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I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat, and a gun.” The first line of one of the great Phillip Marlowe books that I fell in love with.
As a young man, I often went to work with a Raymond Chandler paperback in my pocket. I couldn't put him down. I wanted to be Marlowe and talk like him. Chandler created a hero who taught me American slang language and how to talk the talk. The book follows Marlowe as he looks for the lost girlfriend of a guy just released from prison.
This is a wonderful noir work about a hard-boiled private detective.
The renowned novel from crime fiction master Raymond Chandler, with the "quintessential urban private eye" (Los Angeles Times), Philip Marlowe • Featuring the iconic character that inspired the forthcoming film Marlowe, starring Liam Neeson
Philip Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.
As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
I found this mystery unusual because there are two protagonists, the fledgling detective Truman and his reluctant friend Celeste. I grew up with a canny mother and sisters, and seeing Celeste tacitly guide Truman in his new career, using her broader understanding of the world, feels familiar. The pair confront a blackmailing bully and try to shut down his operation. Their hedonistic approach to life, even in the most intense moments, is lighthearted and fun, and any woman who’s had a gay best friend or vice versa will recognize the humor in the pair of them chasing the same guys.
Never one to let a bully get away with harassing someone, Celeste intervenes with a knockout punch, and in the melee Truman winds up in possession of the bully’s cell phone. Through Truman’s inventive online stalking and Celeste tracking down the victim, they uncover a seedy nest of grifters bent on profiting from human misery. Truman gets involved with Isaac, a closeted lawyer with a quick temper, but how does he fit into the scam? Running down leads at hotel bars, hip boutiques, and a grimy body shop, Truman and Celeste go all in, posing undercover at a night club…
As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
I don’t think Connelly’s intention was to write horror, but his visceral description of the corpses and the minutia of murder in this novel made my stomach churn. An unpleasant experience, yes, but it’s vivid and effective writing. Harry Bosch is a detective with weakness for a specific type of woman, and of course he gets mixed up with Julia, a hot tomato who’s new to the force, and of course she messes up his investigation into the bones. You might want to kick Bosch in the caboose for not thinking more lucidly, but eventually he manages to outsmart his villains.
The outstanding eighth Harry Bosch thriller from the award-winning No. 1 bestselling author of The Lincoln Lawyer. City of Bones is featured in Amazon Prime's BOSCH TV series.
When the bones of a boy are found scattered in the Hollywood Hills, Harry Bosch is drawn into a case that brings up dark memories from his past.
Unearthing hidden stories, he finds the child's identity and reconstructs his fractured life, determined that he won't be forgotten. At the same time, a new love affair with a female cop begins to blossom - until a stunningly blown mission leaves him in more…
As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
As a nonfiction book this doesn’t involve a specific detective, but it covers an array of dark crimes that happened on Bunker Hill, a dense residential neighborhood of downtown LA that was razed in the 1950s. I’m always amazed when true crime stories read as more far-fetched than the cases worked by fictional detectives: bodies in trunks, drunken rampages, shootings, stabbings, dismemberments. So much mayhem happened in those twenty blocks in the few decades the neighborhood existed. If you ever get the wrongheaded idea that the past was more idyllic and innocent than our messed-up era, thumb through Bunker Noir—you’ll see how shockingly violent our predecessors really were.
Bunker Noir! True Crime on Los Angeles's Bunker Hill! Bunker Hill, that mysterious suburb of downtown Los Angeles, covered by ramshackle Victorian mansions, populated by an permanent underclass, hated by City Hall. Bunker Hill was immortalized by pulp crime writers (Chandler, Cain) and in film noir pictures (Criss Cross, Kiss Me Deadly) until City Hall had enough, and wiped the whole thing clean like a stain from a countertop. In its great grand noir years of twisted alleyways and long shadows, crime flourished. We here at Bunker Hill Publishing and Fishmongers, Inc. captured that historic crime in a magazine recalling…
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.
"There was video of the second shooter. There was video."
In the first reports of every mass shooting, there's always mention of a second shooter-two sets of gunshots, a figure seen fleeing the scene-and they always seem to evaporate as events are pieced together.
Commissioned by a fringe publisher to investigate the phenomenon, journalist Mike Karras finds himself tailed by drones, attacked by a talk radio host, badgered by his all-knowing (and maybe all-powerful) editor, and teaming up with an immigrant family of conspiracy buffs.
Together, they uncover something larger and stranger than anyone could imagine-a technomystical plot to 'murder…
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
This book is absolutely wild. It purports to be an adaption of an over-the-top gorefest of a movie, plagued by conspiracy theories. Full of footnotes and behind-the-scenes anecdotes and autobiographical details about how the book itself came to be, it not only supposedly adapts a film but tells a far darker hidden story and is overall a lot of dark and spooky fun.
Camp Ghoul Mountain Part VI is one of the most infamous slasher-movie sequels of the 1980s. Known for its over-the-top gore effects, bizarre and psychedelic campground killer plot—and its legacy as a lightning rod for conspiracy theories concerning everything from UFOs and alien abductions to 9/11 and a secret cabal at the heart of world power. This book contains a complete, authorized adaptation of the infamous cult slasher movie as well as the secret history of the behind-the-scenes drama and high-strange events that inspired the filmmakers, complete with footnotes and autobiographical anecdotes. Camp Ghoul Mountain Part VI: The Official Novelization…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens. Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.
Best of 2021 Lists: New
York Public Library Entertainment
Weekly Indigo And
more...
"A wonderfully dizzy mixture of Men
in Black, John Carpenter, Stephen King, The Matrix, and 1970s conspiracy
thrillers."- Forbes
"A story for
our zeitgeist. SIMMONDS' art invokes Bill Sienkiewicz."- Entertainment
Weekly
"It is FANTASTIC. Can't wait to
read the whole series!"- Patton Oswalt
COLE
TURNER has studied conspiracy theories all his life, but he isn't prepared for
what happens when he discovers that all of them are true, from the JFK
Assassination to Flat Earth Theory and Reptilian Shapeshifters. One organization
has been covering them up for…
I am a political scientist, a professor emeritus at Webster University, with scholarly publications about Latin American and U.S. politics. My interest in conspiracy theories was piqued by a reviewer who dismissed my book on the “democratic façade” of U.S. politics as a “conspiracy theory.” I took umbrage and denied being a “conspiracy theorist.” Years later, conversing with a colleague about Oliver Stone’s JFK, I dismissed his doubts about the lone gunman theory as a conspiracy theory. He asked whether I would similarly dismiss questions about official stories regarding assassinations in South Asia or Latin America. This all set me on the path to studying the role of conspiracies.
I found this book a most accessible, comprehensive and incisive look at QAnon, one of the most baffling mass movements to have blasted into American political culture.
For those of us who live outside the reach of these cult-like believers in a raft of fantastical conspiracy theories, what baffles us is that unlike cults, which are typically withdrawn from mainstream society, QAnon reaches into our most intimate friend and family circles.
For me, where the book shines is in tracing the early appeal, its spiraling growth via the internet, and the links to radical right populists. This book is our best guide into the heart of darkness of Trumpian America.
"I hope everyone reads this book. It has become such a crucial thing for all of us to understand." —Erin Burnett, CNN
"An ideal tour guide for your journey into the depths of the rabbit hole that is QAnon. It even shows you a glimmer of light at the exit." —Cullen Hoback, director of HBO's Q: Into the Storm
Its messaging can seem cryptic, even nonsensical, yet for tens of thousands of people, it explains everything: What is QAnon, where did it come from, and is the Capitol insurgency a sign of where it’s going next?
I first became interested in how societies grapple with extremism when I studied abroad in Germany and learned about post-World War II education about the Holocaust. I then spent two decades studying and writing about how German schools were working to combat rising far-right extremism in the 1990s and 2000s. Today, I find there is much to learn globally, including in my own country of the U.S., from the German approach to combating extremism, which is rooted in the idea of “defensive democracy”—the notion that we can’t only combat the fringe itself, but also must equip the mainstream with the tools to be resilient to it.
Extremist movements today are not just driven by violent hate and ideologies—they are also deeply embedded in a wide range of conspiracy theories. Muirhead and Rosenblum’s book helped me understand how those conspiracy theories spread and why they are so dangerous to democracies around the world—especially for the ways they disorient individuals, delegitimize expertise, and carry antisemitic and Islamophobic ideas into the mainstream.
How the new conspiracists are undermining democracy-and what can be done about it
Conspiracy theories are as old as politics. But conspiracists today have introduced something new-conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying, Russell Muirhead and Nancy Rosenblum show how the new conspiracism differs from classic conspiracy theory, how it undermines democracy, and what needs to be done to resist it.
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.
Filled with sex and violence--in and out of time and space--the three books of The Illuminatus are only partly works of the imagination. They tackle all the coverups of our time--from who really shot the Kennedys to why there's a pyramid on a one-dollar bill.
