100 books like All That's Left to Say

Family secrets make great slowburn mysteries.

In You Have A Match, Abby accidentally uncovers a big one: she has a secret, full-blooded, slightly older sister. The burning question of “What happened to make my parents give my sister up for adoption?” carries the book. Abby is somehow both sure of herself and awkward, and I really felt her desperation to find out what happened in her parents’ past.

The chemistry (or lack thereof) between Abby and her secret sister Savannah is palpable and makes for many tense and amusing moments. I laughed. I wondered. I wanted to go to summer camp. And I did not predict the ending.   

I’m drawn to sister stories, which is something I only realized when I started writing this list, and it occurred to me that a number of my recommendations use the slowburn mystery as a means to explore sisterhood (something my own book does, as well).

I have a sister (hi, Diana!) and we have an uncomplicated and happy relationship. So maybe I subconsciously craved more drama growing up? Kidding aside, there’s something innately compelling about the dynamics between two people who may be very different or very similar, who share blood and memories, and who are tied together, for better or worse, for life.

How to Live Without You is a sister story at its best, as Emmy is the only person who’s capable of following Rose’s breadcrumbs.  

The main mystery in this book is not a mystery to the reader. It’s a mystery to the main character, Stevie. I love this twist.

I don’t think I’ve ever read another book where the protagonist is trying to uncover their own past, and the reader knows what answers she’ll find if she succeeds. (Though there are a few surprises that the reader isn’t privy to until Stevie unearths them.) The heart of this story is its romance, which is beautiful, heartwarming, and heartbreaking all at once.

I loved everything about this book, honestly. I read it in two days, and the only reason I didn’t read it in one sitting is because I have a small child and that precludes sequestering yourself in a room to finish a book. 

Nine years is quite the slowburn. That’s how long it takes Sheldon Horowitz to achieve revenge for his father’s murder in Derek B. Miller’s dark comedy thriller How to Find Your Way in the Dark.

Of course, a lot of other things happen throughout the course of what is arguably more of a coming-of-age novel set against the backdrop of World War II than “YA,” but what hooked me in this story was Sheldon’s tenacity as he grows up, doggedly determined to find out who killed his father and why. The misadventures he gets into as a result, along with his cousins and best friend, are simultaneously bumbling and thrilling.

This is the first of Dervla’s Detective Cormac Reilly books - and what a wonderful start to a new series.

Here is a book as dark and unpredictable as the early spring weather in Galway. Cormac springs to life, fully formed as a complex, honest policeman, uncompromising and determined to solve a case that has re-emerged after haunting him for over twenty years.

Back then he rescued a little boy and his sister from terrible squalor and abuse. Now grown up, that boy has apparently committed suicide and his missing sister has returned claiming he was murdered and accusing the police of a cover up.

Add to this, Cormac’s own problems with a new posting in Galway, a hostile squad of detectives and a relationship he’s frantically trying to hold on to. A wonderful, complex, engrossing book.

No list of queer-found family fantasies would be complete without mentioning the Dregs. Leigh Bardugo’s book, set in a gritty city called Ketterdam, is the first book that made me fall in love with a found family.

If I could join any fantasy-found family, it would be this one. If you’ve ever wanted to join the ultimate heist crew, you’ve got to read Six of Crows.

Two pharmacists sit in a Boston courtroom accused of murder. The weapon: a fungus. The death count: 100 and rising. These facts set the stage for a true-crime thriller by investigative journalist Jason Dearen, and it has the makings of a horror movie. There’s scientific hubris, sketchy ethics, a cover-up, and a monster, too: a slimy, sticky, fungal mold that infected patients and began eating their brains alive. It’s riveting, packed with information about how fungal spores managed to contaminate a medical supply chain, and frankly hard to put down. I have done my share of forensic research, and never have I encountered killer fungus before; I consider this an unmissable book.

This account of the early years of Vertex Pharmaceuticals, from its inception as a scrappy start-up to its early work in HIV, is a must-read classic for anyone interested in how science turns into new drugs. Barry Werth’s journalistic play-by-play is a cinematic, true-to-life picture of the strategic decisions, real-world challenges, and larger-than-life personalities that underlie modern drug development. His riveting follow-up, The Antidote, continues the saga by taking readers through Vertex’s pathbreaking work to transform the care of patients with hepatitis C and cystic fibrosis.

Thrillers! At a time when the world feels so perilous, what could be more satisfying than a high-stakes story that’s fully resolved by the last page? Only one that’s also a triumphant revenge fantasy.

Delilah is sick of feeling scared. When she retaliates against her tyrannical stepfather and he winds up dead, it would be the perfect crime–if not for a hidden camera planted by her creepy classmate. Logan believes he and Delilah are meant to be together, and he’s not above using blackmail to keep her around. Told in dual POV between Delilah and the eerily calm Logan, The Obsession is fast-paced, riveting, and, if you’re new to the thriller world, an A+ introduction to the genre.

A best-seller in the UK, it never garnered the attention it deserved in the US. As a trained physician, Goldacre explains why doctors cannot trust the information concerning prescription drugs that is made available to them, and why this should concern every patient. The incentives motivating drug regulators constitute a big part of the problem, but the actual conduct of clinical trials comes in for intensive scrutiny as well. The rigors of double-blinded trials are useless if owners of the data can hide whatever outcomes they don’t like. His chapter on how to bend a clinical trial has become a classic.