84 books like Dawn

Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds, but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.

In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.  

Carlos Rovelli’s The Order of Time is not at all a fantasy book—it is science—but nevertheless the most inspiring, life changing fantasy I’ve ever read. If I look around me with scientist Rovelli’s eyes, I too see that “the world is made up of networks of kisses, not of stones.” Beautiful, weird, and scientifically accurate. True fantasy! 

New Crobuzon is a city as weird as its name sounds, inhabited by avian Garuda, cactus-skinned Cactacae, and the scarab beetle-headed Kephri, among many other fantastical creatures.

It’s a grimy city that if you squinted might just look a bit like Victorian-era London, albeit with more frog-people, airships, and statues crafted from harden spit. And at its center, the titular Perdido Street Station, a towering immense skyrail station, too large and labyrinthine to ever map out.

Miéville crafts a fantasy city unlike any other, plagued by government corruption, organized crime, and labor disputes, that makes New Crobuzon feel real and grounded, despite being one of the strangest cities ever put to ink.

My sister and I were only close because we’re only two years apart. But recently we’ve had some tragedy in our family, and that brought us closer.

While I was making this list of books, I was reminded of this story and how much I enjoyed it, not just for the prose, which I take notice of and will drop a book if it’s bad, but for that reminder of the brother and sister story here. Not to mention the rescue crew of odd characters which reflects a belief of mine: truth is universal.

Any human or alien can understand compassion and suffering and choose the better of the two.

The Expanse series was a real game-changer for me. An epic space opera set in a very real and gritty future with a host of working-class heroes.

James, Naomi, and Amos work in deep space on an ice trawler and only become involved in the action by being in the wrong place at the wrong time. When they get swept up in the story, the characters must learn and adapt to navigate the world of politics and espionage.

This book series walks the tightrope of creating a very possible future in space without getting too impeded, explaining the science of how that all works. If you like epic space opera set in a plausible future, this series is a fantastic read.

I fell in love with Murderbot in the first paragraph. Every book afterward in the series just made me love it more.

The hero of the Murderbot Diaries is part robot, part humanoid, and all done-with-everyone’s-crap. Everyone seemed to think that if a construct like it gained its freedom, it would rampage around killing everyone. Instead, it just wanted to be left alone to watch some good shows, and read a book or ten. Been there.

I cracked up at the sarcasm, got pulled in by the action, and felt the compassion that drove Murderbot to jump into the mouth of a deadly creature to save a human’s life. I went through the angst of Murderbot learning how to connect with people without compromising itself, and identified all too well.

I think the best way to understand this novel is to read it as a story about a father and a son. Victor Frankenstein creates a son whom he immediately rejects. The son seeks love and receives hate. The father fears and loathes what he has created. He refuses to take responsibility for what he has done, and the results come back to haunt him.

I think this speaks clearly to the choice we fathers must make when we start down this road, and it shows what can become of unloved sons. I’ve read this story many times, and I know I will return to it many times more.

A planet in its equivalent of the stone age is passing through a galactic debris field. An alien stargazer realizes that sooner or later some object will strike the planet and destroy it. The only hope of survival his species has is to leave the planet before that happens. But the concept is a mere abstraction to his people, the equivalent of a Neanderthal saying “we need to travel to the moon,” and the task is further complicated by the fact that their technology is biological in nature, focused on the manipulation of living tissue. It is hard to imagine how such technology could ever produce a spaceship. 

The novel--structured as a series of novellas-- follows the development of a fascinating alien species from its primitive roots to an age of high technology, each chapter focusing on a different time period. Always the stargazer’s warning is proclaimed by a few… show more.

This anthology has one of my favorite stories by Tiptree, it is called "We who stole the dream". The Joilani have long been enslaved and abused by humans. So has another race, of “delicately winged creatures”, whose sweat is a powerful intoxicant to humans. It is most potent when the donor experiences pain and fear, so humans have taken to torturing mated pairs of them, so the partners can watch each other suffer. The resulting sweat is a drug called Star Tears. Although that unnamed race plays no active role in the story, they are on my list because of the powerful manner in which they influence other species, invoking the darkest and most brutal aspects of human nature simply by existing.

The diminutive, weak, and peace-loving Joilani make a desperate break for freedom. Stealing a spaceship called The Dream, they seek out the mythical planet of their… show more.

Years before Game of Thrones became a household name, Martin was best known for this hauntingly beautiful and deeply disturbing novella. Two telepaths, Robb and Lya, are sent to an alien planet to investigate a disturbing religious movement. The planet is home to a race called the Shkeen, and to a gelatinous parasite called the Greeshka. In middle age the Shkeen allow the Greeshka to infect them, and ten years later they visit a cave where they allow a massive specimen to consume them. Some humans living on the planet have even joined the native religion, and have allowed themselves to be infected and devoured. The administrators are desperate to know why.

Robb and Lya have an unusually close relationship, but she suffers from a sense of isolation that telepathy cannot banish. While they watch some Shkeen being devoured by the Greeshka, she can sense how isolated the Shkeen feel… show more.