Here are 100 books that A Hell of a Woman fans have personally recommended if you like
A Hell of a Woman.
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I've always been interested in books about lost souls and broken people. Before I got clean it was the story of my life and they’re stories that continue to resonate with lots of readers. I think my being drawn to those kinds of stories was a reaction to the stories I read and tv and movies I saw growing up. The image-conscious suburban American Dream stuff. I grew up without all those illusions and naturally gravitated to gritty realism because it mirrored my experience. My book is less interested in the day-to-day mechanics of the lives of drug addicts and lost souls, but rather how they came to be what they are.
Most people probably know Denis Johnson from his short story collection Jesus Son but this was his first novel and holds a special place in my heart. Jaime is a young woman fleeing an abusive marriage with her two young children. Bill Houston is a bad guy wandering the American Southwest looking for an easy score to get rich. These two characters meet on a bus and partly because of Johnson’s beautiful spare prose we eagerly follow their tragic and doomed trajectory. A very American novel.
'A dazzling and savage first novel' New York Times
Angels tells the story of two born losers. Jamie has ditched her husband and is running away with her two baby girls. Bill is dreaming of making it big in a life of crime. They meet on a Greyhound bus and decide to team up.
So begins a stunning, tragic odyssey through the dark underbelly of America - the bars, bus stations, mental wards and prisons that play host to Jamie and Bill as they find themselves trapped in a downward spiral though rape, alcohol, drugs and crime, to madness and…
I've always been interested in books about lost souls and broken people. Before I got clean it was the story of my life and they’re stories that continue to resonate with lots of readers. I think my being drawn to those kinds of stories was a reaction to the stories I read and tv and movies I saw growing up. The image-conscious suburban American Dream stuff. I grew up without all those illusions and naturally gravitated to gritty realism because it mirrored my experience. My book is less interested in the day-to-day mechanics of the lives of drug addicts and lost souls, but rather how they came to be what they are.
Baise-Moi won the Prix Goncourt in France, their equivalent of our National Book Award, and was made into a film. It’s the story of Manu and Nadine, a couple of young women who have had it with the people (mostly men) in their lives, take revenge, meet by chance and go on a cross-country crime spree. Sound familiar? It should. Baise-Moi is like Thelma and Louise minus the saccharine sentimentality and the silly fairy tale ending.
“A sticky, smashed, sweaty, laughing too loud, broken teeth, drunker than drunk adventure” from the filmmaker and author of the Vernon Subutex novels (Bust Magazine).
Baise-Moi is one of the most controversial French novels of recent years, a punk fantasy that takes female rage to its outer limits. The basis for a hit underground film which was banned in France, Baise-Moi is a searing story of two women on a rampage that is part Thelma and Louise, part Viking conquest.
Manu and Nadine have had all they can take. Manu has been brutally raped and determines it's not worth leaving…
I've always been interested in books about lost souls and broken people. Before I got clean it was the story of my life and they’re stories that continue to resonate with lots of readers. I think my being drawn to those kinds of stories was a reaction to the stories I read and tv and movies I saw growing up. The image-conscious suburban American Dream stuff. I grew up without all those illusions and naturally gravitated to gritty realism because it mirrored my experience. My book is less interested in the day-to-day mechanics of the lives of drug addicts and lost souls, but rather how they came to be what they are.
In the 70’s, two journalists from a prominent Berlin newspaper went to Zoo Station, a section of the city where hookers and junkies hung out where they met Christiane F. Over months they documented her story and helped her get it into book form. It’s a typical tale, abusive and/or indifferent parents, marijuana at 12, heroin addict and prostitute by 13. Her story is compellingly told and more tragic than most as we get to know the other 13-year-old boys and girls she hangs out with who also sell themselves for their next fix. The original mass market paperback came out in 1982 and was never reissued. Used copies are over $100. Fortunately, a new translation came out a few years ago under the title Zoo Station a memoir by Christane F that is readily available.
I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
The horror and the humor! This book reminded me of just how absurd the life of an addict is. I found myself laughing out loud at unexpected turns. Of course, we’re talking very dark humor.
The story of his obsession with Candy also reminded me of my own doomed love affairs, the sick love that often mingles with addiction. I’ll never forget the story of his cats, though. Davies’ observations on the behavior of his cats are as compelling (and horrible) as his observations of the behavior of addicts.
All addiction stories are sad in their own way, but as comic John Mulaney has shown, they can also be hysterically funny. And Candy proves it.
"Candy is beside me, drenched in sweat. She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."
He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't…
I'm a recently retired Professor of French literature and cinema studies at Dartmouth College. Because I love both books and movies, I developed a course on adaptation, which I taught with pleasure for many years. I wanted to give students the opportunity to learn how to analyze literary texts and films, separately and in juxtaposition, and they especially enjoyed discovering how the “same” story works quite differently in different media. In addition to the two volumes on Tavernier, my published books include New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France; Parables of Theory: Jean Ricardou’s Metafiction; and Rape and Representation (co-edited with Brenda Silver).
I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.
A classic crime novel from 'the best suspense writer going, bar none' New York Times
Nick Corey likes being the high sheriff of Potts County. But Nick has a few problems that he needs to deal with: like his loveless marriage, the pimps who torment him, the honest man who is running against him in the upcoming elections and the women who adore him.
And it turns out that Nick isn't anything like as amiable, easy-going or as slow as he seems. He's as sly, brutal and corrupt as they come.
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.
This work presents a new and important paradigm modification in psychology that attempts to incorporate ideas from quantum physics and postmodern culture. The author feels that the current diagnostic model of the mental health establishment is too entwined with political and economic factors to represent a valid method for healing psychological problems. The predominant model is too linear, reductionist, normative, and based upon an abnormal view of behavior. Exacerbating this problem is our highly accelerated present-day lifestyle in which new processes and interactions are constantly emerging. The postmodern self is evolving into a manipulative, situational self with no authentic core…
I have been an avid reader all my life and have been fortunate (or unfortunate) to have a life full of a variety of experiences. Wonderful stuff to draw on when you’re writing, including a unique near-death experience. When I stumbled on a book idea with a topic I’d never heard of before, I was fascinated with the idea of writing “something new under the sun.” I also am thrilled to write books that give others as much joy as reading has given me over the years. A little action, a little passion, and a bunch of plot twists bring other worlds to life for me.
I picked this book because it is the 1st Jack Reacher novel, but they are all great. They speak to me because they depict a very unusual guy. A tough guy with a brain and a strong sense of right and wrong. A vagrant who fixes problems wherever he goes.
I have been accused of having a white-knight syndrome all my life, so I find this character riveting. Action, plot twists usually a touch of romance. These are all things that speak to me and Jack Reacher novels are full of them.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I love sci-fi because it’s so optimistic about humanity’s future. I’m fascinated by new worlds and technologies and the vision of mankind spreading through the stars. But my favorite part about sci-fi is the freedom authors have to develop intriguing characters and let the story revolve around them and their decisions. I love it when a writer takes an imperfect person (someone I could see myself in) and shows them growing in unexpected ways and doing incredible things. That’s the theme of all my writing: no matter what we’ve done or had done to us, we can pick ourselves up, brush ourselves off, and do some good!
No list of character-driven sci-fi novels is complete without something from Timothy Zahn. Take a hardboiled detective, a mysterious and beautiful assistant, and a nefarious and unknown villain. Now add in trains in space!
This one is a page-turner, and not just because the idea of riding relativistic rails is so fascinating. Zahn excels at writing surprisingly complex characters whose motivations change as the story progresses. I read this entire five-book series from front to back and loved every minute.
More than two hundred years from now, the Quadrail transportation system run by the enigmatic Spiders connects civilizations throughout the galaxy. But someone is threatening the entire system and the worlds it serves with a military force that could wreak interstellar havoc. Frank Compton, a sharp investigator, lost his job with Earth's security forces when he exposed a corrupt scheme that had roots in high places. Enlisted by the Spiders to find out who's trying to take over the Quadrail, he's got his hands full. Beings of many races are gunning for him, trying to keep him from discovering a…
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
A treasure trove of noir short fiction, an impressive anthology of American greed, crime, and comeuppance by some of the genre’s greatest authors including Mickey Spillane, Evan Hunter, Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, Cornell Woolrich, and editor Ellroy. The 39 selected stories are a feast of excellence, a wide-ranging buffet of tasty tales from 1923 to 2007—makes me drool just thinking about a re-read.
A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering…
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
Detective
Turner is serious, author Bellem is not. Eleven short stories in 8-page comic
format from the monthly pulp magazine Hollywood Detective; humorist
S.J. Perelman describes Dan Turner as "the apotheosis of all private
detectives"; the Dan Turner stories are the flip side of Chandler and Hammett,
with delightful use of real and imagined slang: guns are 'roscoes,' a woman is
a 'doll,' 'cutie, 'frail,' or ‘dame.'
Included in most issues of "Hollywood Detective" pulp magazine was an eight-page Dan Turner comic. Eleven of those comics are reprinted in this "Best of" trade paperback (comic book sized pages).
