Here are 100 books that The Natural Way to Draw fans have personally recommended if you like
The Natural Way to Draw.
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As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
As a new art teacher, I started to doubt the usefulness of the endless praise given by other art teachers.
The repetitive use of "good job" lost its meaning and encouraged students to crave more praise. I believed that art had no right or wrong way of execution, and that even professional critics had varying opinions on what constituted good or bad art.
As a result, I avoided praising work based solely on my personal preferences.
Alfie Kohn's book on praise was a great relief for me as it solved my concerns about endless praise in the classroom. Now, I explain to students that advice does not require praise.
This approach fosters creativity and experimentation, without the unrealistic expectation of having students feel the need to like everything they draw.
The basic strategy we use for raising children, teaching students, and managing workers can be summarized in six words: Do this and you'll get that. We dangle goodies (from candy bars to sales commissions) in front of people in much the same way we train the family pet. Drawing on a wealth of psychological research, Alfie Kohn points the way to a more successful strategy based on working with people instead of doing things to them. "Do rewards motivate people?" asks Kohn. "Yes. They motivate people to get rewards." Seasoned with humor and familiar examples, Punished By Rewards presents an…
As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
As a speaker at a conference on Howard Gardner's work on the "Nature of Intelligence," I learned that drawing what you are learning can result in eight times faster and longer retention of the information.
This inspired me to use drawing for learning. Nancy Margullies' book on using diagram drawings, to remember information, was invaluable to me.
As I trained teachers in my drawing methods across the U.S. and Canada, they reported improved student learning and retention. They suggested integrating the method into other subjects, such as drawing parts of a flower during a science lesson, which led to increased comprehension and retention.
I applied Margullies' Mind Mapping system to conference information and shared it with my drawing students, who successfully used the technique for homework and school subjects.
Visual Mapping is an easy-to-learn, straightforward system for generating and organising any ideas. Using a central image, key words, colours, codes and symbols, the process is both fun and fast. For many the traditional style of writing ideas in a linear fashion, using one colour on a lined piece of paper, is habit. Retraining the brain to draw ideas radiating from a central image takes practice and patience, but the benefits are considerable, particularly for students and teachers who like to see "the big picture". This second edition includes full colour maps, explores a range of mapping styles and takes…
As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
I personally recommend this book because it is a must-read for anyone dealing with students who struggle with learning or underperform in certain subjects.
Over the course of my 45-year career, I have encountered hundreds of individuals, including myself, who have struggled with math despite being highly skilled in drawing or art.
Howard Gardner, the head of Harvard University's Project Zero, has been a leader in the field of intelligence research since the late 1970s. His work rendered IQ tests irrelevant for measuring intelligence in education.
Understanding Gardner's work is critical to understanding how individuals function, and it has changed the way I interact with difficult students.
Reading this book gave me a new perspective on intelligence and helped me see it in a completely different light.
The most complete account of the theory and application of Multiple Intelligences available anywhere.
Howard Gardner's brilliant conception of individual competence, known as Multiple Intelligences theory, has changed the face of education. Tens of thousands of educators, parents, and researchers have explored the practical implications and applications of this powerful notion, that there is not one type of intelligence but several, ranging from musical intelligence to the intelligence involved in self-understanding.
Multiple Intelligences distills nearly three decades of research on Multiple Intelligences theory and practice, covering its central arguments and numerous developments since its introduction in 1983. Gardner includes discussions…
As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
After reading this book, I discovered a new art form.
Lucia was a multifaceted creative professional. She collaborated with schools to train teachers in creative journal writing, developed a method called "healing the inner child," and co-wrote The Arts in Schools program with L.A. school officials.
The book discusses brain functions and ways to enhance creativity. The author recounts her experiment with drawing and writing using her non-dominant hand and encourages readers to try it themselves.
I tried it out as a test subject, and instead of drawing upside down, the author asked me to write a question with my dominant hand and answer it with the other.
The answers were unexpectedly profound, and drawing with my non-dominant hand was an eye-opener.
Brain researchers have in recent years have discovered the vast, untapped potential of the brain's little-used, right hemisphere. Art therapist Lucia Capacchione discovered that our nondominant hand is a direct channel to that potential. Her research and fieldwork with people using their "other hand" provides the raw material for this classic, first published in 1988.
In workshops and private sessions, Lucia has worked with thousands of people, employing these techniques to help them become more creative, expressive, and intuitive in their day-to-day lives and also experience improved health and greater fulfillment in their relationships.
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Long out of print and expensive, this classic of illustration techniques has been republished. Although it was first published over 70 years ago, the sections on color and painting will prove useful for any artist, whether they work for concept art, galleries, or illustration. Loomis was a top magazine illustrator and devoted his later years to writing encouraging and practical guides that covered all the key topics.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
I grew up in a family of artists and then went to art school, so I have been thinking visually my entire life. I have always collected random, inspiring books with both words and images. I love being able to pick up a book and read a chapter at a time or flip through it for visual inspiration. I keep some of my favorite books at my bedside just because they give me comfort. There are so many more books I could recommend in the category I have chosen!
Be sure not to let the title deceive you, though. It is useful for artists at all levels because it is a place to refresh basic skills. To see in a very clear way how to draw a man standing is super helpful no matter where you are in your art practice.
If you aim to draw fantastical caricatures or very realistically, this book breaks it all down for you so that you can hit the ground running in your own personal style.
This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined!
Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all-from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds...not with Mark and Mary as your guide!)
At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes-24 mini-demos lead up to…
As a speech pathologist, as well as a fiction writer and poet, I’ve been fascinated by language ever since I learned how to speak. Once I had kids, I was amazed to listen in on their conversations, which often surprised me in all the ways they were discovering and thinking about the world. I began researching how the adults in their lives could best help them express themselves—and how we can best understand them. Along the way, I realized that having these sorts of conversations can enhance our family lives and let us have more fun. I hope this list starts up some great conversations for you!
Do you have a child who says, “I don’t know what to draw” or “I’m not creative?” This book is an especially helpful way to get the creative conversation started. By giving simple prompts and helping kids develop specific artistic skills like tone, pattern, and shape, this book lets you and your kids flex your creative muscles in a low-stakes way. I’ve found it helpful as a jumpstart to more open-ended drawing activities, and an easy way to get into a routine of creating, even in 5- or 10-minute chunks. Try using it for conversations about what kind of drawing you each like, or what kind of creative goals you want to set.
Get lost in your creativity with 365 Days of Drawing, a thoughtful and inspiring art journal designed to help you carve out moments of self-expression.
Lorna shows you that drawing does not have to be scary - it can be done with any materials, in any colour, in any style and can be done anywhere.
Each activity has been given a loose category: imagination, tutorial, relaxation, colour theory, and observational, so that you can practice a broad range of drawing skills. Each 'theme' is designed to expand your creative skills and spark the artist within.
My journey into art began as a serendipitous discovery that unfolded through curiosity. As a “can’t-be-tamed” creative, I understand the tug-of-war artists feel – craving to learn skills and create “quality” pieces, while also thumbing the snooze-fest of sticking to one thing. Been there, done that, got the paint-splattered t-shirt. This has ignited a passion for encouraging others to find their own creative voice, as I've navigated the same path while building a multifaceted career in watercolor, gouache, line drawing, urban sketching, brush lettering, and calligraphy…need I go on? The thing is, I will because there is still so much to be explored.
I think this book is perfect to address creative ruts, when we feel like we’ve explored all the usual avenues of inspiration. I love that it’s interactive with a mix-and-match prompt system.
It provides a breath of fresh air and aligns with how I love to generate random drawing prompts. I love discovering a new combination of prompts, pushing me out of my comfort zone and into creative territories I hadn't dared to venture before.
It's not just a book; it's a companion for those moments when the blank page seems daunting.
A unique mix-and-match book that generates thousands of ideas for tackling a blank sketchbook page
Designed to kickstart creativity for artists and hobbyists, the pages of this book are divided into three separate sections that can be flipped, mixed, and matched to generate more than 100,000 unique sketchbook prompts! Jennifer Orkin Lewis, author of Draw Every Day, Draw Every Way and 100 Days of Drawing, has gained a dedicated following on Instagram by posting her daily sketches. The Sketchbook Idea Generator begins with an introductory section, in which Jennifer provides examples of her work as well as insight into her…
I am a child psychologist and an award-winning author of several books for children and teens related to emotions, behavior, and the science behind them. I believe children love to see themselves in books and to learn about others. Making complex information clear and watching children light up with understanding is my goal for every book I write.
As an artist, Corinna Luyken knows that mistakes happen. But some children crumple their papers and toss them with each perceived error. The Book of Mistakes demonstrates how mistakes are part of learning and growing. The illustrator takes each mistake and incorporates it into an expanding drawing until, voila, there is a magnificent two-page spread. But, she doesn’t stop there. The ending will surprise and delight and leave young children with the confidence to go make their own mistakes.
Zoom meets Beautiful Oops! in this memorable picture book debut about the creative process, and the way in which "mistakes" can blossom into inspiration
One eye was bigger than the other. That was a mistake. The weird frog-cat-cow thing? It made an excellent bush. And the inky smudges... they look as if they were always meant to be leaves floating gently across the sky.
As one artist incorporates accidental splotches, spots, and misshapen things into her art, she transforms her piece in quirky and unexpected ways, taking readers on a journey through her process. Told in minimal, playful text, this…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
As today’s artists are shifting boundaries of genres, creative debates are opened up and generate transformative methodologies. This book was instrumental for us, in instituting and revealing the relationship between drawing and performing, Butler, and de Zegher’s catalogue, demonstrates artworks at the forefront of the progressively vibrant and forward-thinking approach to art that contributes to the expanded field of drawing.
On Line: Drawing Through the Twentieth Century explores the radical evolution of drawing that took place during the last century and through to the present day, as numerous artists subjected the traditional concepts of the medium to a critical examination. In a revolutionary departure from the institutional definition of drawing, and from reliance on paper as the fundamental support material, artists instead pushed the line across the plane and into real space, expanding the medium in relation to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published to accompany an exhibition at The Museum of…
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