Fans pick 88 books like Dawn

I loved this book because it was so gripping. It made me long to be a writer. Although it was written over a hundred years ago, the dark story spoke directly to me.

I read it at the darkest time in my life. I was fourteen, and my alcoholic father had become a terrifying force in our home, just like Dr. Moreau, who rules his island with vicious power. I had never dreamed that a crazed leader could break an entire population, but the idea seems shockingly prescient now.

The book made me realize that I, too, could escape from the trap around me, just like the book’s hero, and learn to use my imagination to tell stories.

Carlos Rovelli’s The Order of Time is not at all a fantasy book—it is science—but nevertheless the most inspiring, life changing fantasy I’ve ever read. If I look around me with scientist Rovelli’s eyes, I too see that “the world is made up of networks of kisses, not of stones.” Beautiful, weird, and scientifically accurate. True fantasy! 

It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.

I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!

My sister and I were only close because we’re only two years apart. But recently we’ve had some tragedy in our family, and that brought us closer.

While I was making this list of books, I was reminded of this story and how much I enjoyed it, not just for the prose, which I take notice of and will drop a book if it’s bad, but for that reminder of the brother and sister story here. Not to mention the rescue crew of odd characters which reflects a belief of mine: truth is universal.

Any human or alien can understand compassion and suffering and choose the better of the two.

This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.

The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.

Maybe it’s the millennial in me, but I can’t begin to tell you how much I relate to Murderbot. All it wants to do is get through its workday so it can take a break and watch its shows—and yes, maybe my job is slightly less stressful than acting as security for a science expedition that’s pissed off a bloodthirsty super-corporation, but we all have our struggles. Like socializing with our coworkers. Or capitalism. Or man-eating space worms. 

Probably my favorite thing about Murderbot is the deadpan humor with which it tells its story, which really comes to life in the audiobook thanks to Kevin R. Free’s narration. 

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.

A planet in its equivalent of the stone age is passing through a galactic debris field. An alien stargazer realizes that sooner or later some object will strike the planet and destroy it. The only hope of survival his species has is to leave the planet before that happens. But the concept is a mere abstraction to his people, the equivalent of a Neanderthal saying “we need to travel to the moon,” and the task is further complicated by the fact that their technology is biological in nature, focused on the manipulation of living tissue. It is hard to imagine how such technology could ever produce a spaceship. 

The novel--structured as a series of novellas-- follows the development of a fascinating alien species from its primitive roots to an age of high technology, each chapter focusing on a different time period. Always the stargazer’s warning is proclaimed by a few… show more.

This anthology has one of my favorite stories by Tiptree, it is called "We who stole the dream". The Joilani have long been enslaved and abused by humans. So has another race, of “delicately winged creatures”, whose sweat is a powerful intoxicant to humans. It is most potent when the donor experiences pain and fear, so humans have taken to torturing mated pairs of them, so the partners can watch each other suffer. The resulting sweat is a drug called Star Tears. Although that unnamed race plays no active role in the story, they are on my list because of the powerful manner in which they influence other species, invoking the darkest and most brutal aspects of human nature simply by existing.

The diminutive, weak, and peace-loving Joilani make a desperate break for freedom. Stealing a spaceship called The Dream, they seek out the mythical planet of their… show more.

Years before Game of Thrones became a household name, Martin was best known for this hauntingly beautiful and deeply disturbing novella. Two telepaths, Robb and Lya, are sent to an alien planet to investigate a disturbing religious movement. The planet is home to a race called the Shkeen, and to a gelatinous parasite called the Greeshka. In middle age the Shkeen allow the Greeshka to infect them, and ten years later they visit a cave where they allow a massive specimen to consume them. Some humans living on the planet have even joined the native religion, and have allowed themselves to be infected and devoured. The administrators are desperate to know why.

Robb and Lya have an unusually close relationship, but she suffers from a sense of isolation that telepathy cannot banish. While they watch some Shkeen being devoured by the Greeshka, she can sense how isolated the Shkeen feel… show more.