning fair and square. In a town where bosses will kill to protect their profits, Billy can't afford to make mistakes, but even the best-laid plans can go wrong...
Desperate to keep his team out of jail, Billy agrees to help stop a legendary family of thieves from taking down a casino. But he has no…
I love the psychology behind a good con. Con artists are the ultimate anti-heroes - masterful manipulators and highly observant, but unscrupulous at heart. And after reading a GQ article on “real-life superheroes” – people who dress up in homemade costumes and patrol their neighborhoods – I became fascinated by that psychology, too. Las Vegas is the capital of con and Cons—a unique city bursting with swindlers and cosplayers decked out in full regalia. What better place to set a crime novel? And thus—voila—Con Me Once was born.
If you’re burned out from all that darkness, this book takes a more lighthearted approach to the classic Vegas con novel and features another mainstay of Las Vegas entertainment – the magician. It’s not haute literature—it got mixed reviews– but it’s also a fast, fun read with a great audio version, if you prefer. It’s part of a globetrotting series with stops in Amsterdam, Paris, Venice, and Berlin, featuring thief/magician/crime novelist Charlie Howard and his literary agent, Victoria.
Chris Ewan's The Good Thief's Guide to Vegas is the next caper in a series that’s being called “impressive… comic…fresh” (Publishers Weekly--starred review). Charlie Howard isn’t only a part-time crime writer and part-time thief; he’s also a magician. For his next trick, he’ll relieve Josh Masters, the famous illusionist vying for the affections of Charlie’s friend Victoria, of $60,000 in casino chips stashed in his hotel safe.
Revenge would be sweet—if there weren’t a dead redhead floating in Masters’ bathtub and if Masters hadn’t just disappeared in a puff of smoke after cheating at roulette. Convinced that Charlie was in…
As a researcher, writer, and producer for ABC Sports, ESPN, NBC, and TNT, I first wrote two non-fiction books, Inside Figure Skating, and Sarah Hughes: Skating to the Stars (and this was before she won the Olympic Gold in 2002). With the Figure Skating Mystery series, I was finally able to tell all the juicy stories I couldn’t when I was working for television or writing non-fiction. It was very therapeutic. But I wasn’t just a writer of books about figure skating. I was a reader, too. I learned so much from the experts, especially those willing to admit how things really were, rather than how the sport would like to appear on the surface.
The novelization of the 1978 movie (remade in 2010) is howlingly hilarious. The author has no understanding of how skating works - either competitively or, you know, physics. That’s what makes it such compelling reading. Also, in the movie, the characters tend to mumble. It helps to have read the book first to have a vague clue of what they’re saying.
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
Another Jim Thompson classic, The Grifters is about a trio of con artists trying to move up from being small-time crooks. They add love and a mother/son relationship into the mix which only makes things worse. The film directed by Stephen Frears is a master-class in acting from Anjelica Huston, Annette Bening, and John Cusak. The scene at the end couldn’t be more shocking as a way to wrap up a noir film. Money is paramount in the world of the grifters, everything else secondary. What could be more noir than that?
Roy Dillon is young, good-looking and devastatingly charming. He's also a completely amoral con man. Lily, his mother, works for the mob. Moira Langtry, Roy's mistress, is always looking for the main chance, and so is Carol Roberg, the nurse brought in to look after Roy when a bad choice of mark means he has an unfortunate encounter with a baseball bat and a bad case of internal bleeding. Together they make up a perverse quadrangle of love and greed in a coruscating novel of corruption.
I've steeped myself in the world of entertainment journalism since high school—writing music reviews, interviewing musicians, hanging out with actors, wandering backstage on shows as varied as Law & Order and Another World—and it was time to do what everyone says authors should do: Write what you know. I have a great admiration (and some criticism) for soaps and reality TV shows, but I recognize the ways in which they appeal to us like no other entertainment—they get us involved. They make us want to be part of the story, and the best ones convince us (especially those reality TV shows) that we are part of their incredible worlds.
I have a soft spot for charming con men, and inSpirit Thiefwe meet one of the best. Not only is Eli Monpress a wizard, he's the greatest thief ever. Thief is just the first in a series of Eli Monpress/Spirit novels, and I've only read the first one thus far. But it's a light-as-air confection that manages to unspool one single caper over the course of a full novel while still keeping things fast-paced, with an ensemble of colorful, fully-realized characters. Aaron manages a balancing act with this kind of character that I'm still working on mastering.
Eli Monpress is talented. He's charming. And he's a thief.
But not just any thief. He's the greatest thief of the age -- and he's also a wizard. And with the help of his partners -- a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls -- he's going to put his plan into effect.
The first step is to increase the size of the bounty on his head, so he'll need to steal some big things. But he'll start…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
We, female film critics, are still underrepresented in the critical world but Pauline Kael found success and respect at a time when our numbers were even fewer.
This collection showcases her talent for writing and her keen eye for what makes a movie or a performance great or terrible.
From Bonnie and Clyde to Last Tango in Paris, Kael’s compelling cinematic observations make you want to rewatch these films while also highlighting how even the best of critics can fall foul to unconscious biases (just check out her Othello review!).
We can learn much further we’ve come when it comes to checking those blinkered perspectives.
A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics
“Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn– Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.
Film critics and historians are virtually unanimous in considering 1939 the greatest year in the history of motion pictures. This one year produced many of the greatest films of all time, including “Gone with the Wind,” “The Wizard of Oz,” and “Mr. Smith Goes to Washington,” and marketed the height of the careers of such legendary stars as Clark Gable, Jimmy Stewart, John Wayne, and Judy Garland. To commemorate the 75th anniversary of this amazing year in Hollywood history, “1939: The Making of Six Great Films from Hollywood’s Greatest Year” profiles of six of the greatest films of the year:…
Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.
The filmic counterpart to Amanda Petrusich’s exposé on collectors of 78 RPM records, Do Not Sell at Any Price, this book uncovers the eccentric characters who have devoted their free time to collecting theatrical prints of movies, often risking harm (and jail time) in the process. One highlight is a profile of Mike Vraney, the man who founded Something Weird Video, a film distributor famous for re-releasing arcane Z-movies and shock films. The self-professed owner of the “largest sexploitation archive on Earth,” his stories, and those of a range of other specialized collectors, make this book a worthy compendium of a unique subculture.
A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.
The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film…
