Here are 76 books that Sisyphean fans have personally recommended if you like
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I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.
Filled with sex and violence--in and out of time and space--the three books of The Illuminatus are only partly works of the imagination. They tackle all the coverups of our time--from who really shot the Kennedys to why there's a pyramid on a one-dollar bill.
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
David James Keaton’s newest novel is funny and brutal. After police inform Dave that the body of his wife was found in a guitar case, he does the exact opposite of what any normal individual would do; he goes on a road trip seeking answers. Guided only by his fantasies, paranoia, and coincidences, Dave and some stragglers he picks up along the way traverse a mysterious American landscape peppered with rumors of invisible prisons, insane theories, and violence. Keaton’s work and narrative pace alternate between brilliant and infuriating but, by the end, you’ve gone on a journey that feels as mysteriously connected and deep as the rivers that supposedly flow through the center of the Earth in this enigmatic, brilliant, bat-shit story.
“A CULT CLASSIC WAITING ON ITS CULT.”
—William Boyle, author of City of Margins
Recently fired from his job, Dave sets out on a manic, misguided quest for answers up the food chain of law enforcement corruption and down the increasingly bizarre Florida coastline. Battling cops, biker gangs, backwoods Bigfoot hunters, and getting tangled in tourist traps (both figurative and literal), he eventually stumbles onto a conspiracy involving body cameras, love locks, and a grand psychological experiment which may reveal the revolving doors and invisible walls of the nation’s prison system.
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.
"There was video of the second shooter. There was video."
In the first reports of every mass shooting, there's always mention of a second shooter-two sets of gunshots, a figure seen fleeing the scene-and they always seem to evaporate as events are pieced together.
Commissioned by a fringe publisher to investigate the phenomenon, journalist Mike Karras finds himself tailed by drones, attacked by a talk radio host, badgered by his all-knowing (and maybe all-powerful) editor, and teaming up with an immigrant family of conspiracy buffs.
Together, they uncover something larger and stranger than anyone could imagine-a technomystical plot to 'murder…
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
From bat-shit to actual shit, Dread in the Beast is one of the darkest dives into the bowels of humanity — literally. A work of horror centered around filth and foulness, Jacob’s brilliant work weaves a violent landscape with odes to Nietzsche, Aleister Crowley, and pagan gods and goddesses. This isn’t a conspiracy novel, it's just a full-on dive into dark depths and that is one of the reasons it resonates so deeply: Jacob doesn’t hold back, not a bit. To experience an author so fully engage and let herself go into the darkness is as brilliant to behold as it is uncomfortable.
DREAD IN THE BEAST used to be a novella about the goddess of waste and the king of wasters. Now it is a novel, stuffed full of the gruesome and horrible. Taken from the mythologies and histories of humankind, it follows the trail of the Mother Spririt of the worst that the world is capable of producing. From the catacombs of ancient Rome where a blasphemous sect twisted the message of the early Christians--to modern America with its obsession with violence, deities and saints and the reincarnations of beasts battle over sublime and profane, where the very reasons for existence…
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
I couldn’t finish this list without including one of the most famous examples of pregnancy in science fiction.
Humanity comes face-to-face with an alien species, the Oankali, who use gene editing, cloning, and mating to refresh their gene pools. The focus is on Lilith, a black woman taken hostage by the aliens who must learn about their plans for her and strategize her responses.
I really appreciate the way Butler’s work manages to speak to the legacy of slavery, particularly through a scene where the aliens create the circumstances for Lilith to breed with a human man in aid of their experiments. Lilith’s refusal to succumb to this animalistic treatment confronts the legacy of breeding humans during slavery.
I find Lilith (like many of Butler’s other characters) a driven character who deals with outlandish situations and the potential invasion of her own body with a pragmatic determination that invites me,…
'One of the most significant literary artists of the twentieth century' JUNOT DIAZ
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
One woman is called upon to reconstruct humanity in this hopeful, thought-provoking novel by the bestselling, award-winning author. For readers of Margaret Atwood, Toni Morrison and Ursula K. Le Guin.
When Lilith lyapo wakes in a small white room with no doors or windows, she remembers a devastating war, and a husband and child long lost to her.
When I was a doctoral student in historical musicology, I went to Paris to study postwar government budgets for music, but it was really boring. So I started hanging out listening to Parisian songbirds instead. The more I learned about birdsong, the more I realized it raised some really big questions, like why biologists and musicians have completely different standards of evidence. Those questions led me to write my book, which is about what it means to sing if you’re not considered fully human, and most of my work today is about how thinking about animals can help us understand what we value in those who are different.
Butler is known for bringing a black, feminist, and queer perspective to science fiction, a genre of futuristic and outer-space storytelling that traditionally features white male protagonists.
But what really captivates me about this book, which is set in a post-apocalyptic future where human survivors are mated with their alien rescuers (really!), is the way it asks icky-yet-intensely-meaningful questions. What does it mean to “be human” in a future of genetic hybridity and gender fluidity? What does it mean to love a partner or children whose genetics and culture are radically different from your own? When is violence futile, and when is it the only way to be heard?
I’m pretty much obsessed with this book, and I promise that any reader who has thought deeply about what it means to be really different will love it too.
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
Sterling burst onto the SF scene with a crash and clatter when I was in high school, and this book, while perhaps not his very best work, is certainly his most creative.
I loved the fact that the aliens were investors rather than conquerors and also the fact that human beings were diverging along so many different vectors that we were rapidly becoming alien to one another.
THE FUTURE OF MANKIND CAN TAKE ONE OF TWO DIRECTIONS...
The Mechanists are ancient aristocrats, their lives prosthetically extended with advanced technology. The Shapers are genetically altered revolutionaries, their skills the result of psychotechnic training and artificial conditioning.
Both factions are fighting to control the Schismatrix of humankind.
The Shapers are losing the battle, but Abelard Lindsay--a failed and exiled Shaper diplomat--isn't giving up. Across the galaxy, Lindsay moves from world to world, building empires, struggling for his cause--but more often fighting for his life.
He is a rebel and a rogue, a pirate and a politician, a soldier and…
I have always been fascinated by the workings of the human mind.What instincts and influences make us who we are? This Alien Shore grew out of research I was doing into atypical neurological conditions.It depicts a society that has abandoned the concept of “neurotypical”, embracing every variant of human perspective as valid and valuable. One of my main characters, Kio Masada, is autistic, and that gives him a unique perspective on computer security that others cannot provide. What might such a man accomplish, in a world where his condition is embraced and celebrated? Good science fiction challenges our definition of “Other,” and asks what it really means to be human, all in the context of an exciting story.
A planet in its equivalent of the stone age is passing through a galactic debris field. An alien stargazer realizes that sooner or later some object will strike the planet and destroy it. The only hope of survival his species has is to leave the planet before that happens. But the concept is a mere abstraction to his people, the equivalent of a Neanderthal saying “we need to travel to the moon,” and the task is further complicated by the fact that their technology is biological in nature, focused on the manipulation of living tissue. It is hard to imagine how such technology could ever produce a spaceship.
The novel--structured as a series of novellas-- follows the development of a fascinating alien species from its primitive roots to an age of high technology, each chapter focusing on a different time period. Always the stargazer’s warning is proclaimed by a few…
Traces the development over milennia of a civilization of an unusual alien species, whose sense of humor, resourceful adaptibility, and metalworking skills are the strengths and the hope of their society
I'm a philosopher with a specialization in bioethics. My work is at the intersection of policy and practice. It is grounded in a deep commitment to public education, engagement, and empowerment, as well as a strong desire to “make the powerful care.” I maintain that “the human genome belongs to us all. It’s something we have in common, and so we all have the right to have a say.” I believe the pivotal question that we all need to ask is “What kind of world do we want to live in?” Once we have an answer to this question, we can meaningfully address the more pointed question, “Will CRISPR technology help us build that world?”
Somewhat paradoxically, this treatise against genetic enhancement starts with the case of a deaf couple who want to have a deaf child.
This is a case I often discuss in exploring the difference between disease, disability, and diversity. Following on from this case description, Sandel asks, “Is it wrong to make a child deaf by design?” And what if the desired trait was not deafness but height, athletic prowess, health, or intelligence, and the aim was to gain a competitive advantage?
Would your answer be the same? In the pages that follow, Sandel builds a case against “reengineering our nature” grounded in an ethic of giftedness (i.e., a reverence for life as a gift).
He eschews the drive to mastery and insists that “[t]o appreciate children as gifts is to accept them as they come, not as objects of our design, or products of our will, or instruments of our…
"Sandel explores a paramount question of our era: how to extend the power and promise of biomedical science to overcome debility without compromising our humanity. His arguments are acute and penetrating, melding sound logic with compassion." -Jerome Groopman, author of How Doctors Think
Breakthroughs in genetics present us with a promise and a predicament. The promise is that we will soon be able to treat and prevent a host of debilitating diseases. The predicament is that our newfound genetic knowledge may enable us to manipulate our nature-to enhance our genetic traits and those of our children. Although most people find…
I love dystopian stories because these are tales that could actually happen if a particular series of steps fall into place over the course of the next decade, century, etc. Dystopia is set in our real world, just in the future. There’s no unbelievable magic…just what our real world could be generations from now. The evolution or devolution of science, law, law enforcement, medicine, education, etc is fascinating to explore…especially since I’m an incredibly techy person. I love exploring what could happen in our future if we follow certain paths, good, bad, or otherwise. Asking “what if” is my favorite question.
I enjoyed Perfected because it was a very, very soft and gentle take on dystopia where young girls are genetically engineered in labs and trained with special traits as young girls only to be sold to wealthy families as pets. They’re treated as puppies who are dressed in fancy clothes, paraded through events, sat on pretty couches and chairs, and very, very few make it through without being manipulated and used in worse ways. When she falls in love with her owner’s son, and he starts to fall for her, bad things happen. I love putting twists on dystopian worlds so this one was a brilliant, unusual concept that brought such a unique look into the genre and its possibilities and gave me permission to do the same.
Kate Birch's PET melds the feel of The Handmaid's Tale with the historic underground railroad and wraps it in a glamorous-and dangerous-bow.
Man's best friend just got a little prettier.
Ever since the government passed legislation allowing people to be genetically engineered and raised as pets, the rich and powerful can own beautiful girls like sixteen-year-old Ginger as companions. But when Ginger moves in with her new masters and discovers the glamorous life she's been promised isn't at all what it seems, she's forced to choose between a pampered existence full of gorgeous gowns and veiled threats, or seizing her…
