100 books like How to Live without You

In All That’s Left To Say, dual timelines braid threads of a mystery together in a way that allowed me to contrast Hannah then and now and wonder not just about the mystery Hannah’s trying to solve, but about how she became the master sleuth she thinks she needs to be to get answers.

This contrast, as much as the mystery, drew me into the story and had me turning pages every time we jumped between past and present. Of course, the enemies-to-friends-to-lovers romance also helped. How Lord imbued a single tie-straightening scene with more sexual tension than most kissing scenes might be the biggest mystery in this book.

Family secrets make great slowburn mysteries.

In You Have A Match, Abby accidentally uncovers a big one: she has a secret, full-blooded, slightly older sister. The burning question of “What happened to make my parents give my sister up for adoption?” carries the book. Abby is somehow both sure of herself and awkward, and I really felt her desperation to find out what happened in her parents’ past.

The chemistry (or lack thereof) between Abby and her secret sister Savannah is palpable and makes for many tense and amusing moments. I laughed. I wondered. I wanted to go to summer camp. And I did not predict the ending.   

The main mystery in this book is not a mystery to the reader. It’s a mystery to the main character, Stevie. I love this twist.

I don’t think I’ve ever read another book where the protagonist is trying to uncover their own past, and the reader knows what answers she’ll find if she succeeds. (Though there are a few surprises that the reader isn’t privy to until Stevie unearths them.) The heart of this story is its romance, which is beautiful, heartwarming, and heartbreaking all at once.

I loved everything about this book, honestly. I read it in two days, and the only reason I didn’t read it in one sitting is because I have a small child and that precludes sequestering yourself in a room to finish a book. 

Nine years is quite the slowburn. That’s how long it takes Sheldon Horowitz to achieve revenge for his father’s murder in Derek B. Miller’s dark comedy thriller How to Find Your Way in the Dark.

Of course, a lot of other things happen throughout the course of what is arguably more of a coming-of-age novel set against the backdrop of World War II than “YA,” but what hooked me in this story was Sheldon’s tenacity as he grows up, doggedly determined to find out who killed his father and why. The misadventures he gets into as a result, along with his cousins and best friend, are simultaneously bumbling and thrilling.

Unfortunately, Toni Morrison’s first major novel The Bluest Eye has long been targeted on banned book lists, which is unfortunate.

Told through the narration of Claudia - a Black girl character after my own heart with the same on-point, justifiably defiant thinking I had as a young girl, we get the story of Pecola and a community that is shaped by both the history of white supremacy and it’s own cultural richness and texture.

Morrison’s writing is so visual and visceral, and the storytelling so honest it spoke to my own war against Black girl invisibility in my own world. I’ve read it many times, and it still emotionally shakes me as so much memorable writing and stories tend to do.

And like other books by this Nobel Prize winner author, The Bluest Eye should be required reading for advanced grade high school students rather than banned. 

Jon Allen’s coming out and growing up story in his ongoing Ohio Is For Sale series, The Lonesome Era is, so far, his most complex and affecting work, but that’s not saying much for a cartoonist who expands his abilities and repertoire with each new book. The Lonesome Era is a rites-of-passage tale that showcases Allen’s customarily bleak outlook and dry wit, and it is, by turns, hilarious and poignant. I’ve called his work “Kafkaesque situation comedies” in the past, but that description belies the mordant emotional and observational sophistication on show here. He is simply one of the best young visual storytellers around.

This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.

Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.

This is my favorite of Toni Morrison’s novels because of the utterly original world she creates in the fictional Ohio neighborhood called “The Bottom.” Every time I read it, I find something new in the friendship between the main characters, Nel and Sula, a kind of relationship I recognized immediately.

I was a rule-abiding, quiet teenager who strived for approval from adults but was always attracted to bolder, less conventional friends. I often think about a scene in which Nel and Sula are walking down the street together, experiencing the sudden sense of power that comes with men’s attention and their whispered words, “pig meat.” I don’t know another book that gets at the threat and the mystery of sexual life so honestly or in such original language.

Without deliberately seeking to preach or teach, this book educates its readers about the depths of the struggles faced by children raised in the absence of loving adults. Coping mechanisms and resilience led Antwone Fisher to acquire his dreams. Unfortunately, many who have been in a foster care system never find themselves.  

Wench is an excellent novel about four enslaved African American women who are concubines to their wealthy white plantation owners.

It chronicles their attempts to carve out a space for their happiness in the incredibly oppressive era of American slavery. This novel forces readers to contemplate how they would preserve their humanity in the absence of bodily autonomy.