Here are 100 books that The Mexican Tree Duck fans have personally recommended if you like
The Mexican Tree Duck.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
On any given day, this is my favorite book with one of my favorite bars, The Vine, a dive that Johnson describes as “like a railroad club car that had somehow run itself off the tracks into a swamp of time where it awaited the blows of the wrecking ball.” Is it a nice place? No. Would you take a date here? Not if you wanted them to respect you. Could you find yourself in mortal danger? Absolutely. But amongst the addicts and runaways, the small-time crooks and ne’er do wells, you’ll find moments of beauty that transcend the pain of everyday life, becoming, in its best moments, like reading scripture.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
Maybe I just want to have a drink with Zadie Smith. She could tell me how she managed to write such a breathtaking novel by the age of 23. In this fictional encounter, I’d ask her about O’Connell’s, the pub in White Teethfrequented by her constantly put-upon war vets Archie Jones and Samad Iqbal. “O’Connell’s is the kind of place family men come to for a different kind of family. Unlike blood relations, it is necessary here to earn one’s passion in the community; it takes years of devoted fucking around, time-wasting, lying-about, shooting the breeze, watching paint dry—far more dedication than men invest in the careless moment of procreation.” The whole book is this keenly observed, and this funny.
One of the most talked about fictional debuts of recent years, "White Teeth" is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
First Pynchon. Favorite Pynchon. Opens up on Christmas Eve, 1955 with our hero Benny Profane hanging out in the Sailor’s Grave, a navy bar in Norfolk, where all of the “barmaids” are called Beatrice, including the owner, who posits “that just as small children call all females mother, so sailors, in their way equally helpless, should call barmaids Beatrice.” She tests this theory by putting rubber nipples on the end of the taps and having sailors chug from them during Suck Hour. And this is just the start of Pynchon flexing his hilarious and bizarre imagination in this picaresque novel. I come back to V. whenever I find myself marooned in a sea of depressing fiction, because it cradles me in love and joy.
The first novel from the great, incomparable Thomas Pynchon.
The quest for V. sweeps us through sixty years and a panorama of Alexandria, Paris, Malta, Florence, Africa and New York. But who, where or what is V.? Bawdy, sometimes sad and frequently hilarious, V. as become a modern classic.
'The greatest, wildest, most infuriating author of his generation' Ian Rankin, Guardian
'To read V. today is to experience Pynchon anew' New Yorker
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
Crumley used his PI Milo Milodragovich to look at the state “with more guns than cows” in all its colorful insanity.
The search for a runaway pool shark wife puts Milo in the middle of plot involving firearms, drugs, and crimes in various forms as Crumley draws from two of his favorite writers, Raymond Chandler and Warren Zevon.
I got to know Jim near the end of his life and see his broad, loving, cynical personality, and the feelings of his birth state when I read this.
It's business as usual for Milo Milodragovitch, watching a relationship go sour and running a bar whose real business is cleaning some dirty money, until he gets sent off to hunt a drug dealer’s killer. Prodded by the twin motivations of his prickly conscience and his tight finances, Milo sets off on a trip to find the promised land. The end of the road will be where he first began: Montana, where a beautiful woman, a dangerous man, and a motherlode of truth are waiting for their favorite son to come home—bringing with him…
I am a retired police officer who worked the streets and conducted criminal investigations for over thirty-one years in a busy city with Detroit as a neighbor. I handled everything from narcotics to arson and murder. Having lived the life, I truly enjoy a well-written crime novel, especially those inspired by real events. That is what I also write. I prefer crime stories where the protagonist is truer to life and doesn’t possess superpowers.
Dave Robicheaux is one of my favorite characters, perhaps because I can relate to him so easily. James Lee Burke is a master of metaphors and he can offer descriptions of the sky like no other. His storytelling is enjoyable and almost philosophical at times.
In this book Burke's firsthand knowledge of the pristine scenery in Northern Montana shines above his usual inside look at the Louisiana bayou country. Robicheauxs's sidekick, Clete Purcel, is a colorful and easily likable character.
Swan Peak wasn’t as exciting as the other Robicheaux novels I’ve read but it was still a great page-turner and good story.
James Lee Burke's new novel, Swan Peak, finds Detective Robicheaux far from his New Iberia roots, attempting to relax in the untouched wilderness of rural Montana. He, his wife, and his buddy Clete Purcell have retreated to stay at an old friend's ranch, hoping to spend their days fishing and enjoying their distance from the harsh, gritty landscape of Louisiana post-Katrina.
But the serenity is soon shattered when two college students are found brutally murdered in the hills behind where the Robicheauxs and Purcell are staying. They quickly find themselves involved in a twisted and dangerous…
Writing a mystery novel is no small task. You have to craft a clever plot, stay true to your characters, and bewilder, but ultimately satisfy, your readers, all the while not mixing up your theirs and your there’s. Maybe that’s why we writers like to saddle our heroes with even heavier burdens, forcing them to sort through complex webs of deceit, and fight against deeply rooted cultures full of corruption. When they win, we share their victories… even more so because it means we’ve finished writing the darn book! Enjoy this list of detectives facing long odds, and let it inspire you in whatever creative endeavors are closest to your heart.
Detective CW Sughrue was working the topless bar scene well before Jack Reacher wandered across the literary landscape. But unlike Reacher, Sughrue carries the sins of mankind on his own shoulders, just as likely to solve a crime as to curl up in a cheap motel with a bottle of whisky.
He begins the book looking for a trouble author (is there any other kind?), but once he finds him, things get really messy…
The first time I saw a Coen Brothers’ movie I felt like I was already familiar with their style. It’s probably because I had already read Crumley’s novels with their existential sadness and brutal violence just-barely-buoyed by clever plotting and pitch-black humor.
'As sweetly profane a poet as American noir could have asked for' Ian Rankin
'A friggin' masterpiece' Dennis Lehane
'The stunner that reinvigorated the genre and jacked up a generation of future crime novelists' George Pelecanos
Meet Private Detective C. W. Sughrue.
Private detectives are supposed to find missing persons and solve crimes. But more often than not Sughrue is the one committing the crimes - everything from grand theft auto to criminal stupidity. All washed down with a hearty dose of whiskey and regret.
At the end of a three-week hunt for a runaway bestselling author, Sughrue winds up…
When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.
It’s hard to find someone who hasn’t heard of Lee Child’s protagonist Jack Reacher.
I recommend his second in the series to start with because that’s when Child started writing the rest of the series in third person as opposed to first.
Die Trying has Reacher witnessing a kidnapping, and ultimately being captured himself. As Reacher and the woman try to outsmart their captors and uncover the truth behind their abduction, the tension never lets up.
But what really sets this book apart is how Reacher's military background is woven into the fabric of the story, creating a character whose unique perspective, skills, and experience make him an unstoppable force.
A Chicago street in bright sunshine. A young woman, struggling on crutches. He offers her a steadying arm.
And turns to see a handgun aimed at his stomach.
Chained in a dark van racing across America, Reacher doesn't know why they've been kidnapped. The woman claims to be FBI. She's certainly tough enough. But at their remote destination, will raw courage be enough to overcome the hopeless odds?
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kipling’s Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
Connolly weaves taut crime thrillers that I have great trouble putting down once I start reading. Charlie Parker and the rest of the regular cast are beautifully rich characters I care about, which explains the 19 books in this series on my shelf. What sets Connolly apart is an undercurrent of supernatural evil that arcs through these crime stories. In The Black Angel, the shroud that conceals what the reader likely sensed in the early novels is pulled back a little to reveal an underworld of darkness beneath the stories. Charlie Parker is the detective you want on the case when there is more than just a crime and The Black Angelis a milestone in the series.
EVIL TAKES MANY FORMS. PRIVATE INVESTIGATOR CHARLIE PARKER HUNTS THEM ALL.
The Black Angel is not an object. The Black Angel is not a myth. The Black Angel lives.
A young woman goes missing from the streets of New York. Those who have taken her believe that nobody cares about her, and that no one will come looking for her. They are wrong. She is linked to the killer Louis, the man who stands at the right hand of private detective Charlie Parker, and Louis will tear apart anyone who stands in the way of his attempts to find her.…
Nick Albert is British, but for close to 20-years, he has lived in a ramshackle farmhouse in the rural west of Ireland with his wife and several unruly but affectionate dogs. He's the author of the bestselling comedy memoir series, Fresh Eggs and Dog Beds, and the twisty thriller Hunting the Wrecking Crew. Nick is a voracious reader with an eclectic collection of books, and for a good reason. In a recent interview, he gave this advice to aspiring authors, "Before you write, read. Read a lot. Read what you enjoy. Read the kind of books you would like to write, but be sure to observe the author's craft as you read. Take note of how they mix dialogue with narration, how they paint their pictures, and how they guide your mind. Try to look beyond the words to understand how the story was constructed. Do all this and more before you put pen to paper."
Introducing Elvis Cole, L.A. Private Eye, who, along with his business partner Joe Pike, features in 18 books. Cole is a literate, wisecracking Vietnam vet who is determined to never grow up. Pike is a former Marine, quiet, ruthless, and deadly.
When Ellen Lang enters Elvis Cole's Disney-Deco office, she's lost her husband and her young son. The case seems simple enough, but Elvis isn't thrilled. Neither is his enigmatic partner and firepower, Joe Pike. Their search down the seamy side of Hollywood's studio lots and sculptured lawns soon leads them deep into a nasty netherworld of drugs, sex, and murder.
