100 books like Spirited Away

This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.

Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.

This is an excellent general review of the films from Castle of Cagliostro to Princess Mononoke, including plot outline, character studies, technical notes, and appreciations of the films. She is very insightful about the artistic technique. And there’s an interesting chapter at the end about Miyazaki merchandise. This would be a good starting point for a fan. 

These are collections of writings by Miyazaki in translation: interviews, essays, production notes, doodles, and even poems. These are sometimes directly related to the films, and sometimes on general themes such as artistic integrity, the environment, and contemporary Japan. You get a picture of Miyazaki: deeply thoughtful, ethically engaged, and playfully child-like. Plus, lots of cool illustrations. The second volume goes up through Howls’ Moving Castle. 

Whereas my book is about the ideas that come out of the films, this book is on the philosophy of Miyazaki himself, based on his writings and interviews. It is organized not by film or chronology, but by themes, such as Time, Space, Vision, and my favorite, “The Courage to Smile.” She describes the director’s picture of the world and uses the films as illustrations. The book has certain fannish qualities, but is enriched by a creative selection of contemporary philosophers. 

This book has remained consistently influential and thought-provoking from the time it was written in 2006. Kelts uses the notion of the moebius strip to analyze the sometimes surprisingly rich and complex dynamics in the mutual relationship between Japanese and American popular culture. He explains how much each country’s art and entertainment culture has influenced the other in an interweaving tapestry of history, art, and inspiration. At a time when the question of cultural appropriation is still a provocative subject, Kelt’s book reminds us of how fruitful cultural interchange can be.

And here is your dessert course! 

Fluent in Japanese and with a background in Japanese literature, Steve Alpert worked initially at Disney in Japan and then for a number of years at Miyazaki’s Ghibli Studio and writes about his experiences in this delightful and frequently hilarious book. He gives us fascinating details about Miyazaki and his fellow director Takahata and producer Suzuki, especially in relation to what are perhaps the two most famous of Miyazaki’s movies, Princess Mononoke and Spirited Away.

The chapter on Princess Mononoke is particularly interesting as it includes a detailed and very funny account of negotiations between Ghibli and Disney as to how to translate the film’s elegant Japanese script and complex worldview into something that could be understood by an American audience. The Disney executives keep asking Alpert “Who’s the bad guy?” and seem unable to cope with the answer that “There is no… show more.

This gorgeous catalogue is an event in itself that commemorates an even more interesting event, the fact that the brand new Museum of the Academy of Motion Pictures chose as its first special exhibition not the work of an American director, and not the work of a live-action auteur but the work of a Japanese animation director who lives and creates thousands of miles from Hollywood. The catalogue is not only beautifully illustrated with scenes from Miyazaki movies and reproductions of many of Miyazaki’s storyboards, but also contains some excellent essays by the exhibition’s curators, including Jessica Niebel and Daniel Kothensculte. The curators draw on their film and art expertise to give insightful, sensitive readings of the director and his contributions to the world of cinema.

For any child who has an interest in Japan, this is a must! This Studio Ghibli animation is also delightful in its graphic novel form. Set in rural Japan, the two young sisters Satsuki and Mei meet Totoro, a magical colossal good-natured creature who lives in the trunk of a big tree. The story is infused with enchantment, humor, and childhood delight. All children deserve to have their childhood enriched with this Japanese jewel.

Hayao Miyazaki is rightly renowned as one of the greatest animation directors of all time. But he also created this amazing comic over many years, while also directing films. Nausicaä is a fantasy epic, over 1000+ pages of lush drawings telling a beautiful story. It’s a post-apocalyptic world filled with warring factions, giant insects, and dark secrets. One young woman is trying to find her way through this world and put things right, though the right thing to do isn’t always clear. It’s a great story that I recommend to anyone who loves comics, adventures, or the environment. 

Following Kokiri, she shyly mounted her broom and kicked off the ground. Instantly, her body grew light—she was floating!

This is the classic book that inspired the beloved film of the same name. Thirteen-year-old Kiki sets off, in the tradition of witches, to find a town to serve for a year. When she arrives at the seaside town of Koriko, she starts her own business—delivering parcels by broomstick. At first, she assumes it will be easy—hey, she’s Kiki!—but she soon discovers that winning over the locals of Koriko is not so easy. Thankfully, she’s got her wise-cracking cat Jiji on her side . . . as well as her magical broom. This book is absolutely charming!