85 books like CHAOS

Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.

The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.

As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me. 

At long last the Vampire of Paris crawls from his crypt, a living legend emblazoned with magical sigils and muttering dire imprecations for 666 searing pages. A world-renowned artist and bold aesthete of the macabre, Nico Claux holds a Japanese cannibal as his role model and calls Satan his homeboy. This reclusive genius goes beyond the pale only to reveal himself as a regular bloke, albeit one with a taste for torture and blasphemy. Meant to be read in the darkest night!

Now for some facts, although they will appear stranger than the fiction above. Born with a club foot and unable to join the army during World War II, Sydney Gottlieb became a leading covert warrior. For years, he oversaw some of the CIA’s most controversial programs. He developed poisons to kill foreign leaders and officials, and he worked in MKULTRA, the Agency’s program for mind control, which included the use of LSD, drugs, isolation, and other invasive experiments and forms of torture on witting and unwitting subjects.

The book is a detailed, if harrowing, history. It is even more impressive as most of the documents on these programs were destroyed by Gottlieb himself in 1973, under orders from the CIA Director at the time, Richard Helms. 

In A Lie Too Big to Fail, longtime Kennedy researcher (of both JFK and RFK) Lisa Pease lays out, in meticulous detail, how witnesses with evidence of conspiracy were silenced by the Los Angeles Police Department; how evidence was deliberately altered and, in some instances, destroyed; and how the justice system and the media failed to present the truth of the case to the public. Pease reveals how the trial was essentially a sham, and how the prosecution did not dare to follow where the evidence led.

A Lie Too Big to Fail asserts the idea that a government can never investigate itself in a crime of this magnitude. Was the convicted Sirhan Sirhan a willing participant? Or was he a mind-controlled assassin? It has fallen to independent researchers like Pease to lay out the evidence in a clear and concise manner, allowing readers to form their theories about… show more.

Presenting startling new biographical details about Timothy McVeigh and exposing stark contradictions and errors contained in previous depictions of the "All-American Terrorist," this book traces McVeigh's life from childhood to the Army, throughout the plot to bomb the Alfred P. Murrah Federal Building and the period after his 1995 arrest until his 2001 execution. McVeigh's life, as Dr. Wendy Painting describes it, offers a backdrop for her discussion of not only several intimate and previously unknown details about him, but a number of episodes and circumstances in American History as well. In Aberration in the Heartland, Painting explores Cold War popular culture, all-American apocalyptic fervor, organized racism, contentious politics, militarism, warfare, conspiracy theories, bioethical controversies, mind control, the media's construction of villains and demons, and institutional secrecy and cover-ups.

The most influential book on conspiracy theories, by any measure, published in 1966. Its title shouts Hofstadter’s thesis: A longstanding strain in American politics is marginal, dangerous, and a manifestation of political paranoia. Although countless op-ed writers have reduced his thesis to equate conspiracy theory to a paranoid mind, Hofstadter offers in the book’s first half more than simple social psychological analysis of the far right of the 1950s and 1960s, which included Joe McCarthy, Barry Goldwater, and the John Birch Society.

One of the preeminent mid-twentieth century U.S. historians, Hofstadter wrote wonderfully, engaged in big ideas, and if his work ultimately needs updating and deserves critique, Paranoid Style set the terms for a debate that continues today about conspiracy theories’ role in our political order.

My book came out around the same time as several others on conspiracy theory from humanities scholars. I could spend all five of my book recommendations on their works—and I’m thinking especially here of books by Clare Birchall, Peter Knight, Timothy Melley, and more recently Michael Butter—but several of the authors are included in this recent collection that also features scholars from throughout Europe. The Routledge Handbook situates conspiracy theories within the political and cultural contexts from which they emerge throughout the world, and it includes in a single volume works from a broad range of disciplines that reveal the diversity and scope of the contemporary academic study of conspiracy theory.

Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.

This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.

I like to write “big” books not just in length, but in high concept and complexity.

While struggling with my first book, my editor recommended this one by Michael Crichton. In this book, a derelict spaceship is discovered at the bottom of the Pacific Ocean, and a group of scientists are sent down to investigate Earth’s first solid proof of extraterrestrial life. Their encounter quickly becomes a struggle for survival, and when a typhoon drives off the support vessels on the surface, they are on their own.

Sphere taught me a skilled author can make even the most outlandish plot compelling, and those tools helped me finish my first book.