Why am I passionate about this?
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
Annika's book list on Manchukuo (Manchuria)
Why did Annika love this book?
In tandem with the "Manshû bûmu" [Manchuria Boom] in Japan from the late nineties until early aughts, numerous memoirs have appeared on the market by former Japanese settlers of Manchukuo. One of the more chilling and nuanced accounts is that of Takarabe Toriko, a celebrated Japanese poet, who was a child and preteen during the 1930s and 1940s in a family where her father served as a Kantô Army officer near Jiamusi in Japanese-occupied northeast China. She herself experienced and witnessed life under Japanese occupation, as well as the brutal revenge exacted upon Japan's overlords after defeat, where both Chinese and Russians wreaked violence upon their oppressors as the Japanese attempted to flee. As a young girl, Takarabe recounts personal memories of a horror that, ironically, had been experienced by the colonized only a short time before. This engaging memoir expertly translated by Phyllis Birnbaum is both fascinating and a…
1 author picked Heaven and Hell as one of their favorite books, and they share why you should read it.
Takarabe Toriko's autobiographical novel Heaven and Hell is a beautiful, chilling account of her childhood in Manchukuo, the puppet state established by the Japanese in northeast China in 1932. As seen through the eyes of a precocious young girl named Masuko, the frontier town of Jiamusi and its inhabitants are by turns enchanting, bemusing, and horrifying. Takarabe skillfully captures Masuko's voice with language that savors Manchukuo's lush forests and vast terrain, but violence and murder are ever present, as much a part of the scenery as the grand Sungari River.
Masuko recounts the "Heaven" of her early life in Jiamusi,…