Here are 17 books that Nausicaä of the Valley of the Wind fans have personally recommended if you like
Nausicaä of the Valley of the Wind.
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Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.
Bone was the first book I ever read on my own as a 5th grader. For the first time, I didn’t use an audiobook or need a parent/teacher to read it to me. For that alone, I’ve put it at the top of the list. Bone follows the story of three wayward brothers as they each find their way to a fantastical valley filled with mythical dragons, bizarre creatures, and a lost princess. What starts off as this fun and goofy comic, spirals into this adventure of epic proportions as the author-illustrator takes young readers into a world they never imagined before.
This fast-paced saga helped captivate me from the first page to the last and I personally owe a lot to this book for helping me overcome my dislike for reading as a young person. This book helped me on my journey to becoming a reader and it…
Winner of 41 National and International Awards including 10 Eisner Awards and 11 Harvey Awards!
Meet the Bone cousins, Fone Bone, Phoney Bone and Smiley Bone, three misfits who are run out of Boneville and find themselves lost in a vast uncharted desert. They make their way into a deep, forested valley filled with wonderful and terrifying creatures. With the help of the mysterious Thorn, her tough-as-nails Gran’ma Ben and the Great Red Dragon, the boys do their best to survive in the middle of brewing trouble between the valley’s denizens.…
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
This one is a completely wordless story that transports you back to the time when dinosaurs roamed the planet. It follows a pack of deinonychus who steal the eggs of a tyrannosaurus and a hunt ensues. Through lively drawings and colors that pop, you get to know the personalities of all these different dinosaurs and feel the difficult and often vicious life back then. It’s out of print, but if you can find a copy it’s worth it. There are a few more books in this series that are also great, but this was my first and I cherish my copy.
Thundering herds of lizards roam Cretaceous America, and the earth trembles with their passage. Enormous yet graceful meat-eaters shred the still-living meat from the bones of placid plant-eating saurians. Tyrannosaurus rex, the most fearsome carnivore that ever lived, is king. But even T-rex isn't safe from the greedy eyes and the ravenous appetites of a band of bird-quick Deinonychus. A tale from an age before humans and language, Age of Reptiles: Tribal Warfare is a 128-page epic told entirely in pictures. Ricardo Delgado, production artist for "Star Trek: Deep Space Nine," has crafted the finest graphic novel about dinosaurs ever…
In my opinion, a good adventure story does two things at once: it compels you to turn pages, while, paradoxically, also enticing you to get off the couch and go out into the beautiful, magical world, pregnant with unlimited possibilities, right outside your door, just waiting for you to notice it. I’ve hitchhiked, I’ve been lost in the jungle, I’ve sailed, I’ve run whitewater rivers, and I’ve written and drawn New Yorker cartoons and picture books. I hope these books are as hard for you to put down as they were for me, and when you do put ‘em down, it’s only to throw on your rucksack and head out in search of adventure!
This is one I just discovered (and have only read once, so far) but I immediately ordered copies for all my nieces and nephews. An important element of the kind of adventure graphic novel I love is art that conveys a carefully observed world, one which reminds us that if we slow down and pay attention marvels will reveal themselves to us. This Was Our Pact does precisely that. It starts off with kids on bikes setting off into the night, following their curiosity, and then swerves into the fairy tale territory of ancient rituals and magical creatures.
It's the night of the annual Autumn Equinox Festival, when the town gathers to float paper lanterns down the river. Legend has it that after drifting out of sight, they'll soar off to the Milky Way and turn into brilliant stars. This year, Ben and his classmates are determined to find out where those lanterns really go, and they made a pact with two simple rules: No one turns for home. No one looks back.
The plan is to follow the river on their bikes for as long as it takes to learn the truth, but it isn't long before…
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
Another book of beautiful drawings (noticing a theme?), the dynamic lifework pulls you into a parallel dimension along with the characters. The protagonist crosses dangerous lines to find his partner and you are along for the ride in a new world. Also, check out Malassange’s work with Studio La Cachette, the animation studio he co-founded – it’s great!
Nills and Anaelle were looking forward to the first night in their rustic cabin in the woods. But the couple's idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: stay behind or leap through after her?
He leaps. And that's when things get really weird.
In Kairos, French graphic novelist Ulysse Malassage turns the typical damsel-in-distress narrative on its…
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This gorgeous catalogue is an event in itself that commemorates an even more interesting event, the fact that the brand new Museum of the Academy of Motion Pictures chose as its first special exhibition not the work of an American director, and not the work of a live-action auteur but the work of a Japanese animation director who lives and creates thousands of miles from Hollywood. The catalogue is not only beautifully illustrated with scenes from Miyazaki movies and reproductions of many of Miyazaki’s storyboards, but also contains some excellent essays by the exhibition’s curators, including Jessica Niebel and Daniel Kothensculte. The curators draw on their film and art expertise to give insightful, sensitive readings of the director and his contributions to the world of cinema.
A richly illustrated journey through the extraordinary cinematic worlds of beloved filmmaker Hayao Miyazaki
For over four decades, Hayao Miyazaki has been enchanting audiences of all ages. His animated films, often featuring children navigating unfamiliar and challenging worlds, offer timeless explorations of youth and what it means to grow up. Celebrated and admired around the globe for his artistic vision, craftsmanship and deeply humanistic values, Miyazaki has influenced generations of artists. The universal appeal of his evocative natural settings and complex characters, many among them strong girls and young women, cuts across cultural boundaries.
My Globetrotter Book’s creative adventure originated from a deep desire to show the world to my son... I am from Quebec, Canada, but I have lived and traveled across the globe with my family for 20+ years and – so far – have lived in Montreal, Paris, New York, Tokyo, and Bangkok! I work as an international consultant on water security issues with the United Nations and other international organisations. My son has grown up, so now, I continue to inspire other kids to explore the myriad beauties and cultures of the world and, as of 2022, to "journey within" with the creation of My Bodytrotter Book.
For any child who has an interest in Japan, this is a must! This Studio Ghibli animation is also delightful in its graphic novel form. Set in rural Japan, the two young sisters Satsuki and Mei meet Totoro, a magical colossal good-natured creature who lives in the trunk of a big tree. The story is infused with enchantment, humor, and childhood delight. All children deserve to have their childhood enriched with this Japanese jewel.
The beloved animation classic by legendary Studio Ghibli director Hayao Miyazaki, My Neighbor Totoro, is now a novel. This edition features original illustrations by Miyazaki himself, accompanying a story by veteran children's author Tsugiko Kubo.
Eleven-year-old Satsuki and her sassy little sister Mei have moved to the country to be closer to their ailing mother. Soon, in the woods behind their spooky old house, Satsuki and Mei discover a forest spirit named Totoro. When Mei goes missing, it's up to Satsuki to find her sister, and she'll need help from some new, and…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This short book is a detailed study of just one great film, scholarly but without jargon.
Along the way, he points out many details I had missed. He also demonstrates the connections of Spirited Away to Miyazawa Kenji’s Night of the Milky Way Railway, and other sources and inter-textual references. Very interesting and revealing.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent general review of the films from Castle of Cagliostro to Princess Mononoke, including plot outline, character studies, technical notes, and appreciations of the films. She is very insightful about the artistic technique. And there’s an interesting chapter at the end about Miyazaki merchandise. This would be a good starting point for a fan.
Anime is a huge market, and this is the exclusive, definitive book on the leading master of Japanese animation today, Hayao Miyazaki. Disney has licensed the Miyazaki line (e.g., Kiki's Delivery Service ) and plans another major release this summer. This book supplies informed discussions of style and narrative for each of Miyazaki's major films, with all the data and detail fans want.
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
These are collections of writings by Miyazaki in translation: interviews, essays, production notes, doodles, and even poems. These are sometimes directly related to the films, and sometimes on general themes such as artistic integrity, the environment, and contemporary Japan. You get a picture of Miyazaki: deeply thoughtful, ethically engaged, and playfully child-like. Plus, lots of cool illustrations. The second volume goes up through Howls’ Moving Castle.
A hefty compilation of essays (both pictorial and prose), notes, concept sketches and interviews by (and with) Hayao Miyazaki. Arguably the most respected animation director in the world, Miyazaki is the genius behind Howl's Moving Castle, Princess Mononokeand the Academy Award-winning film, Spirited Away.
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
Fluent in Japanese and with a background in Japanese literature, Steve Alpert worked initially at Disney in Japan and then for a number of years at Miyazaki’s Ghibli Studio and writes about his experiences in this delightful and frequently hilarious book. He gives us fascinating details about Miyazaki and his fellow director Takahata and producer Suzuki, especially in relation to what are perhaps the two most famous of Miyazaki’s movies, Princess Mononokeand Spirited Away.
The chapter on Princess Mononokeis particularly interesting as it includes a detailed and very funny account of negotiations between Ghibli and Disney as to how to translate the film’s elegant Japanese script and complex worldview into something that could be understood by an American audience. The Disney executives keep asking Alpert “Who’s the bad guy?” and seem unable to cope with the answer that “There is no…
This highly entertaining business memoir describes what it was like to work for Japan's premiere animation studio, Studio Ghibli, and its reigning genius Hayao Miyazaki. Steve Alpert, a Japanese-speaking American, was the "resident foreigner" in the offices of Ghibli and its parent Tokuma Shoten and played a central role when Miyazaki's films were starting to take off in international markets. Alpert describes hauling heavy film canisters of Princess Mononoke to Russia and California, experiencing a screaming Harvey Weinstein, dealing with Disney marketers, and then triumphantly attending glittering galas celebrating the Oscar-winning Spirited Away.
His one-of-a-kind portraits of Miyazaki and long-time…
