Fans pick 100 books like Swag

From the moment I began reading Blacktop Wasteland, I knew S.A. Cosby would become one of crime fiction's most notable authors. His protagonist, Beauregard “Bug” Montage, drew me in and still won't let me go. What I love most are the gray areas between right and wrong, good and bad. There are no easy answers or choices in this strikingly honest look at Black life in the rural South. The action sequences and fights wing as true as Cosby’s characters and dilemmas.

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat, and a gun.” The first line of one of the great Phillip Marlowe books that I fell in love with. 

As a young man, I often went to work with a Raymond Chandler paperback in my pocket. I couldn't put him down. I wanted to be Marlowe and talk like him. Chandler created a hero who taught me American slang language and how to talk the talk. The book follows Marlowe as he looks for the lost girlfriend of a guy just released from prison.

This is a wonderful noir work about a hard-boiled private detective. 

Detective CW Sughrue was working the topless bar scene well before Jack Reacher wandered across the literary landscape. But unlike Reacher, Sughrue carries the sins of mankind on his own shoulders, just as likely to solve a crime as to curl up in a cheap motel with a bottle of whisky. 

He begins the book looking for a trouble author (is there any other kind?), but once he finds him, things get really messy…

The first time I saw a Coen Brothers’ movie I felt like I was already familiar with their style. It’s probably because I had already read Crumley’s novels with their existential sadness and brutal violence just-barely-buoyed by clever plotting and pitch-black humor.

So, this is a novel about a world in which a global pandemic means that large gatherings are illegal and everyone has adapted to life at home in isolation. It was published in 2019, and I read it summer of 2020. I'm not sure I've ever read anything that was this spookily, horrifyingly prophetic. That said, it's also really punk and ultimately uplifting. One of the characters is the lead singer of the band who it turns out inadvertently gave the last public concert ever, and she's trying to revive live music with underground concerts. Another character is the virtual talent scout who joins her cause. The story is about how you peel yourself out of trauma and disaster to find community again. Be warned, at this historical moment this one's a bit of a kick in the teeth.

Enzo Yaksic has been my colleague and friend for years. However, I am not recommending his book because of this. Rather, my certainty of his research acumen, integrity, and dedication is why I am grateful I know him. I always jump at the chance to work with him and to read his latest findings. As co-founder and Director of the Atypical Homicide Research Group, he is known as a go-to expert for serial murder facts. This book does not feature drama or sensationalism. Yaksic wrote this book as a no-nonsense presentation of serial homicide offender patterns. This is not light or casual reading—it’s a professional, hardcore, research exploration of the frightening world of serial murderers. As always, Yaksic pays keen attention to detail and presents his work eloquently.

Similar to Mas’ work, McGinnis paints a disturbing picture of how medicine treated “hysterical” women in unregulated asylums. The main character in this crime drama is remarkably sane considering the tortures she escapes when a detective recognizes how she can assist his search for a true madman. I especially enjoyed the juxtaposition of criminal psychology with the nonsense used to diagnose the women in the asylum. The delicious suspense and mysteries that follow keep you turning the pages for hours. 

Just about any of Leonard’s several dozen suspense novels could have a top spot in this reckoning, including the better known Get Shorty, Freaky Deaky, and Glitz. My vote for the best goes, however, to Killshot, his dark, deftly plotted, highly comedic 1989 thriller about two bumbling killers and a ballsy middle-aged married couple the killers mistake for easy marks. Armand Degas, a soulful Ojibway known as the Blackbird, has grown tired of being a hit man for the Detroit mob. He’s befriended by a moronic thug named Richie Nix, whose bucket list includes robbing a bank in every state. When they decide that Carmen, a real estate agent, and her steelworker husband Wayne Colson hold the keys to a fortune, they learn that, like the Bible says, the wages of sin is death.  

Perhaps from the outside Detroit might look like a humorless place. A native of the city, Foley shows us just how untrue that is. Boys follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City, with a narrative both hilarious and touching.

Published by Belt Publishing, a relatively new publisher focusing on the Rust Belt, Boys gives readers an inside view of the city and Black culture that can be radically different from the ones often portrayed in the media. This book can take you to a world much more beautiful and strange.

Nature takes on different meanings in the landscape of the post-industrial city. On a city block in the middle of a shrinking city, the return of green space can signify abandonment, disinvestment, and decay instead of healing, flourishing, or balance. Cialdella brings much needed nuance and historical context to the place of nature in postindustrial Detroit, providing a wider range of stories about the ways in which gardens and green, from the wide expanse of Belle Isle to urban potato patches and backyard sunflowers, have helped connect communities to the city and each other. Nature in the city doesn’t replace people; it helps them flourish.