10 books like Pop. 1280

Although Clare Kendry and Irene Redfield are only old childhood friends, their relationship has intense sister vibes. Each woman’s mix of jealousy and curiosity about the other’s life, the latent homoerotic desire that serves as an undercurrent for so much of the rising action, a suspected affair, and the explosive ending to Clare’s ruse all illustrate the kind of sibling rivalry I love to explore in my critical as well as my creative work. Not to mention, one of my favorite literary flexes of all time occurs near the end when Irene’s plucky friend Felise has to check a white man who has the audacity to yell the word “nigger” at a house party filled with Black people. It is a moment, as is the entire book. 

This suspense novel is a leader in the field of deceptive protagonists. Ripley adapts another’s persona alongside his own, but even as he plays both roles he knows that it will all have to end at some point. He is aware of what he’s doing, yet this is coupled with great self-deception: ‘I’m a good person really.’ His vulnerability is shown in his fear of being judged. At heart he is a lonely man, driven by obsession and jealousy. Ripley is a complex, well-drawn character - I’d love to see his personality profile!

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

Harsh politics and tender poetic feelings: All the King’s Men is a classic novel about the rise and fall of a would-be dictator named Willie Stark. But it’s also about the personal lives of the people behind the power struggles—especially the bemused, poetic narrator, Jack Burden, who loses the love of his life, Anne Stanton, to the increasingly tyrannical Stark. As a teenager I fell in love with the love story. This novel convinced me of the power of combining the personal and the public, which I am working on in my new novel about the Black Panther rally in New Haven in 1970.

In my opinion, the best novel written in the last fifty years. The violence would be too much in the hands of a lesser writer and there is no greater living writer in English than McCarthy. McCarthy perfectly captures the nihilism of war, and how that nihilism later comes back to haunt war’s survivors.

Unlike contemporary thrillers that portray killers as inhuman two-dimensional monsters, Hughes portrays Dix Steele as a human being gone horribly wrong. We see how his actions arise from feelings that most people experience as difficult and uncomfortable but that he experiences as intolerable, torturing, and unresolvable.

The novels of Jim Thompson and Patricia Highsmith are obvious descendants of this one. All three writers have insight and descriptive power that allow you to see, feel and inhabit some disturbing forms of human psychopathology. Hughes' female characters are strong, clear-eyed, and wise. They're the drivers of the story, not the victims. All her characters are fully drawn, and the tension builds consistently throughout. It's a hard book to put down, and you continue to feel it even after you've finished it.

When news editor Earl Janoth murders his mistress, there's only one witness who can tie him to the crime scene. Janoth doesn't know who the witness is, but he knows everywhere the man went in the 24 hours before the murder, because the murder victim told him before he killed her.

Janoth is determined to find and silence him. He assigns reporter George Stroud to track the man down, not knowing that Stroud himself is the man he's looking for. Stroud is forced to assemble a team to hunt himself, knowing that when he's found, he'll be killed.

This is the best-plotted book I've ever read, both in concept and execution. Little details sprinkled through early chapters of the book keep coming back to have major significance as the noose tightens around Stroud.

Harry Madox drifts into a small Texas town with a plan to rob the local bank. He soon finds himself with two girlfriends. The young, sweet Gloria Harper brings out the best in him, while his boss’ jaded wife, Dolores Harshaw, brings out the worst. This a classic noir (and one of the best) in which a man's internal struggles spill out in the form of self-destructive loves and crimes.

Williams' characters ring true, and he provides good insight into their motivations and weaknesses. Dolores Harshaw may be the best femme fatale in all of crime fiction: seductive, conniving, compelling, manipulative, jealous, ruthless, intelligent, and unhinged. "The smart thing," Madox reflects after their first tryst, "was to get out of here and let her happen to somebody else." But you know he just can't resist.

Pelecanos is the worst. Pelecanos is a bum. I hate George Pelecanos. Every time I read one of his novels I get depressed because I will never be as good as him. More modern existential hardcore PI fiction, the third novel in a triology set in DC, this one too blew me away with its vision of DC, which I had just quit for Philadelphia. But it’s not the DC you and I know of marble and monuments, posturing politicians and bright ties, bright young people, and great eateries. Shoegum Nick Stefanos prowls some very mean DC streets and alleys and slimy creeks while battling his own nature. He’s a barkeep, a drunk, a f**up. This novel showed me that thoroughly entertaining nihilistic crime fiction is alive and well. Have I mentioned I hate Pelecanos?

This isn't a novel but a true crime narrative, a depiction of a man named Ken McElroy gunned down on the main street of a small Missouri town in, well, broad daylight. No witnesses. No suspects. Well, the whole town, the whole county, are suspects. This guy raped very young girls then got them to marry him, shot people, stole cattle and equipment, burned down houses. This book was a jolt to me because my wife is from that area, an area I, a man who's spent most of my life in urban areas, had always thought bucolic, filled with amiable, honest, peaceful people. I started looking at the natives in a different light after this. And, not to freak anybody out here, chances are pretty good there’s been a terrible crime, if you’re lucky an unsolved one, committed not very far at all from where you are right now.