Here are 100 books that The Social Life of Opium in China fans have personally recommended if you like
The Social Life of Opium in China.
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I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
Gerth's sweeping research, eye for detail, and beautiful prose help us understand how the rejection of foreign commodities was critical to the creation of Chinese nationalism and state-building in the early twentieth century. Rather than reject consumer culture per se, the Government and businesses pushed the Chinese to consume only "Chinese" goods. This nationalistic consumer culture was built though with the same tools we find in the West--advertising, exhibitions, and fashion. Chinese consumer culture can be seen then as both global and local.
"Chinese people should consume Chinese products!" This slogan was the catchphrase of a movement in early twentieth-century China that sought to link consumption and nationalism by instilling a concept of China as a modern "nation" with its own "national products." From fashions in clothing to food additives, from museums to department stores, from product fairs to advertising, this movement influenced all aspects of China's burgeoning consumer culture. Anti-imperialist boycotts, commemorations of national humiliations, exhibitions of Chinese products, the vilification of treasonous consumers, and the promotion of Chinese captains of industry helped enforce nationalistic consumption and spread the message-patriotic Chinese bought…
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
This is the book I had been waiting for and was so delighted when it appeared. It provides a fascinating and sweeping account of the meaning of tea in Chinese culture from its earliest appearance to the late imperial period. Benn has a wonderful eye for examples and delicious details that illuminate how religion, art, poetry, class, and gender created a commodity and culture that travelled around the world. A great place to start if you are interested in the history of tea or China.
Tea in China explores the contours of religious and cultural transformation in traditional China from the point of view of an everyday commodity and popularbeverage. Th e work traces the development of tea drinking from its mythical origins to the nineteenth century and examines the changes in aesthetics, ritual, science, health, and knowledge that tea brought with it.
Th e shift in drinking habits that occurred in late medieval China cannot be understood without an appreciation of the fact that Buddhist monks were responsible for not only changing people's attitudes toward the intoxicating substance, but also the proliferation of tea…
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
A classic work of global political economy written just before the genre became fashionable. I constantly return to this book to think about the role of China in producing, shaping, and being altered by global capitalism in the nineteenth century. Gardella does not romanticize the Chinese economy as an alternative to Atlantic world slaved-based capitalism, but rather he considers how Chinese practices could be deeply exploitative. At the same time, he shows how the Chinese worked with and against the colonizing forces of Euro-American imperialism right up until the 1930s. I also love Gardella's amazing footnotes!
Few commodities are as synonymous with any civilization as tea with China. This book analyzes the multifaceted influence of tea production and the tea trade upon Fujian, a premier tea-growing region, illuminating the economic, social, fiscal, and environmental ramifications of China's involvement with a dynamic world economy. Today, as contemporary China increasingly opens up to foreign trade, the historical experience documented here takes on a renewed importance.
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
Much of the Western world but especially eighteenth and nineteenth-century Britain obsessively purchased, collected, displayed, and thought about Chinese things. A brilliant literary critic, Elizabeth Chang traces this obsession through a wide variety of British texts from Sir William Chambers, Dissertation on Oriental Gardening (1772) to Isabella Bird's, Chinese Pictures (1904). Chang takes us on an intimate journey into a pleasurable yet imperialistic and often racist material culture that still shapes the way the West looks at and consumes Chinese products.
This book traces the intimate connections between Britain and China throughout the nineteenth century and argues for China's central impact on the British visual imagination. Chang brings together an unusual group of primary sources to investigate how nineteenth-century Britons looked at and represented Chinese people, places, and things, and how, in the process, ethnographic, geographic, and aesthetic representations of China shaped British writers' and artists' vision of their own lives and experiences. For many Britons, China was much more than a geographical location; it was also a way of seeing and being seen that could be either embraced as creative…
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
A brilliant account of the two Opium Wars showing how they have been remembered in particular ways in order to make modern political points. Lovell shows us how political operators on both sides used the question of the opium trade to further their own interests. It exposes the nasty business of imperialism but also takes down a lot of myths about the wars. The book allows us to see the conflicts both in terms of what happened at the time, and how views over those events changed over the following century and a half. She explores the international history of opium and how it became linked with racist representations of Chinese overseas and how this continues to affect relations between peoples and governments today.
'A gripping read as well as an important one.' Rana Mitter, Guardian
In October 1839, Britain entered the first Opium War with China. Its brutality notwithstanding, the conflict was also threaded with tragicomedy: with Victorian hypocrisy, bureaucratic fumblings, military missteps, political opportunism and collaboration. Yet over the past hundred and seventy years, this strange tale of misunderstanding, incompetence and compromise has become the founding episode of modern Chinese nationalism.
Starting from this first conflict, The Opium War explores how China's national myths mould its interactions with the outside world, how public memory is spun to serve the present, and how…
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
This excellent book illuminates the culture of intoxicants in northeast China under Japanese occupation. Smith examines Chinese literature, advertisements, and popular culture to show how liquor and opium were depicted in contemporaneous mass media and impacted local urban communities. He also investigates how popular conceptions of "health" tied in with programs initiated by the Japanese authorities to control local populations, while advertisers of patent medicines, cordials, and tonics also picked up on these themes. Some of the highlights of Intoxicating Manchuria include masterfully vivid descriptions and illustrations of cartoons revealing the uneasy relationship between law enforcement, retailers, public health practitioners, and corporations.
Intoxicating Manchuria reveals how the powerful alcohol and opium industries in Northeast China were altered by warlord rule, Japanese occupation, political conflict, and a vigorous anti-intoxicant movement. Through the lens of the Chinese media's depictions of alcohol and opium, Norman Smith examines how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in the portrayal of intoxicants, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I first listened to this book about 20 years ago, and to write this article, I revisited it. In 20 years, many things have changed. Yet, my love for this book remains as strong as ever. I love its simple opening sentence and foreshadowing closing sentence. I love the details—the vivid, realistic descriptions of the characters, emotions, setting, culture, customs, and language. I felt immersed in the scenes, right alongside the characters. Using a Chinese expression, the book flows smoothly and naturally, like clouds and water. I believe this book represents the pinnacle of Pearl S. Buck’s career, not just because it won the Nobel Prize for Literature but because the quality of the writing is truly extraordinary.
I must also mention that Anthony Heald narrates this audiobook. His voice is captivating and mesmerizing; I believe he’s one of the best narrators in the world. I recently watched a short…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.
"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe
"Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books
An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist
The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and…
I fell in love with Asia as a young boy growing up in Phoenix, Arizona. Many of my playmates were Asian Americans, and I was fascinated by the photos of their ancestors who had immigrated to America. That curiosity grew to a passion—one that led me to a long career as an Asian expert in the US Government. My first visit to China in the early 1980s took me to Shanghai before its incredible transformation. I knew much of its history, but walking the streets, seeing the buildings, and encountering its citizens made it real and left me wanting more. The history of Shanghai became a hobby.
What Pan Ling does for the Chinese side of the story, Grescoe does for the Western expats living in 1930s Shanghai. I stayed in the Cathay in the 1980s long after it had been renamed Peace Hotel.
But the old glamour shined through and I wondered what incredible things the building had seen. Grescoe’s book took me back to its glory days and introduced me to the people—and some of their more notorious doings—who frequented its salons, bars, and restaurants.
On the eve of WWII, the foreign controlled port of Shanghai was the rendezvous for the twentieth century's most outlandish adventurers, all under the watchful eye of the illustrious Sir Victor Sassoon. Emily Hahn was a legendary New Yorker writer who would cover China for nearly fifty years, playing an integral part in opening Asia up to the West. But at the height of the Depression, Emily "Mickey" Hahn, who had just arrived in Shanghai nursing a broken heart after a disappointing affair with an alcoholic Hollywood screenwriter, was convinced she would never love again. When she enters Sassoon's glamorous…
Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.
This is a very unique novel about the life of a nomadic tribe of hunters and reindeer herders called Evenki who reside in the northern part of Inner Mongolia. The story is told through an old woman at the end of the 20th century looking back at the joyful and tragic events of five generations of her clan. Wild nature is at its most beautiful and most cruel. Then the Japanese invasion, the Chinese lumber trade, and modernization gradually force the tribe to give up their carefree lifestyle. Sadness drips from the story, told in a wistful and quiet tone.
I love the novel for the rich imagery of nature and the human interaction humming underneath.
'A long-time confidante of the rain and snow, I am ninety years old. The rain and snow have weathered me, and I too have weathered them'.
At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.
