100 books like Baise-Moi

Most people probably know Denis Johnson from his short story collection Jesus Son but this was his first novel and holds a special place in my heart. Jaime is a young woman fleeing an abusive marriage with her two young children. Bill Houston is a bad guy wandering the American Southwest looking for an easy score to get rich. These two characters meet on a bus and partly because of Johnson’s beautiful spare prose we eagerly follow their tragic and doomed trajectory. A very American novel.

One of the great tragedies of the literary world is that Jim Thompson never achieved fame and fortune when he was alive. The NYC literati deemed his books and characters too uncouth and depraved for polite society. His books weren’t populated by well-dressed Robin Hood-type criminals, they were mostly just weak men who followed some good intentions down the road to hell. Frank “Dolly” Dillon epitomizes the Thompson character. An unhappily married door-to-door salesman, he intends to help an underage girl escape her aunt who is pimping her out and holding her captive. Of course, it all goes horribly wrong and ends with Dillon in a cheap hotel with the girl and lots of drugs. The last few pages are the most mind-blowing writing about using drugs I have ever read, even more, impressive since it was written in 1954.

In the 70’s, two journalists from a prominent Berlin newspaper went to Zoo Station, a section of the city where hookers and junkies hung out where they met Christiane F. Over months they documented her story and helped her get it into book form. It’s a typical tale, abusive and/or indifferent parents, marijuana at 12, heroin addict and prostitute by 13. Her story is compellingly told and more tragic than most as we get to know the other 13-year-old boys and girls she hangs out with who also sell themselves for their next fix. The original mass market paperback came out in 1982 and was never reissued. Used copies are over $100. Fortunately, a new translation came out a few years ago under the title Zoo Station a memoir by Christane F that is readily available. 

The horror and the humor! This book reminded me of just how absurd the life of an addict is. I found myself laughing out loud at unexpected turns. Of course, we’re talking very dark humor.

The story of his obsession with Candy also reminded me of my own doomed love affairs, the sick love that often mingles with addiction. I’ll never forget the story of his cats, though. Davies’ observations on the behavior of his cats are as compelling (and horrible) as his observations of the behavior of addicts.

All addiction stories are sad in their own way, but as comic John Mulaney has shown, they can also be hysterically funny. And Candy proves it. 

Silverton starts with the moment when one of the Sex Pistols used a four-letter word live on afternoon TV in 1976. It’s an appropriate beginning for a highly entertaining ramble through the dirtier byways of the English language, encompassing historical research, pop culture , and personal anecdotes, and showing just how ingrained bad language is in everyday life. His enjoyment and approval spring from every page.

The birth of punk rock was never really about the music – or at least not just about the music – and England’s Dreaming sets the context for probably the most volatile genre to assault the senses. Jon Savage’s book explores the historical and social setting that led to this – albeit brief – explosion in youth culture. He links together the birth of anarchism with the Situationist art movement alongside the eventual do-it-yourself attitude of punk fashion and music to create a narrative that’s both fascinating and incredibly relevant to the world today. As the legendary contemporaneous fanzine, Sniffing Glue once put it: Here’s a guitar chord, here’s another, here’s another…now go form a band!

“Hello daddy, hello mom, I’m you ch-ch-ch-cherry bomb.” Cherrie Currie was the lead singer of the all-female band called The Runaways from Los Angeles, California. Cherrie, Joan Jett, Lita Ford, Jackie Fox, and Sandy West were young teenage street punks when Kim Fowley (infamous record producer) brought them all together to form their band.

The Runaways enjoy cult status to this day, and I very much enjoyed the descriptions of the places they played and shows that are legendary to this day. Cherrie shares with us the punk beginnings of this band with these fierce teenage girls who were swimming in waters a bit too deep and adult for them.

Her memoir reveals the ugly truth about how women have been taken advantage of both physically and emotionally by men. Drugs and alcohol take their toll on Cherrie, so she’s even unable to make music anymore with the band. But,… show more.

Flowers in the Dustbin uses an approach I dearly love: the vignette. Miller deftly selects stories that tie together a larger narrative of “where rock & roll came from—and what it came to do.” 

The book begins with the birth of rhythm & blues through one of its earliest stars, Wynonie Harris. Subsequent stories in chapter one weave together the impacts of technology, the Great Migration, racial dynamics, a booming economy, and an emerging youth culture. It culminates in Elvis’s earliest recordings, the so-called birth of rock & roll. All in the first chapter!

In the story that follows, Miller demonstrates why rock & roll emerged and how it reflected and shaped the social, cultural, and political landscape.

Crossroads: Race, Postwar America, Youth culture

The musicians responsible for creating what we now think of as punk rock were a motley assortment of folks, many of them without much in the way of formal education. But they were all great storytellers, and they had plenty of wild, outrageous, and funny stories to tell.

Please Kill Me gathers some of those stories, from Patti Smith, Richard Hell, Debbie Harry, Dee Dee Ramone, Jim Carroll, and many others (the tales of Iggy Pop alone are worth the price of admission), and the editors do an outstanding job of bringing coherence to a scene that thrived on chaos.

Few musicians are able to pen their own memoir, sans ghostwriter, without toppling into weary self-indulgence. Take a bow, Viv Albertine. Named after a scathing condemnation of her teenage proclivities by her despairing mother, Clothes Clothes Clothes… brilliantly chronicled the groundbreaking all-female UK punk band The Slits’ guitarist’s brittle, self-doubting journey through music and life. Highlights? Joe Strummer’s unstinting attempts to pick her up whenever her boyfriend Mick Jones’s back was turned, and Johnny Rotten’s characteristically sneering dismissal of her failed attempt to give him a blow-job: "Oh, Vivienne, you’re trying too hard!"