Fans pick 100 books like The Paranoid Style in American Politics

Like most Americans, I grew up hearing the codified version of the Charles Manson/Helter Skelter saga, so when I saw yet another Manson book, I had two thoughts: "This sounds like a cash-grab," and, "Ugh...it's probably some lunatic conspiracy theory."

Suffice it to say, I was wrong—dead wrong—on both counts. By now, there's a good chance you've heard the backstory to Tom O'Neill's book: how he came to write it, how long it took him to finish, and (most importantly) what he learned about the Manson case. If you don't know any of this, take my advice and go in blind. CHAOS will floor you.

My book came out around the same time as several others on conspiracy theory from humanities scholars. I could spend all five of my book recommendations on their works—and I’m thinking especially here of books by Clare Birchall, Peter Knight, Timothy Melley, and more recently Michael Butter—but several of the authors are included in this recent collection that also features scholars from throughout Europe. The Routledge Handbook situates conspiracy theories within the political and cultural contexts from which they emerge throughout the world, and it includes in a single volume works from a broad range of disciplines that reveal the diversity and scope of the contemporary academic study of conspiracy theory.

Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.

This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.

I love The Government-Citizen Disconnect because it examines the relationship between social policy and politics. 

Mettler demonstrates that over 90% of Americans receive financial benefits from the government, but most of these are submerged in the tax code (like the home mortgage interest deduction). People who only receive submerged benefits believe that the government does little to improve their personal lives. In contrast, the more antipathy they feel toward people who receive visible government benefits (like food stamps), the more they also express cynical, negative attitudes toward government in general.

Since White Americans are more likely to receive submerged benefits than Americans of color, this pattern fuels racialized “us vs. them” attitudes when, in fact, the government financially buffers most Americans from the full costs of the free market in a variety of ways.

The most nonfiction-forward of the bunch, Our Towns presents a remarkable journey through small towns across America.
Atlantic columnists and husband and wife duo James and Deborah Fallows fly their airplane all over the United States to explore the stories of small communities experiencing a renaissance, highlighting the creativity and innovation of community leaders across America.

This insightful book offers a refreshing glimpse into the heartland; in an age of upsetting news stories, I love how this book gives us permission to be open to good news in our communities.

Nothing is more American than making war in other countries, and Phil Klay’s collection of essays investigates that line between those Americans who fight in our current wars and those who get to stay home and eventually forget that there’s even a war taking place somewhere. Klay knows about what he writes. He’s a former marine who was stationed in Iraq, and while not seeing combat himself, he did see firsthand the complex relationship between occupied and occupier. Upon his return home, he was plunged into an even more surreal place: a country that had long since stopped paying attention. Bonus reading: Klay’s National Book Award-winning short story collection, Redeployment, where you can see how fiction becomes transmuted into nonfiction and vice versa.

I had never heard of Lorenzo de Zavala until I started researching El Norte, and his story deserves to be much more widely known. He was born in Mexico when it was still under Spanish rule, and later became involved in Mexican independence. He also participated in the formation of the breakaway Republic of Texas (Tejas) in 1836, and he served as its first vice-president. Before that period of his life, however, he took a tour of the United States. He started in New Orleans in 1830, working his way north and east. This book describes that trip and his observations about the United States. It is one of the earliest travel accounts of the US written by a Mexican, and it provides a fascinating perspective from someone whose life intersected with pivotal political moments in both countries.

Martin was a British Army officer who learned to speak fluent Pashto, and spent long hours talking with and gaining the trust of various players in Helmand Province. Based on those discussions, he has put together the only oral history of the conflict there available in any language. By starting in 1978, he clearly shows that the fighting thirty years later had much deeper roots, and that more often than not, the causes of conflict were not apparent to Western eyes.

Southerners rarely spoke of "the South" until slavery began to be threatened in the 1840s; slavery made the South. The North was far more fragmented--until an anti-slavery culture took hold in the 1850s. Brooke is highly sensitive to the role of popular culture in forging that consensus--not just Uncle Tom's Cabin, the most influential novel in American history, but local theatricals and the poetry of John Greenleaf Whittier. Here was the original, unbridgeable division between red and blue states.