Fans pick 89 books like The West Wing

I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.

In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.

This book is absolutely wild. It purports to be an adaption of an over-the-top gorefest of a movie, plagued by conspiracy theories. Full of footnotes and behind-the-scenes anecdotes and autobiographical details about how the book itself came to be, it not only supposedly adapts a film but tells a far darker hidden story and is overall a lot of dark and spooky fun.

How far would you go in pursuit of connection? This was the question I was left with after reading this tense and brutal story collection that includes tapeworms, self-crucifixions, and a series of dangerously escalating bets.

Over the course of three unnerving stories, LaRocca explores themes of loss, loneliness, and how humans react to both with stomach-churning gusto, leaving me both horrified and enthralled. Not for the faint of heart and definitely not to be read while eating (I found this out the hard way).

Human creativity is on full peacock feathers out display with this one.

The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids. 

For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.

Although this book is only a few years old, it should be considered a classic in the genre of evil houses. A young woman inherits her mother’s childhood home and decides to convert it into a hotel. Only the place comes with some surprises: ghosts, demons, and an ancient evil that has been locked away in the dark basement. Now that evil is loose again, and the bloodshed and death are just beginning. Author Chantal Noordeloos doesn’t hold back with the frights or the blood, as person after person suffers a horrible death while poor Freya discovers her true destiny is not what she planned, and that the place they call Lucifer Falls might never let her go. 

I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage. 

Another haunted house story, with a similar emphasis on atmosphere. A sister and brother visit a friend whose house is infected with competing ghostly forces. A constant sense of dread permeates the atmosphere. Blackwood keeps the reader on edge, waiting for the shoe to drop. And that’s it. It may pale by today’s standards of horror, but the novel excels at how ghostly presences vie for dominance.

I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.

This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.

While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.

It started out with the hoariest of romance novel cliches—the bickering couple I knew would end up in love—but the setting alone was enough to guarantee spookier plot developments.

Barbara Michaels, better known for her mystery novels as Elizabeth Peters, never fails to entertain, and the descriptions of eerie ghostly manifestations here are top-notch.