The best books about our human connection to space

In the 20th and 21st centuries, science fiction has been a major force in defining our collective imagination of what spaceflight is and why it is significant. This book puts the history of space science fiction in the context of the American space program, charting the reality of spaceflight against expectations set in popular culture.

Telling these parallel stories of real space accomplishments and fictional space exploits allows Weitekamp to reveal stories of spaceflight as inseparable from broad cultural concerns such as American identity, the frontier, race, gender, and sexuality. Weitekamp has spent her career curating the social and cultural history of spaceflight collection at the National Air and Space Museum, and her argument is built upon her expert analysis of popular culture objects from the collection. 

This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.

The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.

The early years of spaceflight coincided with the heyday of American advertising and eye-catching mid-century graphic design. The visual aesthetic of the Space Age, as expressed in the aerospace advertisements that populated magazines and trade journals of the day, reflected this intersection of futuristic technology and innovative design.

Collected together in a critical mass in this book, these advertisements evoke an era in which tomorrow was the product, aerospace was the currency, and American industry was set to reshape the cosmos.

The rise of spaceflight in the Soviet Union came amidst a very different social and cultural context than it did in the United States. While the Soviet program operated mostly in secret, with accomplishments often reported only after their successful completion, their public reception had little to do with their importance to state officials.

This book reveals an older Russian cosmism (or cosmic mysticism) practiced by some of the founders of pre-Soviet Russian rocketry, such as Konstantin Tsiolkovsky, whose work tapped into an early wave of interest in space travel beginning around World War I. Public support and enthusiasm for spaceflight were genuine, rooted not in state-sanctioned interpretations of spaceflight but in a broadly shared utopian imagination and belief that the Russian future was in the stars.  

When it comes to human spaceflight programs, a lot has been written about the astronauts, administrators, and decision-makers who set policy and defined these programs from the top. The People’s Spaceship presents the four decades of NASA’s Shuttle Program as a mission to engage the public in the excitement of space exploration and make spaceflight relevant to people’s everyday lives.

In a post-Apollo era of declining budgets, NASA’s outreach efforts during the Shuttle era demonstrate the agency’s increasing reliance on public support and the public relations apparatus it built to garner it. Despite the Shuttle’s flaws, NASA managed to create a sense of public ownership of the program, as well as generations of kids who grew up dreaming of their own Shuttle flights.