Here are 100 books that The Last Good Kiss fans have personally recommended if you like
The Last Good Kiss.
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As a multicultural author, born in Honolulu of Hawaiian, Chinese, Norwegian descent, I am drawn to mainstream thrillers that feature diverse characters and explore non-mainstream cultures. Since I also hold a fifth-degree black belt in To-Shin Do ninja martial arts and have traveled the United States teaching martial arts and empowerment, authentic fight scenes in fiction are a must! Nothing turns me off quicker than a shallow representation of culturally diverse characters or mundane and improbable action. I strive for authenticity, emotion, and page-turning action in my Lily Wong ninja thrillers, so it’s probably no surprise that I value these elements in the novels I read.
From the moment I began reading Blacktop Wasteland, I knew S.A. Cosby would become one of crime fiction's most notable authors. His protagonist, Beauregard “Bug” Montage, drew me in and still won't let me go. What I love most are the gray areas between right and wrong, good and bad. There are no easy answers or choices in this strikingly honest look at Black life in the rural South. The action sequences and fights wing as true as Cosby’s characters and dilemmas.
*GUARDIAN BEST CRIME AND THRILLERS OF 2020* *LA TIMES BOOK PRIZE WINNER 2020*
'BLACKTOP WASTELAND may be the book of the year.' MICHAEL CONNELLY 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM
"Bug" Montage: honest mechanic, loving family man. He's no longer the criminal he was - the sharpest wheelman east of the Mississippi.
But when his respectable life crumbles, a shady associate comes calling with a one-time job promising a huge payout. Inexorably drawn to the driver's seat - and haunted by…
I know all too well that finding a diagnosis and treating a chronic health condition can be like unraveling a mystery—maybe that’s why characters dealing with these issues make natural detectives. As a mystery writer with chronic illness, I love reading about sleuths who embody the difficulties of living with health challenges yet show the tremendous capacity we still have to contribute. Many of the sleuths on this list are confined to their homes and unable to work, so solving a mystery not only adds suspense. It gives us the satisfaction of seeing these characters find their way back into the world and rediscover their sense of purpose.
One of my favorite characters in this middle-grade mystery has always been Chris Theodorakis, the teen boy with an unnamed neurological condition that confines him to a wheelchair and, for the most part, to his house.
Even if he can’t leave home—and even if people often look away from him when he does—Chris plays a key role in solving the mystery at the heart of the book by being a keen observer of everything that passes in front of his window. I love how this novel depicts Chris’s inner world to young readers, including his awareness of how his condition affects others’ perceptions.
More importantly, it shows how much people with disabilities and illnesses still have to offer.
"A supersharp mystery...confoundingly clever, and very funny." —Booklist, starred review
A bizarre chain of events begins when sixteen unlikely people gather for the reading of Samuel W. Westing’s will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger—and a possible murderer—to inherit his vast fortune, on things for sure: Sam Westing may be dead…but that won’t stop him from playing one last game!
Winner of the Newbery Medal Winner of the Boston Globe/Horn Book Award An ALA Notable Book
"Great fun for those who enjoy illusion, word play, or sleight…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.
Many could argue that picking the most mind-bending Philip K. Dick book is an impossible task. His imagination spawned some of the best science fiction books of his era, which inspired several groundbreaking films (Bladerunner, Total Recall, Minority Report, etc.) I agree: it’s impossible to pick one.
But I love this book because it explores an intriguing idea from drug-induced psychosis—that of cross-chatter, or the notion that the brain’s two hemispheres can keep secrets from each other. The story follows the hapless Bob Arctor, an undercover narcotics agent trying to spy on himself and his junkie friends who are addicted to the mysterious Substance D.
Dick conjures a mesmeric psychedelic tale, at turns hilarious, unnerving, and a poignant farewell to real-life addict friends who died too soon.
A brilliant sci-fi novel from one of the last century's most influential pop culture figures
Substance D - otherwise known as Death - is the most dangerous drug ever to find its way on to the black market. It destroys the links between the brain's two hemispheres, leading first to disorentation and then to complete and irreversible brain damage. Bob Arctor, undercover narcotics agent, is trying to find a lead to the source of supply, but to pass as an addict he must become a user, and soon, without knowing what is happening to him, he is as dependent as…
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat, and a gun.” The first line of one of the great Phillip Marlowe books that I fell in love with.
As a young man, I often went to work with a Raymond Chandler paperback in my pocket. I couldn't put him down. I wanted to be Marlowe and talk like him. Chandler created a hero who taught me American slang language and how to talk the talk. The book follows Marlowe as he looks for the lost girlfriend of a guy just released from prison.
This is a wonderful noir work about a hard-boiled private detective.
The renowned novel from crime fiction master Raymond Chandler, with the "quintessential urban private eye" (Los Angeles Times), Philip Marlowe • Featuring the iconic character that inspired the forthcoming film Marlowe, starring Liam Neeson
Philip Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.
I’ve read a lot of noir since I was fourteen; it has influenced everything I’ve written. The imperfect flawed characters, the atmosphere, the similes, and the wrong choices made for the right reasons—my heroes, male or female, always have something to hide and a broken part of them that makes their triumph that much sweeter.
I love Elmore Leonard for the switches and the dialog. By switches I mean, you think it’s going one way, but it goes the other. Swag is great because it seems so plausible. From the meeting of the two protagonists to their bonding and then the events that follow—it all seems natural while you’re in it—but step back, take a birds-eye view, and you see instantly how wacky it is.
Elmore Leonard is 'the man other crime writers call the Boss' DAILY TELEGRAPH.
There aren't any textbooks on armed robbery. The only way to learn is through experience, and small-time crooks Frank and Stick are determined to do as much learning on the job as possible.
In 1970s' Detroit they embark on a crime spree, holding up liquor stores and supermarkets. They invent their 'Ten Golden Rules for Successful Armed Robbery' and for a short time the cash is rolling in. But then they bend their own rules, and it looks like trouble is heading their way...
Writing a mystery novel is no small task. You have to craft a clever plot, stay true to your characters, and bewilder, but ultimately satisfy, your readers, all the while not mixing up your theirs and your there’s. Maybe that’s why we writers like to saddle our heroes with even heavier burdens, forcing them to sort through complex webs of deceit, and fight against deeply rooted cultures full of corruption. When they win, we share their victories… even more so because it means we’ve finished writing the darn book! Enjoy this list of detectives facing long odds, and let it inspire you in whatever creative endeavors are closest to your heart.
I love when authors mix genres. Dibdin’s Cosi Fan Tutti is a combination of mystery and a Mozart opera!
Combining the farcical elements of corruption, romantic longing, and mistaken identity, Dibdin pulls us through the beautiful streets of Naples, Italy, where everyone is thoughtful and earnest, and still, somehow, nothing like they appear.
His detective Aurelio Zen is supposed to be keeping the peace, but he’s not up for the job, much more interested in untying romantic entanglements and enjoying the countryside. A solid plan until the Italian sanitation department decides they’re going to clean up the streets for him.
Lighthearted and breezy but with a genuine emotional core, you’ll get through Cosi Fan Tutte in a single sitting and be happier for it.
At this point there is a welcome touch of comedy as the man's feet appear above the tail-gate of the garbage truck. Clad in highly polished brogues and red-and-black chequered socks below which a length of bare white leg is just visible, they proceed to execute a furious little dance, jerking this way and that like puppets at a Punch and Judy show - possibly a knowing allusion to the commedia dell'arte, which of course originated in this city.
Inspector Zen has been posted to Naples in disgrace, where he is asked to oversee the clean-up of the city's corrupt…
Writing a mystery novel is no small task. You have to craft a clever plot, stay true to your characters, and bewilder, but ultimately satisfy, your readers, all the while not mixing up your theirs and your there’s. Maybe that’s why we writers like to saddle our heroes with even heavier burdens, forcing them to sort through complex webs of deceit, and fight against deeply rooted cultures full of corruption. When they win, we share their victories… even more so because it means we’ve finished writing the darn book! Enjoy this list of detectives facing long odds, and let it inspire you in whatever creative endeavors are closest to your heart.
Everyone knows Agatha Christie’s most famous novels but when you dig a little deeper, you start to really uncover her genius.
The Hollow is slow, careful, and spectacularly mature for a genre novel. Legend has it that Christie didn’t like her detective, Hercule Poirot, so maybe that’s why she stuck him in such a difficult situation. A murder occurs right before his eyes, and the killer is there, holding a gun.
The killer has motive, opportunity, and, of course, Poirot watched her do it. But why is the gun the wrong caliber? And why is everyone except the murderer acting so suspicious?
This one plays against convention, so even when you think you know what is going to happen next, you probably don’t.
Agatha Christie's ingenious mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.
Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: `Henrietta'. In the confusion, a gun sinks to the bottom of the pool.
Poirot's enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect -…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
Crime novels, like bars, live or die on their vibe. The plot may have rat-sized holes and the ending might spill into deux ex machina, but if you dig the atmosphere, you’ll forgive almost any narrative sin. Not that The Mexican Tree Duck commits any worthy of confession. You’re in safe hands with CW Sughrue, part-time PI and owner of the Hell Roaring Liquor Store and Lounge up in Montana. What I love about Crumley is the lovely, complex language that pours out like gin into a martini glass. “The first time I set foot in the Hell Roaring as the sixties drifted, late as usual and dying, into the seventies, I found that soft autumn light filling the magic afternoon easiness of the bar.”
One night up in Montana, C.W. Sughrue sets his seedy bar’s pricey jukebox in front of an oncoming freight train. When predictable results ensue, he needs to find a way to make some money and pay back the jukebox company. So even though Sughrue’s officially retired from P.I. work, he picks up one small-time case involving some kidnapped fish. That fishy trail leads to a much bigger case involving a Texas politician's kidnapped wife, a valuable piece of pre-Columbian pottery, and a single mother who packs guns and stolen goods in her infant son's…
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
Crumley used his PI Milo Milodragovich to look at the state “with more guns than cows” in all its colorful insanity.
The search for a runaway pool shark wife puts Milo in the middle of plot involving firearms, drugs, and crimes in various forms as Crumley draws from two of his favorite writers, Raymond Chandler and Warren Zevon.
I got to know Jim near the end of his life and see his broad, loving, cynical personality, and the feelings of his birth state when I read this.
It's business as usual for Milo Milodragovitch, watching a relationship go sour and running a bar whose real business is cleaning some dirty money, until he gets sent off to hunt a drug dealer’s killer. Prodded by the twin motivations of his prickly conscience and his tight finances, Milo sets off on a trip to find the promised land. The end of the road will be where he first began: Montana, where a beautiful woman, a dangerous man, and a motherlode of truth are waiting for their favorite son to come home—bringing with him…
