Here are 100 books that Big Sister, Little Sister, Red Sister fans have personally recommended if you like
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“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.
"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe
"Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books
An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist
The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
Decadent Old Shanghai was never going to survive a Communist takeover. It wasn’t easy to leave—in her family, my mother was told she was the lucky one, and so was the mother of author Helen Zia. An accomplished journalist, Zia masterfully captures what it was like for four young people—including her mother—to make the wrenching decision to leave their homes for places unknown, the chaos and distress of boarding that fabled “last boat” out of Shanghai, and what came after. The core of the story unfolds through the authentic accounts of the main characters Benny, Annuo, Bing, and Ho. Additionally, Zia uses detailed research and extensive interviews with hundreds of émigrés from all strata of Shanghai society, bringing to life this last of a generation to embark on a largely forgotten mass exodus.
The dramatic real life stories of four young people caught up in the mass exodus of Shanghai in the wake of China’s 1949 Communist revolution—a heartrending precursor to the struggles faced by emigrants today.
“A true page-turner . . . [Helen] Zia has proven once again that history is something that happens to real people.”—New York Times bestselling author Lisa See
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE CHRISTIAN SCIENCE MONITOR • FINALIST FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY
Shanghai has historically been China’s jewel, its richest, most modern and westernized city.…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
At the center of the novel Night in Shanghai is Black American musician Thomas Greene, who arrives in Shanghai from segregated Baltimore to find wealth, position, and love—only to have his life changed forever by the outbreak of World War II. Author Nicole Mones was a businesswoman in China in the 1970s; her China experience, coupled with meticulous research, makes this a pitch-perfect portrait of the city and its denizens. A talented storyteller, she describes the little-known Black American experience of Shanghai, taking the reader from go-go Shanghai to wartime, weaving in actual events, characters, and depictions of the nightspots and jazz clubs of my parents’ Shanghai.
In 1936, classical pianist Thomas Greene is recruited to Shanghai to lead a jazz orchestra of fellow African-American expats. From being flat broke in segregated Baltimore to living in a mansion with servants of his own, he becomes the toast of a city obsessed with music, money, pleasure and power, even as it ignores the rising winds of war. Song Yuhua is refined and educated, and has been bonded since age eighteen to Shanghai's most powerful crime boss in payment for her father's gambling debts. Outwardly submissive, she burns with rage and risks her life spying on her master for…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealingentrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Denise Chong explores a similar period of Chinese Canadian history in Lives of the Family: Stories of Fate & Circumstance. Similar to my own book, Lives of the Family looks beyond Vancouver and British Columbia Chinatowns to tell the story of Chinese Canadian migrants, whose lives straddled continents, who ran successful businesses, and were involved with the KMT.
International bestselling author of The Concubine's Children, Denise Chong returns to the subject of her most beloved book, the lives and times of Canada's early Chinese families. In 2011, Denise Chong set out to collect the history of the earliest Chinese settlers in and around Ottawa, who made their homes far from any major Chinatown. Many would open cafes, establishments that once dotted the landscape across the country and were a monument to small-town Canada. This generation of Chinese immigrants lived at the intersection of the Exclusion Act in Canada, which divided families between here and China, and 2 momentous…
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Racism is a dominant theme in my book and in historical work about Chinese Canadian history. Racist ideologies in the 1880s and 1890s drove the Chinese out of the United States and into urban and rural Canada. In Becoming Yellow, Keevak explains how the colour “yellow” developed to become a racial category used to describe people who were Chinese and to exclude them from the United States and Canada.
In their earliest encounters with Asia, Europeans almost uniformly characterized the people of China and Japan as white. This was a means of describing their wealth and sophistication, their willingness to trade with the West, and their presumed capacity to become Christianized. But by the end of the seventeenth century the category of whiteness was reserved for Europeans only. When and how did Asians become "yellow" in the Western imagination? Looking at the history of racial thinking, Becoming Yellow explores the notion of yellowness and shows that this label originated not in early travel texts or objective descriptions, but in…
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Lisa Mar’s rich archival study provides a window into the important role of power brokers in Chinese Canadian political life and culture up until the end of the Second World War. My own book also tells the stories of Chinese Canadian power brokers who were active in political organizations and lobbied for the repeal of the Chinese Immigration Act. Unlike the power brokers of Mars’s study, the men in my study were active and influential beyond Vancouver’s Chinatown and in prairie rural Canada.
Brokering Belonging traces several generations of Chinese "brokers, " ethnic leaders who acted as intermediaries between the Chinese and Anglo worlds of Canada. At the time, most Chinese could not vote and many were illegal immigrants, so brokers played informal but necessary roles as representatives to the larger society. Brokers' work reveals the changing boundaries between Chinese and Anglo worlds, and how tensions among Chinese shaped them.
By reinserting Chinese back into mainstream politics, Brokering Belonging alters common understandings of how legally "alien" groups' helped create modern immigrant nations. Over several generations, brokers deeply embedded Chinese immigrants in the larger…
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Today most people associate Chinatowns with restaurants and tourism. In the past and for many Chinese Canadians, Chinatown was a ghetto and place of exclusion. But for many Chinese and other first-generation migrants, Chinatown was simply home. It was where friends (and sometimes families) lived and socialized, operated businesses, and felt a sense of belonging through mutual support networks and devotion to Sun Yatsen at KMT and other political meetings and events. Peter Kwong’s The New Chinatown tells a complicated narrative of Chinese political, social, and cultural life and dispels many Chinatown stereotypes. In my book, I tried to tell a similar story of Chinese political and social lives that weren’t defined by Chinatown stereotypes.
Newspapers today are filled with stories of corruption and strife in America's Chinatowns, reversing the popular view of Chinese Americans as a model minority of law-abiding, hard-working people whose diligent children end up in high-tech jobs. In The New Chinatown, Peter Kwong goes beyond the headlines in a compelling and detailed account of the political and cultural isolation of Chinese-American communities. This new edition offers a revised and updated text as well as a new chapter on Chinatown in the 1990s.
Paul de Mann once wrote that any book with a cover page was always, in part, autobiographical. The same could also be said of this book list. It captures the way my work sits between China Studies, social theory, culture, and area studies. The two China area studies texts (Schoenhals and Wakeman) reflect my interest in Chinese policing, the texts by Pashukanis and Foucault represent something of a personal transition from Marxism to postmodern concerns, while the Schmitt book signals my ongoing focus and fascination with the concept of the political.
Beautifully written and amazingly erudite, Wakeman’s book takes you back to pre-revolutionary Shanghai with its vivid account of gangs, prostitutes, and police.
The work offers a magisterial account of what Shanghai was like under non-communist rule, moving beyond the actual issues of police procedures and administration to offer an engrossing account that is more like a novel than the usual dry and sometimes staid academic works that populate the China studies field.
Prewar Shanghai: casinos, brothels, Green Gang racketeers, narcotics syndicates, gun-runners, underground Communist assassins, Comitern secret agents. Frederic Wakeman's masterful study of the most colorful and corrupt city in the world at the time provides a panoramic view of the confrontation and collaboration between the Nationalist secret police and the Shanghai underworld. In detailing the life and politics of China's largest urban center during the Guomindang era, Wakeman covers an array of topics: the puritanical social controls implemented by the police; the regional differences that surfaced among Shanghai's Chinese, the influence of imperialism and Western-trained officials. Parts of this book read…
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Amy Tan is a master at telling stories that explore the complex dynamics of family relationships.
I’ve read a lot of her books, but The Hundred Secret Senses is my favorite because I adore Kwan, the main character’s half-sister from China. Kwan has a special secret that she can see and speak to ghosts, but Olivia always dismisses her as a little crazy and only pretends to believe her stories.
I love this book because it made me laugh out loud on multiple occasions and because it was so relatable.
We all have family members that we both love and can’t stand at the same time. This book goes back and forth between the 1990s and the 1800s.
If you love books about sisters, you need to read this one!
Stunning reissue of an international bestseller, from the author of 'The Joy Luck Club' and 'The Bonesetter's Daughter'.
Olivia Yee is only five years old when Kwan, her older sister from China, comes to live with the family and turns her life upside down, bombarding her day and night with ghostly stories of strange ancestors from the world of Yin. Olivia just wants to lead a normal American life.
For the next thirty years, Olivia endures visits from Kwan and her ghosts, who appear in the living world to offer advice on everything from restaurants to Olivia's failed marriage. But…
