100 books like The Social Life of Opium in China

I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.

I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.

I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.

I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.

I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.

I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.

A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.

“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”

I am a scholar of literature, literary history, and American Studies based at the University of Hong Kong where I landed thanks to a Fulbright Scholarship in 2008. Prior to this I was very happily in Philadelphia, researching authors and artists who alluded to lucrative trade in the Far East when rendering scenes of the Far West premised on the promotion or the protest of continental Manifest Destiny. Archival materials at the Library Company and Swarthmore College inspired me to visit the places about which I was writing. Travelling to places that feature in my scholarly projects keeps me busy studying languages and humbly amazed by the enduring cultural varieties of our shared humanity.

Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.