100 books like Brida

This book opened my eyes to see introversion as a strength rather than a weakness. But more so, it gave me the permission to question how things that we took as “just the way things are” might have been positioned incorrectly from the start.

If it wasn’t true that introversion is inherently worse than extroversion, what else might popular culture and mainstream workplace practices have gotten wrong? I felt seen by the book and hopeful of what more honest conversations about how people are wired might both reveal and help heal. 

I was trained in literary criticism and spent years reading the “Classics,” considered the greatest books of all time, so the fact that Jean Auel’s Clan of the Cave Bear, first published in 1980, to derisive and condescending reception is my absolute favorite read comes as a surprise, even to myself.

I’ve been so enthralled with this story of a little girl named Ayla who’s found and raised by Neanderthals following the massive earthquake that destroys the Cro-Magnon tribe into which she was born—that I’ve read Clan, along with its five sequels three times, all the way through. It’s probably not a coincidence that Ayla, who’s exiled from her adoptive tribe and finds ingenious ways to survive on her own—reminds me of Karana from Island of the Blue Dolphins.

I love the way Auel’s saga imagines our anthropological origins in scrupulously researched detail and dramatically displays the… show more.

This is a book of poetry, but it speaks so deeply to the exquisite beauty, simple joy, and profound presence available at the heart of us all, if we are quiet and still enough to listen.

People who are already sensitive seem to drop into this space more fluidly than others, more consumed by the outer world because they are, by nature, closer to the source and often more aware of the subtle forces that run beneath the surface. These ‘ecstatic’ poems always help me return home to the space inside that reminds me what a blessing it is to have the capacity to feel so deeply.

Of course, the title leapt out at me from the bookshop shelf! And on reading the first page I fell in love with Shafak’s lyrical writing.

As I read further, I was drawn into the stories of love in many guises within its pages. I was intrigued by the way the author wove a modern narrative of a deeply unhappy American housewife with a story about the historical character, thirteenth-century Sufi poet, Rumi, and his friendship with wandering dervish, Shams of Tabriz.

The story took me to a place and time far from mine and I learned about a very different culture—yet in its philosophical concerns and themes, not so different after all. And I really loved that both Shams and Rumi were storytellers so that the novel had layers of nested stories.

No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.

I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.

Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness. 

Inspector Mallon covers the latter decades of the nineteenth century in Dublin history, which were characterised by unrest, extremist violence, and police strikes. The late 1800s were also the service years of the celebrated Dublin Police detective John Mallon, ‘the Great Irish Detective’. The book explores the behind-the-scenes relationships between official Dublin and the force, and between the police and the political activists. McCracken examines the impact the Dublin detectives, known as G-men due to their work in the G Division, had on undermining the political threats and bringing known Fenians and members of the Invincibles, responsible for the horrific Phoenix Park murders, to trial.

I love the delightful yet diverse ensemble of characters that form the story of Evening Class and how their individual stories weave together so beautifully. It taught me that it’s never too late to take a risk or try something new and that everybody has a story, no matter how they present themselves to the world. There is something so comforting in Maeve Binchy’s delightful prose and many moments of laugh-aloud humour.

This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.

In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.

Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.