Fans pick 94 books like A Madness So Discreet

The Yellow Wallpaper inspired my book and brand. Gilman not only defined the madwoman of Gothic literature by writing one of the most haunting and empowering stories of the 19th century, but she also lived it. Her experience inspired her story and exposed the horror of hysteria treatments. This story inspired me because I could relate to Gilman and her main character. Though hysteria is no longer a recognized condition and women have gained many more rights, ideologies left over from the hysteria panic still creep in our culture and generational memory. Women are still called crazy. The assumption that women are emotionally unstable is still used to discredit, invalidate and control women. In an era where women couldn’t fight for their rights as we do, Gilman found her power by embracing madness, and so do I.

A startling kaleidoscope of a novel – indicated by the arresting cover.

Mas’ book whirled me into the heart of its narrative with fast-moving stories of women whose lives are radically changed by supernatural encounters – which, in 19th century Paris, invite diagnoses of mental illness. What follows is a disorienting but compulsive account of 'madness', ‘other-world-ness’ - and the dangers of being different.

Beautifully imagined and expertly crafted, this novel engrossed me – and I learned a lot about mental asylums, and attitudes to women, in rather unenlightened times. A fabulous book.

For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.

Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear… show more.

I read An Inconvenient Wife years ago and it has always stuck with me.

As I dove into my research for my book, I reread this book and was just as impressed with it as I was the first time.

Lucy is the epitome of the upper-class New York Victorian woman but only if she bends to the will of her husband and physicians. It is a classic tale of yet another 19th-century woman forced into an asylum.

Lucy is subjected not only to medications but treatment for her “hysteria” which was the common diagnosis for most women in the asylum at the time. It was brilliantly researched and written!

Angie’s life is a mess. Her mother constantly taunts her as “Fat Angie.” High school classmates torment her as a “crazy, mad cow,” when she tries to slit her wrists in a high school assembly. Her heroic sister goes MIA during the Iraq War; her older brother treats her badly. Angie just wants to make it through each day until a beautiful new student arrives and befriends her, seeing the hidden beauty in Angie. I was revolted by Angie’s abusive family life and angry at the peer bullying. Where were school authorities? I was relieved when a warm friendship allowed Angie to become happy on her own. Though it seems extreme, I’ve occasionally observed similar situations among my students; the novel is horrifyingly realistic, but it moves in a positive fashion to its end.

I’m drawn to sister stories, which is something I only realized when I started writing this list, and it occurred to me that a number of my recommendations use the slowburn mystery as a means to explore sisterhood (something my own book does, as well).

I have a sister (hi, Diana!) and we have an uncomplicated and happy relationship. So maybe I subconsciously craved more drama growing up? Kidding aside, there’s something innately compelling about the dynamics between two people who may be very different or very similar, who share blood and memories, and who are tied together, for better or worse, for life.

How to Live Without You is a sister story at its best, as Emmy is the only person who’s capable of following Rose’s breadcrumbs.  

It’s devastating to reconcile a world that could treat anyone, especially children, the way Pecola Breedlove is treated in The Bluest Eye. The cruelty of racism and oppression, both historical and ongoing, feels unbearable to confront. The idea that worth, beauty, and love could be tied to a single, narrow ideal is profoundly heartbreaking. I want to reach through the pages, take Pecola in my arms, and tell her she is beautiful, that her self-worth is inherent, and free her from the horrors she endures.

Throughout the book, I yearn for someone in her world to lift her up, hold her, and tell her it will be okay. But they, too, are trapped in cycles of pain and suffering. Morrison’s writing is unflinchingly honest and achingly beautiful, taking me to a raw, vulnerable place where pain demands confrontation.

This book captures the depth of human experience, reminding me that… show more.

A comprehensive examination of the Ohio Valley native nations during the decades leading up to Dunmore’s War. Though the covering of the actual campaign makes up a small portion of this book, any researcher desiring a balanced view of the conflict for land in the Ohio couldn’t ask for a better resource than A Country Between.

Yet another book about the Ohio frontier broader in scope than Dunmore’s War, but a chapter in this book is devoted to it. What sets this book apart is its focus on individual men and women who struggled to survive (and in some instances shaped) the constant wars on the Ohio frontier during the period: Daniel Boone; Chief Logan; the Zane family; Simon Kenton; Lewis Wetzel; the Girty brothers; George Rogers Clark, and more. The examination of their lives and the events they witnessed, lived through, and helped shape, lends a fuller picture of life during this turbulent era.

Rather than focusing on historical archives, this book is based on years of face-to-face research in and with urban Indigenous communities. Deftly describing the urban politics of identity, Jacobs provides insights into the ways in which Indigenous people manage senses of self and community in the twenty-first-century city.