Here are 100 books that Farewell, My Lovely fans have personally recommended if you like
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I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I’m a huge fan of paranormal and dark romance, and these books definitely check all my boxes. Great world-building, plots that engage, and in most cases, a heavy dollop of smut. They also explore the unexpected and take into account real-world concerns in a fashion where you can absolutely justify the decisions the main characters are making.
This book is probably the quintessential book of mayhem, in my opinion.
Yep, it’s super dated, and the dialect can be difficult to get into, but I thought it was worth it, especially if you read the European version, which has an additional chapter the US publisher cut out. Abruptly it goes from a novel of unrepentant chaos to one of redemption.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
When I say Slaughterhouse-Five is funny, people eye me like I’m a monster. But it is. The New York Times even has my back on this.
Is the novel also gut-wrenchingly tragic and horrifying? Of course. It’s one of the most potent stories ever written, and I’m not sure I’ve encountered anything whose biting satire eviscerates the absurdity of war (and of existence) so well.
Vonnegut balances humor and grief on the head of a pin: “Billy turned on the Magic Fingers, and he was jiggled as he wept.”
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
The first and best of my list from the master spy himself.
It is a complicated plot that is skillfully and gradually laid bare in what starts as a murder investigation by a retired MI6 agent and ends as a political coup for the ‘Circus’ (MI6).
A great read from the start; I think this is one of Le Carre’s best and one that helped influence me in my writing. The book is much better than the TV or movie versions, and le Carre’s characterisation of Smiley is superb.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
Tell Max that it concerns the Sandman...
A very junior agent answers Vladimir's call, but it could have been the Chief of the Circus himself. No one at the British Secret Service considers the old spy to be anything except a senile has-been who can't give up the game-until he's shot in the face at point-blank range. Although George Smiley (code name: Max) is officially retired, he's summoned to identify the body now…
As a multicultural author, born in Honolulu of Hawaiian, Chinese, Norwegian descent, I am drawn to mainstream thrillers that feature diverse characters and explore non-mainstream cultures. Since I also hold a fifth-degree black belt in To-Shin Do ninja martial arts and have traveled the United States teaching martial arts and empowerment, authentic fight scenes in fiction are a must! Nothing turns me off quicker than a shallow representation of culturally diverse characters or mundane and improbable action. I strive for authenticity, emotion, and page-turning action in my Lily Wong ninja thrillers, so it’s probably no surprise that I value these elements in the novels I read.
From the moment I began reading Blacktop Wasteland, I knew S.A. Cosby would become one of crime fiction's most notable authors. His protagonist, Beauregard “Bug” Montage, drew me in and still won't let me go. What I love most are the gray areas between right and wrong, good and bad. There are no easy answers or choices in this strikingly honest look at Black life in the rural South. The action sequences and fights wing as true as Cosby’s characters and dilemmas.
*GUARDIAN BEST CRIME AND THRILLERS OF 2020* *LA TIMES BOOK PRIZE WINNER 2020*
'BLACKTOP WASTELAND may be the book of the year.' MICHAEL CONNELLY 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM
"Bug" Montage: honest mechanic, loving family man. He's no longer the criminal he was - the sharpest wheelman east of the Mississippi.
But when his respectable life crumbles, a shady associate comes calling with a one-time job promising a huge payout. Inexorably drawn to the driver's seat - and haunted by…
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
Lisbeth Salander, the lead female character, is one of the most beautifully drawn, exciting, indomitable, and powerful women I have ever read about in a story. She is not just strong, she is also brilliant – as a super-hacker on the internet to boot.
Thankfully there were two sequels as I could read book after book with her in it.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
Read as a teenager, this book hooked me into mystery thrillers. It has everything from murder to political intrigue to a spy ring.
The book is a chase thriller with twists, turns, and surprises. Written in 1930, the work had the feel of a ‘boy's own’ adventure story with a man on the run hunting German spies and clues leading to the 39 steps and victory.
Richard Hannay has just returned to England after years in South Africa and is thoroughly bored with his life in London. But then a murder is committed in his flat, just days after a chance encounter with an American who had told him about an assassination plot which could have dire international consequences. An obvious suspect for the police and an easy target for the killers, Hannay goes on the run in his native Scotland where he will need all his courage and ingenuity to stay one step ahead of his pursuers.
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
Writing a mystery novel is no small task. You have to craft a clever plot, stay true to your characters, and bewilder, but ultimately satisfy, your readers, all the while not mixing up your theirs and your there’s. Maybe that’s why we writers like to saddle our heroes with even heavier burdens, forcing them to sort through complex webs of deceit, and fight against deeply rooted cultures full of corruption. When they win, we share their victories… even more so because it means we’ve finished writing the darn book! Enjoy this list of detectives facing long odds, and let it inspire you in whatever creative endeavors are closest to your heart.
Detective CW Sughrue was working the topless bar scene well before Jack Reacher wandered across the literary landscape. But unlike Reacher, Sughrue carries the sins of mankind on his own shoulders, just as likely to solve a crime as to curl up in a cheap motel with a bottle of whisky.
He begins the book looking for a trouble author (is there any other kind?), but once he finds him, things get really messy…
The first time I saw a Coen Brothers’ movie I felt like I was already familiar with their style. It’s probably because I had already read Crumley’s novels with their existential sadness and brutal violence just-barely-buoyed by clever plotting and pitch-black humor.
'As sweetly profane a poet as American noir could have asked for' Ian Rankin
'A friggin' masterpiece' Dennis Lehane
'The stunner that reinvigorated the genre and jacked up a generation of future crime novelists' George Pelecanos
Meet Private Detective C. W. Sughrue.
Private detectives are supposed to find missing persons and solve crimes. But more often than not Sughrue is the one committing the crimes - everything from grand theft auto to criminal stupidity. All washed down with a hearty dose of whiskey and regret.
At the end of a three-week hunt for a runaway bestselling author, Sughrue winds up…
I’ve read a lot of noir since I was fourteen; it has influenced everything I’ve written. The imperfect flawed characters, the atmosphere, the similes, and the wrong choices made for the right reasons—my heroes, male or female, always have something to hide and a broken part of them that makes their triumph that much sweeter.
I love Elmore Leonard for the switches and the dialog. By switches I mean, you think it’s going one way, but it goes the other. Swag is great because it seems so plausible. From the meeting of the two protagonists to their bonding and then the events that follow—it all seems natural while you’re in it—but step back, take a birds-eye view, and you see instantly how wacky it is.
Elmore Leonard is 'the man other crime writers call the Boss' DAILY TELEGRAPH.
There aren't any textbooks on armed robbery. The only way to learn is through experience, and small-time crooks Frank and Stick are determined to do as much learning on the job as possible.
In 1970s' Detroit they embark on a crime spree, holding up liquor stores and supermarkets. They invent their 'Ten Golden Rules for Successful Armed Robbery' and for a short time the cash is rolling in. But then they bend their own rules, and it looks like trouble is heading their way...
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