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One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.
The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.
Humanity has colonized the planets - interstellar travel is still beyond our reach, but the solar system has become a dense network of colonies. But there are tensions - the mineral-rich outer planets resent their dependence on Earth and Mars and the political and military clout they wield over the Belt and beyond. Now, when Captain Jim Holden's ice miner stumbles across a derelict, abandoned ship, he uncovers a secret that threatens to throw the entire system into war. Attacked by a stealth ship belonging to the Mars fleet, Holden must find a way to uncover the motives behind the…
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
In the 20th and 21st centuries, science fiction has been a major force in defining our collective imagination of what spaceflight is and why it is significant. This book puts the history of space science fiction in the context of the American space program, charting the reality of spaceflight against expectations set in popular culture.
Telling these parallel stories of real space accomplishments and fictional space exploits allows Weitekamp to reveal stories of spaceflight as inseparable from broad cultural concerns such as American identity, the frontier, race, gender, and sexuality. Weitekamp has spent her career curating the social and cultural history of spaceflight collection at the National Air and Space Museum, and her argument is built upon her expert analysis of popular culture objects from the collection.
A space historian's tour through astounding spaceflight history and the Smithsonian's collection of space and science fiction memorabilia
Winner of the American Institute of Aeronautics and Astronautics' 2024 Gardner-Lasser Aerospace History Literature Award
Spanning from the 1929 debut of the futuristic Buck Rogers to present-day privatization of spaceflight, Space Craze celebrates America's endless enthusiasm for space exploration. Author Margaret Weitekamp, curator at the Smithsonian's National Air and Space Museum, writes with warmth and personal experience to guide readers through extraordinary spaceflight history while highlighting objects from the Smithsonian's spaceflight collection.
Featuring historical milestones in space exploration, films and TV shows,…
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
The early years of spaceflight coincided with the heyday of American advertising and eye-catching mid-century graphic design. The visual aesthetic of the Space Age, as expressed in the aerospace advertisements that populated magazines and trade journals of the day, reflected this intersection of futuristic technology and innovative design.
Collected together in a critical mass in this book, these advertisements evoke an era in which tomorrow was the product, aerospace was the currency, and American industry was set to reshape the cosmos.
The late 1950s and early '60s were the golden age of science fiction, an era when the farthest reaches of imagination were fed by the technological breakthroughs of the postwar years. While science fiction writers expressed the dreams and nightmares of the era in pulp print, real-life rocket engineers worked on making space travel reality. The imaginations of many Cold War scientists were fed by science fiction literature, and companies often promoted their future capabilities with fantastical, colorful visions aimed at luring young engineers into their booming workforce. In between the dry articles of trade journals, a new visual vernacular…
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
When it comes to human spaceflight programs, a lot has been written about the astronauts, administrators, and decision-makers who set policy and defined these programs from the top. The People’s Spaceship presents the four decades of NASA’s Shuttle Program as a mission to engage the public in the excitement of space exploration and make spaceflight relevant to people’s everyday lives.
In a post-Apollo era of declining budgets, NASA’s outreach efforts during the Shuttle era demonstrate the agency’s increasing reliance on public support and the public relations apparatus it built to garner it. Despite the Shuttle’s flaws, NASA managed to create a sense of public ownership of the program, as well as generations of kids who grew up dreaming of their own Shuttle flights.
When the Apollo 11 astronauts returned from humanity's first voyage to the moon in 1969, NASA officials advocated for more ambitious missions. But with the civil rights movement, environmental concerns, the Vietnam War, and other social crises taking up much of the public's attention, they lacked the support to make those ambitions a reality. Instead, the space agency had to think more modestly and pragmatically, crafting a program that could leverage the excitement of Apollo while promising relevance for average Americans. The resulting initiative, the space shuttle, would become the centerpiece of NASA human space flight activity for forty years,…
My interest in space history began with stamp collecting and continued much later with visits to Russian archives, Star City, and aerospace companies, and interviews with cosmonauts and space engineers, who often told their personal stories for the first time. As a historian of science and technology teaching at MIT, I was especially interested in cases where technology and society intertwined: cosmonauts and engineers lobbied politicians with competing agendas, personal rivalries tore apart ambitious projects, and pervasive secrecy perpetuated public myths and private counter-myths. My digging into tensions and arguments that shaped the Soviet space program resulted in two books, Soviet Space Mythologies and Voices of the Soviet Space Program.
I was fascinated by how much cultural representations of astronauts and cosmonauts reveal about our societies in this rich and diverse volume. US pop culture is analyzed through astronaut gender representations in TV series, different portrayals of pilots-astronauts and scientists-astronauts in the movies, and the use of American frontier mythology tropes. Comparing representations of spacefarers in different national cultures shows that even glossy magazines carried an ideological message: Soviets traced their achievements to the advantages of socialism, while Americans touted liberty and openness. Finally, cultural attitudes are revealed by media attention to the changing professional, gender, and race demographics of the astronaut corps in the 1980s. In particular, the media treated women astronauts differently from men by emphasizing their feminine traits and family life instead of focusing on space work.
The recent 50th anniversaries of the first human spaceflights by the Soviet Union and the United States, and the 30th anniversary of the launching of the first U.S. Space Shuttle mission, have again brought to mind the pioneering accomplishments of the first quarter century of humans in space. Historians, political scientists and others have extensively examined the technical, programmatic and political history of human spaceflight from the 1960s to the 1980s, but work is only beginning on the social and cultural history of the pioneering era. One rapidly developing area of recent scholarship is the examination of the images of…
In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.
Like Sebag Montefiore and Mawdsley, Raack was the first diplomatic historian to re-evaluate Stalin’s foreign policy in light of documents which became available after the collapse of the USSR in 1991. He exploded numerous myths about the supposed Soviet interest in “collective security” in the 1930s, showing that this was mere projection on the part of French and British and Czechoslovak statesmen who saw what they wanted to see in Stalin’s foreign policy, which was just as territorially “revisionist” as that of Italy, Germany, and Japan, just as expansionist – but better camouflaged.
Exploiting new findings from former East Bloc archives and from long-ignored Western sources, this book presents a wholly new picture of the coming of World War II, Allied wartime diplomacy, and the origins of the Cold War. The author reveals that the story - widely believed by historians and Western wartime leaders alike - that Stalin's purposes in European diplomacy from 1938 on were mainly defensive is a fantasy. Indeed, this is one of the longest enduring products of Stalin's propaganda, of long-term political control of archival materials, and of the gullibility of Western observers.
I became interested in North Korea in 2002 when the George W. Bush administration declared the country to be part of an Axis of Evil, along with Iraq and Iran. Bush had lied about Iraq, to justify a war against that country, and I wondered what evidence, if any, his administration had that North Korea was either evil or part of an axis. The answer was none. Bush was able to propagate one North Korean myth after another because the public knew very little about the country. I wished to give people some background so they could make sense of what they were reading and hearing about North Korea in the news and social media.
Leffler’s book is about much more than North Korea, but it covers world events that are critical to understanding the communist Korean state, its birth, and its conflict with the United States. I drew heavily on Leffler’s work in my own book to place North Korea within the context of surrounding geopolitical developments.
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Written by one of the key scholars of Jewish history in the USSR, who died untimely in 2020, this book challenges our bias about the USSR and its Cold-War era culture. Shneer tells how the Soviet photographers, many of whom where Jews, documented the Nazi atrocities during World war II and how the Soviet officialdom used their visual narratives to create new cult of the Great Patriotic war and the image of the USSR as a humanistic society.
Finalist for the 2011 National Jewish Book Award in the Holocaust category
Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust.…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Starks presents us with a marvelous story of the tortured relationship between Soviet society and smoking. On the one hand, Soviet leadership was generally opposed to smoking – both for health and cultural reasons. On the other hand, smoking became associated with both masculinity and the Revolution. Like many a smoker, Soviet society just couldn’t quit, even as the effects of smoking became more and more apparent.
What I love about this book is how Starks takes something omnipresent and disposable – the cigarette – and tells the story of the Soviet Century through it, touching on such a breadth of topics as gender, labor, political, medical, economic, and cultural history. This is a book you just can’t quit.
Winner of the Southern Conference on Slavic Studies Book Award
Enriched by color reproductions of tobacco advertisements, packs, and anti-smoking propaganda, Cigarettes and Soviets provides a comprehensive study of the Soviet tobacco habit. Tricia Starks examines how the Soviets maintained the first mass smoking society in the world while simultaneously fighting it. The book is at once a study of Soviet tobacco deeply enmeshed in its social, political, and cultural context and an exploration of the global experience of the tobacco epidemic.
Starks examines the Soviet antipathy to tobacco yet capitulation to market; the development of innovative cessation techniques and…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.
At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.
Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.
October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum…
