Fans pick 100 books like The Illuminatus! Trilogy

Like most Americans, I grew up hearing the codified version of the Charles Manson/Helter Skelter saga, so when I saw yet another Manson book, I had two thoughts: "This sounds like a cash-grab," and, "Ugh...it's probably some lunatic conspiracy theory."

Suffice it to say, I was wrong—dead wrong—on both counts. By now, there's a good chance you've heard the backstory to Tom O'Neill's book: how he came to write it, how long it took him to finish, and (most importantly) what he learned about the Manson case. If you don't know any of this, take my advice and go in blind. CHAOS will floor you.

The most influential book on conspiracy theories, by any measure, published in 1966. Its title shouts Hofstadter’s thesis: A longstanding strain in American politics is marginal, dangerous, and a manifestation of political paranoia. Although countless op-ed writers have reduced his thesis to equate conspiracy theory to a paranoid mind, Hofstadter offers in the book’s first half more than simple social psychological analysis of the far right of the 1950s and 1960s, which included Joe McCarthy, Barry Goldwater, and the John Birch Society.

One of the preeminent mid-twentieth century U.S. historians, Hofstadter wrote wonderfully, engaged in big ideas, and if his work ultimately needs updating and deserves critique, Paranoid Style set the terms for a debate that continues today about conspiracy theories’ role in our political order.

My book came out around the same time as several others on conspiracy theory from humanities scholars. I could spend all five of my book recommendations on their works—and I’m thinking especially here of books by Clare Birchall, Peter Knight, Timothy Melley, and more recently Michael Butter—but several of the authors are included in this recent collection that also features scholars from throughout Europe. The Routledge Handbook situates conspiracy theories within the political and cultural contexts from which they emerge throughout the world, and it includes in a single volume works from a broad range of disciplines that reveal the diversity and scope of the contemporary academic study of conspiracy theory.

Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.

David James Keaton’s newest novel is funny and brutal. After police inform Dave that the body of his wife was found in a guitar case, he does the exact opposite of what any normal individual would do; he goes on a road trip seeking answers. Guided only by his fantasies, paranoia, and coincidences, Dave and some stragglers he picks up along the way traverse a mysterious American landscape peppered with rumors of invisible prisons, insane theories, and violence. Keaton’s work and narrative pace alternate between brilliant and infuriating but, by the end, you’ve gone on a journey that feels as mysteriously connected and deep as the rivers that supposedly flow through the center of the Earth in this enigmatic, brilliant, bat-shit story.

Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.

An absolute achievement of imagination, Torishima’s collection of novellas and novelettes is set in a future in which humans, machines, and alien life are as intertwined as the stories themselves. Attempting to sum up the various horrifying, chaotic and enigmatic worlds of this book is a fool’s errand; its breadth is staggering and can only be read to be understood. Even then, you will likely be left with more questions than answers. Sisyphean stretches itself to the breaking point and then challenges the reader to keep going, to open one’s mind to a torrid future populated by creatures who retain their humanity, but little else. Thankfully, Torishima offers his own illustrations to help you along.

From bat-shit to actual shit, Dread in the Beast is one of the darkest dives into the bowels of humanity — literally. A work of horror centered around filth and foulness, Jacob’s brilliant work weaves a violent landscape with odes to Nietzsche, Aleister Crowley, and pagan gods and goddesses. This isn’t a conspiracy novel, it's just a full-on dive into dark depths and that is one of the reasons it resonates so deeply: Jacob doesn’t hold back, not a bit. To experience an author so fully engage and let herself go into the darkness is as brilliant to behold as it is uncomfortable.

It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens.  Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.

I’d be afraid to meet this detective, Slater, in a dark alley, as he’s unpredictable and has a quick temper. At the same time I have to admit he’s the kind of guy I’d want to date. Smart and competent in his investigative work, Slater is a mass of contradictions, a textbook sex addict and in complete denial about it, plus he drinks too much. His pugilistic approach to the world evolves through the series, and in this book his slightly warped moral compass has him working to outsmart the cops to track down a violent conspiracy theorist.