Here are 100 books that Japan's Total Empire fans have personally recommended if you like
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I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
This excellent book illuminates the culture of intoxicants in northeast China under Japanese occupation. Smith examines Chinese literature, advertisements, and popular culture to show how liquor and opium were depicted in contemporaneous mass media and impacted local urban communities. He also investigates how popular conceptions of "health" tied in with programs initiated by the Japanese authorities to control local populations, while advertisers of patent medicines, cordials, and tonics also picked up on these themes. Some of the highlights of Intoxicating Manchuria include masterfully vivid descriptions and illustrations of cartoons revealing the uneasy relationship between law enforcement, retailers, public health practitioners, and corporations.
Intoxicating Manchuria reveals how the powerful alcohol and opium industries in Northeast China were altered by warlord rule, Japanese occupation, political conflict, and a vigorous anti-intoxicant movement. Through the lens of the Chinese media's depictions of alcohol and opium, Norman Smith examines how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in the portrayal of intoxicants, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
One of the first scholars to write a full-length monograph on Manchukuo, Duara delves into the Chinese and Japanese writers who viewed northeast China under Japanese occupation as a means to envision their own Pan-Asianist ideals. He analyses this in the context of a broader "East Asian modern" in Manchukuo, and utilizes political and literary sources to unearth previous connections with previous iterations and currents of Chinese nationalism tied to the Pan-Asianism of the early twentieth century.
In this powerful and provocative book, Prasenjit Duara uses the case of Manchukuo, the Japanese puppet state in northeast China from 1932-1945, to explore how such antinomies as imperialism and nationalism, modernity and tradition, and governmentality and exploitation interacted in the post-World War I period. His study of Manchukuo, which had a population of 40 million and was three times the area of Japan, catalyzes a broader understanding of new global trends that characterized much of the twentieth century. Asking why Manchukuo so desperately sought to appear sovereign, Duara examines the cultural and political resources it mobilized to make claims…
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
In this edited volume with contributions from scholars from China, Japan, Korea, and North America, we investigate the intellectual climate of Manchukuo and interrogate how writers found both opportunity and peril in this new state under Japanese control. This study approaches Manchukuo literature from a transnational perspective, and most importantly, not all of the scholars in our collection agree with each other! We contest the "collaboration-resistance" binary that had been so persistent in much scholarship related to China under Japanese occupation by illuminating the complex choices made by cultural producers during their careers. One of our chapters features an essay by one of Manchukuo's last living writers.
This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death―surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of…
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
In tandem with the "Manshû bûmu" [Manchuria Boom] in Japan from the late nineties until early aughts, numerous memoirs have appeared on the market by former Japanese settlers of Manchukuo. One of the more chilling and nuanced accounts is that of Takarabe Toriko, a celebrated Japanese poet, who was a child and preteen during the 1930s and 1940s in a family where her father served as a Kantô Army officer near Jiamusi in Japanese-occupied northeast China. She herself experienced and witnessed life under Japanese occupation, as well as the brutal revenge exacted upon Japan's overlords after defeat, where both Chinese and Russians wreaked violence upon their oppressors as the Japanese attempted to flee. As a young girl, Takarabe recounts personal memories of a horror that, ironically, had been experienced by the colonized only a short time before. This engaging memoir expertly translated by Phyllis Birnbaum is both fascinating and a…
Takarabe Toriko's autobiographical novel Heaven and Hell is a beautiful, chilling account of her childhood in Manchukuo, the puppet state established by the Japanese in northeast China in 1932. As seen through the eyes of a precocious young girl named Masuko, the frontier town of Jiamusi and its inhabitants are by turns enchanting, bemusing, and horrifying. Takarabe skillfully captures Masuko's voice with language that savors Manchukuo's lush forests and vast terrain, but violence and murder are ever present, as much a part of the scenery as the grand Sungari River.
Masuko recounts the "Heaven" of her early life in Jiamusi,…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
This skillful history links politics, economics, and military concerns to the development of Japan’s empire in Manchuria. Beginning with the end of the Russo-Japanese War and concluding with the takeover of Manchuria from 1931, Yoshihisa Tak Matsusaka shows how Manchuria remained a looming presence within Japanese political life. More strikingly, he argues against the idea that Japanese imperialism in the 1930s represented a radical break from the past. Far from it, he shows the construction of Manchukuo and Japanese foreign policy “as the denouement of an older story as much as the beginning of a new.”
In this history of Japanese involvement in northeast China, the author argues that Japan's military seizure of Manchuria in September 1931 was founded on three decades of infiltration of the area. This incremental empire-building and its effect on Japan are the focuses of this book.
The principal agency in the piecemeal growth of Japanese colonization was the South Manchurian Railway Company, and by the mid-1920s Japan had a deeply entrenched presence in Manchuria and exercised a dominant economic and political influence over the area. Japanese colonial expansion in Manchuria also loomed large in Japanese politics, military policy, economic development, and…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
This is a masterful study of settler colonialism in Korea. Jun Uchida focuses on ordinary Japanese settlers, from petty merchants and traders to educators, journalists, carpetbaggers, and political adventurers who made a new home in the Korean peninsula between 1876 and 1945. These settlers were Uchida’s “brokers of empire.” The “brokers” cooperated with the state while pursuing colonial projects of their own, and helped shape Japan’s empire in Korea. Uchida has a meticulous eye for detail and highlights evolving dynamics between settlers, Koreans, the colonial government in Korea, and the Japanese metropole. This is a long book, but I simply couldn’t put it down—it left me wanting more.
Between 1876 and 1945, thousands of Japanese civilians-merchants, traders, prostitutes, journalists, teachers, and adventurers-left their homeland for a new life on the Korean peninsula. Although most migrants were guided primarily by personal profit and only secondarily by national interest, their mundane lives and the state's ambitions were inextricably entwined in the rise of imperial Japan. Despite having formed one of the largest colonial communities in the twentieth century, these settlers and their empire-building activities have all but vanished from the public memory of Japan's presence in Korea.
Drawing on previously unused materials in multi-language archives, Jun Uchida looks behind the…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
Takashi Fujitani offers a surprising historical narrative, telling the story of Korean soldiers in the Japanese army alongside that of Japanese-American soldiers in the United States during World War II. What is striking here is how total global war pushed both the United States and Japan to similar policies toward minority populations. Both abandoned more “vulgar” forms of racism (explicit discrimination) for what Fujitani calls a “polite racism,” where minority groups were now deemed as capable of cultural assimilation. But what really is inspiring is that Fujitani juxtaposes two wartime enemies—the United States and Japan—to show just how similar they actually were.
Race for Empire offers a profound and challenging reinterpretation of nationalism, racism, and wartime mobilization during the Asia-Pacific war. In parallel case studies - of Japanese Americans mobilized to serve in the United States Army and of Koreans recruited or drafted into the Japanese military - T. Fujitani examines the U.S. and Japanese empires as they struggled to manage racialized populations while waging total war. Fujitani probes governmental policies and analyzes representations of these soldiers - on film, in literature, and in archival documents - to reveal how characteristics of racism, nationalism, capitalism, gender politics, and the family changed on…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
Sayaka Chatani begins with a simple question. Why did tens of thousands of young men from across the empire in the 1930s and 1940s enthusiastically embrace Japanese nationalism and volunteer for service in the Japanese military? She finds the answer in village youth associations, which served as a vehicle for youth mobilization in rural Japan, Korea, and Taiwan. Her most original argument is that ideological campaigns mattered less than the social mobility and the chance for empowerment that youth associations offered. More strikingly, assimilation was not limited to the colonies. Japanese youths in Tohoku, Chatani shows, were “Japanized” in similar ways to those in Korea and Taiwan. This is an innovative and imaginative book. I cannot praise it highly enough.
By the end of World War II, hundreds of thousands of young men in the Japanese colonies, in particular Taiwan and Korea, had expressed their loyalty to the empire by volunteering to join the army. Why and how did so many colonial youth become passionate supporters of Japanese imperial nationalism? And what happened to these youth after the war? Nation-Empire investigates these questions by examining the long-term mobilization of youth in the rural peripheries of Japan, Taiwan, and Korea. Personal stories and village histories vividly show youth's ambitions, emotions, and identities generated in the shifting conditions in each locality. At…
What are some countries rich and others are poor? I strongly believe that this is the most important question for modern economics. I've become an economist to understand this. I am happy that in recent decades economists – working closely together with other social scientists – have made so much progress in this field. And this is not abstract knowledge – it is being applied already to help developing countries catch up with the rich world. I have seen it myself when I took a leave from academia to work as a Chief Economist of a development bank (European Bank for Reconstruction and Development) – to learn more from and to contribute to this work.
This is a great textbook as well. But it has two important advantages.
First, it came out 10 years later than Why Nations Fail, therefore covering so much more recent research in this very vibrant field of interdisciplinary work on what drives and what slows down economic development.
Second, while the authors have worked on these issues themselves, they are much less focused on one of the explanations of development and provide a more balanced view of the field.
Very informative read even for those who (like me) have already read a lot on the subject. A treasure of previously unknown stories of development and underdevelopment to discuss with friends and students.
Most humans are significantly richer than their ancestors. Humanity gained nearly all of its wealth in the last two centuries. How did this come to pass? How did the world become rich?
Mark Koyama and Jared Rubin dive into the many theories of why modern economic growth happened when and where it did. They discuss recently advanced theories rooted in geography, politics, culture, demography, and colonialism. Pieces of each of these theories help explain key events on the path to modern riches. Why did the Industrial Revolution begin in 18th-century Britain? Why did some European countries, the US, and Japan…
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
