Here are 100 books that The Culture of Narcissism fans have personally recommended if you like
The Culture of Narcissism.
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I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
Long before running into Norman O. Brown while on sabbatical leave at UC Santa Cruz, I was fascinated by this book’s attempt to re-assert the priority of psychology over the political economy and history by claiming that infants’ refusal to accept the limits of parental care creates separation-anxiety that causes the historical dynamic known as “progress.”
But it wasn’t until much later that Deleuze and Guattari’s claim that capitalism represses the death instinct provided an alternative explanation that rescued Brown’s insights for me by putting the explanation back in the realm of political economy and history–because dependence on the market produces separation anxiety, too.
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
It took me a long time to figure out what Deleuze and Guattari were up to in this book, but it was well worth it: this book presents the most compelling interweaving ever of the thought of the 3 great materialists of the 19th century: Freud, Marx, and Nietzsche.
I have always been somewhat skeptical of psychoanalysis, but I really like the way the co-authors use Marx to historicize both Freud’s psychoanalysis of the family and Lacan’s psychoanalysis of language and then use Nietzsche to add a condemnation of ressentiment and ethics of joy to the Marxian critique.
An "introduction to the nonfascist life" (Michel Foucault, from the Preface)
When it first appeared in France, Anti-Oedipus was hailed as a masterpiece by some and "a work of heretical madness" by others. In it, Gilles Deleuze and Félix Guattari set forth the following theory: Western society's innate herd instinct has allowed the government, the media, and even the principles of economics to take advantage of each person's unwillingness to be cut off from the group. What's more, those who suffer from mental disorders may not be insane, but could be individuals in the purest sense, because they are by…
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
This is a powerful rewriting of Freudian theory from one of the giants of the Frankfurt School, whom I was fortunate enough to study with at UC San Diego. Rather than accept “reality” as a given, Marcuse transforms Freud’s “reality-principle” into the “performance principle”–we perform far more work than reality itself requires because the capitalist system is profiting from our labor. We are thus subjected not just to repression but to surplus repression–which corresponds to the surplus value capitalists extract from our labor power and our purchasing power.
I was always intrigued but also perplexed by psychoanalysis, and this amazing book completely transformed my understanding of how the human psyche operates under capitalism.
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
Malcolm’s book is as one-sided as Lasch’s, but for me, it was a breath of fresh air because it considers narcissism to be a positive rather than a negative cultural development.
It, too, couches its explanation of widespread narcissism in psychoanalytic terms, which I consider a plus. However, in addition to being one-sided, the way it considers an entire generation to be narcissistic bothered me as an overgeneralization.
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
This book contributes greatly to the global history of the Cold War by showing that “moral technocrats” during the military dictatorship in Brazil equated political subversion with sexual subversion: Anticommunist countersubversion included anxieties about gender, sex, and youth. South American Cold War dictatorships have been traditionally understood as modernizing projects but Cowan complicates the definition by exploring the moral panic, and consequent calls and attempts at repression, related to the sexual revolution, new forms of female sexual expression, and pornography.
In this history of right-wing politics in Brazil during the Cold War, Benjamin Cowan puts the spotlight on the Cold Warriors themselves. Drawing on little-tapped archival records, he shows that by midcentury, conservatives-individuals and organizations, civilian as well as military-were firmly situated in a transnational network of right-wing cultural activists. They subsequently joined the powerful hardline constituency supporting Brazil's brutal military dictatorship from 1964 to 1985. There, they lent their weight to a dictatorship that, Cowan argues, operationalized a moral panic that conflated communist subversion with manifestations of modernity, coalescing around the crucial nodes of gender and sexuality, particularly in…
I am a professor of philosophy and editor or author of 12 books. I started out in ‘Freud Studies’ in the 1990s with no agenda, just a deep interest in Freud’s ideas. Since then I’ve written quite a lot on it. Unfortunately, the field is so contentious, so overrun with books by former patients and analysts, that casual readers couldn’t possibly make heads or tails of it. Readers are best served by reading complete works of Freud and making their own assessments. After that, they can look at Freud’s voluminous and eye-opening correspondence with colleagues. Then they can consult good books, and lists of recommended works, that put them in the right direction.
This is a very good, fair, smart, early interpretation of Freudian psychoanalysis in general, and of its significance for culture and intellectual history in particular. It’s very well written, probably because Susan Sontag (Rieff’s wife at the time) is widely reported to have actually written the book, and in the 1960s the book became highly influential. It is easily Rieff’s best book.
Now a classic, this book was hailed upon its original publication in 1959 as "An event to be acclaimed . . . a book of genuine brilliance on Freud's cultural importance . . . a permanently valuable contribution to the human sciences."-Alastair MacIntyre, Manchester Guardian
"This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."-Henry A. Murray,…
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
I think that we should all make an effort to understand people who are not from our cultural stew; people who seem different, but wind up being like us; once we get to know them.
Patrick Oster is not a sociologist, a psychologist, or an ugly American. He could be Joe Blow from down the block who decides to go to Mexico, to get to know the Mexican people. He does not make an effort to know all the people, he simply makes friends with those who are friendly, and leaves the others alone; just the way he would do in America.
I feel that this book is a wonderful example of what can come from an honest exploration and a warm writing style.
The Mexicans is a multifaceted portrait of the complex, increasingly turbulent neighbor to our south. It is the story of a country in crisis -- poverty, class tensions, political corruption -- as told through stories of individuals. From Augustín, an honest cop, we learn that many in the Mexican police force use torture as their number-one-crime-solving technique; from Julio Scherer Garcia, a leading newspaper editor, we learn how kidnapping and intimidating phone calls stifle a free press; we hear from a homosexual teacher wary of bigotry in a land of machismo; and many others. Moving from Mexico City discos to…
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
This is a book like no other! With its first sentences it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally it is part of a trilogy. Its style is dry and almost merely reporting, and yet it is emotionally involving in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind?
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
Maude is such a joyful, wise older woman who embraces life, who refuses to judge people, who provides guidance for a young troubled man.
Especially infectious is Maude’s love of life which balances nicely with and counters Harold’s preoccupation with death.
The advice delivered by Maude, such as, “It’s best not to be too moral. You cheat yourself out of too much life. Aim above morality,” always contains a unique perspective that is profoundly unpredictable and truthful.
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA…
I grew up with Irish folklore, Lord of the Rings, and X-Men comics as my bedtime stories, but I am also a domestic violence survivor twice over with c-PTSD. I was never able to get justice for anyone who hurt me. I created my stories as a way to cope and understand my feelings and triggers by making them their own personalities. So, I made my trauma available for everyone in a fantasy setting with two love interests to adore the heroine who had to endure so much but never gave up on giving people someone to root for when they couldn’t for themselves anymore.
I loved the premise of this series. It's such a different take on fated mates that it was just refreshing! I also loved the main female character. She’s so stubborn and willing to do whatever it takes to do what is needed, even if it’s not on the up and up. And the unhinged males were fabulous as well!
After the death of my mother and her Bonded, I was relieved to find my own Bonds. I was sure everything would be okay if I had them. It wasn’t. The fate of our people is in my hands and I know we’re better off if I’m alone. After five years on the run, I’m caught and dragged back to face the men I ran away from. I thought I was doing the right thing. Now, I’m not so sure. North, Nox, Gryphon, Atlas, and Gabe may never forgive me but one thing is for sure. I won’t ever forgive…
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