100 books like The Red Rockets' Glare

This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.

The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.

In the 20th and 21st centuries, science fiction has been a major force in defining our collective imagination of what spaceflight is and why it is significant. This book puts the history of space science fiction in the context of the American space program, charting the reality of spaceflight against expectations set in popular culture.

Telling these parallel stories of real space accomplishments and fictional space exploits allows Weitekamp to reveal stories of spaceflight as inseparable from broad cultural concerns such as American identity, the frontier, race, gender, and sexuality. Weitekamp has spent her career curating the social and cultural history of spaceflight collection at the National Air and Space Museum, and her argument is built upon her expert analysis of popular culture objects from the collection. 

The early years of spaceflight coincided with the heyday of American advertising and eye-catching mid-century graphic design. The visual aesthetic of the Space Age, as expressed in the aerospace advertisements that populated magazines and trade journals of the day, reflected this intersection of futuristic technology and innovative design.

Collected together in a critical mass in this book, these advertisements evoke an era in which tomorrow was the product, aerospace was the currency, and American industry was set to reshape the cosmos.

When it comes to human spaceflight programs, a lot has been written about the astronauts, administrators, and decision-makers who set policy and defined these programs from the top. The People’s Spaceship presents the four decades of NASA’s Shuttle Program as a mission to engage the public in the excitement of space exploration and make spaceflight relevant to people’s everyday lives.

In a post-Apollo era of declining budgets, NASA’s outreach efforts during the Shuttle era demonstrate the agency’s increasing reliance on public support and the public relations apparatus it built to garner it. Despite the Shuttle’s flaws, NASA managed to create a sense of public ownership of the program, as well as generations of kids who grew up dreaming of their own Shuttle flights.

I was fascinated by how much cultural representations of astronauts and cosmonauts reveal about our societies in this rich and diverse volume. US pop culture is analyzed through astronaut gender representations in TV series, different portrayals of pilots-astronauts and scientists-astronauts in the movies, and the use of American frontier mythology tropes. Comparing representations of spacefarers in different national cultures shows that even glossy magazines carried an ideological message: Soviets traced their achievements to the advantages of socialism, while Americans touted liberty and openness. Finally, cultural attitudes are revealed by media attention to the changing professional, gender, and race demographics of the astronaut corps in the 1980s. In particular, the media treated women astronauts differently from men by emphasizing their feminine traits and family life instead of focusing on space work.

Admittedly, this is neither a cheap book nor a light read (it has 1,364 pages), but it remains a landmark work that no serious scholar of Operation Barbarossa can afford to ignore. As volume 4 of the semi-official German history of the war it concerns mainly German plans, operations, and occupation policies, although some sections do deal with Soviet responses as well as the early contributions of German allies to the invasion. It is the work of six German historians with generally even quality throughout, although the military chapters by Klink and Hoffmann are now somewhat dated. Overall, a work of superb scholarship.

So good it was made into a movie. The movie however didn’t catch the suspense, and the investigation took far longer in the book.

Set in Stalinist Russia, the book is depressing, as was Commie Russia. The investigator, Leo Demidov’s friend has a child gone missing and a cursory investigation by the state goes nowhere. Leo Demidov, a Moscow investigator looks into it and is told to lay off—or else—because he makes the state look incompetent.

He and his family are exiled far away from Moscow and scorned by everyone. But he continues and discovers 44 children have been murdered along a railway line. Suspense and peril in this story combined with a vengeful Communist bureaucracy and its astounding ego make for a real thriller.

I visited the USSR in the late 70s and that bureaucracy is not to be challenged in any way or form.

The disasters of the revolution and civil war were experienced differently across the empire and by distinct social groups. For those of material means in European Russia who understood that their lives could never be the same, the priority was escape; most often, this was initially to a safe part of the former empire, and then, as the civil war and the prospect of Soviet rule encroached upon their safe enclave, into a life of exile abroad.

Nadezhda Teffi was an exceptionally popular writer and humorist at the time of the revolution, and her memoir (written a few years after departing Russia) is an account of how her world was turned upside down in 1917, and it documents the ways in which life had been similarly upended in each place she observed during her journey into exile.

The book is unusual in that it retains her light touch and humor,… show more.

I don’t enjoy reading theory and I love reading a good story. Somehow, Golubev managed to write a book in which he makes theory accessible and tells a series of unexpected, fascinating tales about how Soviet people from the 1950s on interacted with everything from model planes and boats to stairwells and televisions.

It is difficult to describe what a weird and fun book this is – most attempts to do so would make it sound esoteric and focused on theory, but this is no ordinary book. It features a cast of characters as diverse as bodybuilders, wayward youth, and Soviet psychics whose stories are told through stuff. 

The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.

At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.

Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.