100 books like A Doll's House

This literary rendering of Dublin at the beginning of the 20th century comprises fifteen stories. Whenever I read them, I can feel Joyce’s adoration for this city—and the last story, "The Dead," is glorious.

The final line always slays me: “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead”

This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.

The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.

Elfriede Jelinek has many anti-heroines in novels and plays, but I pick Erika Kohut, a repressed Austrian piano teacher who in her late thirties is still living under the power of her stifling elderly mother. Vienna, the city of music and great composers like Franz Schubert, is seen not only through the Vienna Conservatory but inside peep-shops that Erika frequently visits to escape from her mother. Although she is a masochist and self-mutilates, she begins a relationship with Walter, a new student, and gives him the instructions through an atypical letter. Jelinek's work makes me feel many things, not only due to her stories and characters but also the depth of her writing! The importance of her voices in novels and plays is extraordinary, her prose is satirical and very critical. She looks at their characters psychologically, from the deep of human behavior.

I flit between literary fiction and crime fiction. I like my highbrow, all second-hand Penguin Modern Classics, and my lowbrow, all-half-inch-thick, pocket-sized books with photos of weapons on the front. But Drive Your Plow Over the Bones of the Dead is that rare beast of a bona fide literary writer doing a proper genre piece.

Janina Duszejko is an elderly, retired academic living alone in the middle of the wintery, Polish countryside. Alone but not lonely, surrounded by nature, astrology, and William Blake’s words, the book captures that beautiful, haunting quality of solitude and the compromises it brings. It also captures that slow, burning anger of someone who has long ago stopped caring what anyone else thinks.

Sure, there’s a murder plodding along in the background, but I was almost disappointed when it was solved because it meant leaving Janina and her Polish wilderness.

A few years ago at my son’s annual townhall in school, the principal outlined the school’s strategic game plan on a powerpoint presentation.

One of the slides that stayed with me projected a visual from the book The End of Average: How We Succeed in a World That Values Sameness.

I went back and read the book, only to realize that it resonated deeply with how we in the corporate world today (not just in schools at the elementary, middle, or senior levels) are quick to pronounce verdicts: below average, average, exceeds expectations.

The book poses some pertinent questions, and rightly so: Who came up with this principle of average? Why are we following it everywhere?

How often have we as managers just given up on people that we perceive are not ‘leadership’ material. Often these same average or poor performers can be great performers in different contexts.

Todd Rose… show more.

We are primed to measure things against the yardstick of averages, judged according to how closely we come to it or how far we deviate from it. It affects our own self-confidence, how we view and grade our performance and worth.

The assumption that metrics comparing us to an average--like GPAs, personality test results, and performance review ratings--reveal something meaningful about our potential is so ingrained in our consciousness that we don't even question it. That assumption is spectacularly—and scientifically—wrong. 

Together with great stories about the folly of averages (the one about pilot chairs really got me) and many research facts and stats it conveys a very important message about how we view the world.

The vibe is: foreboding folklore with a comforting twist!

The Wolf Suit wends through a dark wood, illustrated in a stark folk-art style that is in turns haunting and verdant. The story takes its time, building a deeply delicious atmosphere of suspense before revealing a completely unexpected ending that turns a fearful forest into a much friendlier place.

Keep a bowl of blackberries handy (and maybe a blanket to clutch), and relish the page turns! While The Wolf Suit is long in pages, the text is concise and flavorful, making this book a conquerable challenge for young readers!

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

A National Book Award finalist, Tressie McMillan Cottom’s Thick is a brilliantly written compendium of essays that should be read by everyone. This awe-inspiring collection tackles beauty standards, media, capitalism, and white supremacy all with a fierce wit and through a Black feminist lens. You will count yourself lucky to read these essays by one of the most important thinkers of our time. Cottom is wildly sharp and funny. She is an academic and profound but this book is accessible and readable. If you are like me you will want to read this twice.  

Engels provides the canonical theoretical framework for understanding how capitalism uniquely impacts women’s lives and how a more collectivized economy lays the foundation for women’s full emancipation. While many subsequent feminist and socialist scholars have disagreed with this book, The Origin of the Family is a classic that has inspired countless generations of theorists and activists.