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I grew up watching Perry Mason on TV and have always enjoyed mysteries with a legal theme, what has become known as the legal thriller. My affection for this genre only increased when I became a lawyer and, later, a trial judge. I especially appreciate a novel that accurately depicts what lawyers and judges say and do and that highlights the tension between law and justice. Not surprisingly, that has been my goal for the four legal thrillers I have written.
Connally is not a lawyer, but he does a great job of accurately portraying the nitty gritty of the practice of street law, where the clients are usually on the lower economic rung of society. Mikey Haller is a lawyer who practices law from the back seat of a Lincoln Town Car, and these are his typical clients. Haller is a likable, memorable character who can sometimes sail close to the wind but has a solid inner moral compass.
In this novel, the first in the series, Haller takes on the defense of a rich playboy type. While he is happy to have a good fee, and it looks like he may, for a change, have an innocent client, things get complicated quickly, and Haller finds himself facing an ethical dilemma. How he resolves the conflict between his professional duty and his individual moral compass is clever and entertaining. And…
They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.
Mickey Haller has been in the business a long time, and he knows just how to work it, how to grease the right wheels and palms, to keep the engine of justice working in his favour. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years.…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.
As a reader of mysteries and thrillers, I always look for intriguing characters, a great storyline, and something special. Not all books in the genre have these. This one does. The secret element is that it’s extremely charming. I love the relationship between the protagonist, Myron, and his best friend, the wealthy Win. For instance, they are both TV trivia nuts of classic TV shows from the ‘60s and forward.
Additionally, Win is very much not what he seems. This other side is intriguing and adds depth to the character. In Coban’s book, I rooted for Myron (I didn’t always agree with his choices) but was on his side the whole time.
The truth can get you killed... A stunning thriller from the SUNDAY TIMES bestselling author of SIX YEARS.
Investigator and sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour.
Suddenly Myron is plunged into a baffling mystery of sex and blackmail. Trying to unravel the truth about a family's tragedy, a woman's secret and a man's lies, Myron is…
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for…
I have been an avid reader all my life and have been fortunate (or unfortunate) to have a life full of a variety of experiences. Wonderful stuff to draw on when you’re writing, including a unique near-death experience. When I stumbled on a book idea with a topic I’d never heard of before, I was fascinated with the idea of writing “something new under the sun.” I also am thrilled to write books that give others as much joy as reading has given me over the years. A little action, a little passion, and a bunch of plot twists bring other worlds to life for me.
I picked this book because it is the 1st Jack Reacher novel, but they are all great. They speak to me because they depict a very unusual guy. A tough guy with a brain and a strong sense of right and wrong. A vagrant who fixes problems wherever he goes.
I have been accused of having a white-knight syndrome all my life, so I find this character riveting. Action, plot twists usually a touch of romance. These are all things that speak to me and Jack Reacher novels are full of them.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Walter Mosely is one of my favorite fiction writers. His Easy Rollins mysteries, of which Cinnamon Kiss is a prime example, describe with great skill the cultural texture of street life among African Americans in Los Angeles.
He does so through sensuous descriptions of LA neighborhoods, gripping dialogue, and creative construction of character. In so doing he evokes the practical wisdom of urban street life—a model for writing about contemporary wisdom.
New York Times bestseller Walter Mosley's sizzling new novel pits Easy Rawlins against his greatest ever challenge.
It is the Summer of Love as CINNAMON KISS opens, and Easy Rawlins is contemplating robbing an armoured car. It's further outside the law than Easy has ever travelled, but his daughter Feather needs a medical treatment that costs far more than Easy can earn or borrow in time. And his friend Mouse tells him it's a cinch.
Then another friend, Saul Lynx, offers a job that might solve Easy's problem without jail time. He has to track the disappearance of an eccentric,…
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.
I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.
Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated.
'Another grand slam for the master storyteller' DAVID BALDACCI
'A modern master of crime fiction' GREGG HURWITZ
THE CITY OF ANGELS Adele Schumacher isn't a typical worried mum. When she hires Elvis to find her missing son, a controversial podcaster named Josh Shoe, she brings a bag filled with cash, paranoid tales of government conspiracies, and a squad of mysterious bodyguards. Finding Josh should be simple, but Elvis quickly learns he isn't alone in the hunt - a team of deadly strangers are determined to find Josh first.
THE CITY OF LIES With dangerous secrets lurking behind every lead, Elvis…
Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.
A mystery narrated by a dog? It sounded like a gimmick to me, until I started reading. Honestly, this dog thinks and reacts like a dog, and he’s hilarious! The tightly woven storyline—Chet “belongs” to a detective who’s investigating a girl’s disappearance—pulled me along nonstop, but mostly I fell in love with the writing. As a rule, I enjoy experiencing the world from a fresh perspective, along with a storyline that turns and twists and makes perfect sense in an unexpected way, as this one does. Trigger warning: Chet the pooch has some scary and even near-death moments en route to his happy ending.
The first book of the New York Times bestselling Chet and Bernie mystery series, an “enchanting one-of-a-kind novel” (Stephen King) that is “nothing short of masterful” (Los Angeles Times).
Chet, the wise and lovable canine narrator of Dog on It, and Bernie, a down-on-his-luck private investigator, are quick to take a new case involving a frantic mother searching for her teenage daughter. This well-behaved and gifted student may or may not have been kidnapped, but she has definitely gotten mixed up with some very unsavory characters. With Chet’s highly trained nose leading the way, their hunt for clues takes them…
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kipling’s Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
Connolly weaves taut crime thrillers that I have great trouble putting down once I start reading. Charlie Parker and the rest of the regular cast are beautifully rich characters I care about, which explains the 19 books in this series on my shelf. What sets Connolly apart is an undercurrent of supernatural evil that arcs through these crime stories. In The Black Angel, the shroud that conceals what the reader likely sensed in the early novels is pulled back a little to reveal an underworld of darkness beneath the stories. Charlie Parker is the detective you want on the case when there is more than just a crime and The Black Angelis a milestone in the series.
EVIL TAKES MANY FORMS. PRIVATE INVESTIGATOR CHARLIE PARKER HUNTS THEM ALL.
The Black Angel is not an object. The Black Angel is not a myth. The Black Angel lives.
A young woman goes missing from the streets of New York. Those who have taken her believe that nobody cares about her, and that no one will come looking for her. They are wrong. She is linked to the killer Louis, the man who stands at the right hand of private detective Charlie Parker, and Louis will tear apart anyone who stands in the way of his attempts to find her.…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
Crime novels, like bars, live or die on their vibe. The plot may have rat-sized holes and the ending might spill into deux ex machina, but if you dig the atmosphere, you’ll forgive almost any narrative sin. Not that The Mexican Tree Duck commits any worthy of confession. You’re in safe hands with CW Sughrue, part-time PI and owner of the Hell Roaring Liquor Store and Lounge up in Montana. What I love about Crumley is the lovely, complex language that pours out like gin into a martini glass. “The first time I set foot in the Hell Roaring as the sixties drifted, late as usual and dying, into the seventies, I found that soft autumn light filling the magic afternoon easiness of the bar.”
One night up in Montana, C.W. Sughrue sets his seedy bar’s pricey jukebox in front of an oncoming freight train. When predictable results ensue, he needs to find a way to make some money and pay back the jukebox company. So even though Sughrue’s officially retired from P.I. work, he picks up one small-time case involving some kidnapped fish. That fishy trail leads to a much bigger case involving a Texas politician's kidnapped wife, a valuable piece of pre-Columbian pottery, and a single mother who packs guns and stolen goods in her infant son's…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
In addition to being an author, I’m an avid reader, averaging about a book a week. While I enjoy a good historical fiction or NYT bestseller, my go-to is mystery and suspense, and has been since the day my mother first introduced me to Nancy Drew. I’m especially drawn to cold case mysteries, multiple POVs, and complex plots and characters, but I can dive headfirst into a fast-paced beach read with equal pleasure. As a writer by profession, I truly believe reading is the best teacher and I have learned from, and enjoyed, every one of these recommendations immensely. It’s my hope that you'll discover a new-to-you author and love the book you choose.
Grafton takes a rare departure from her usual singular narrative by P.I. Kinsey Millhone, alternating with POVs between “present day (1987)” Kinsey’s investigation and flashbacks by 1953 characters. The case is that of flirtatious Violet Sullivan who disappeared in 1953, leaving behind a young daughter, Daisy, and husband, Foley. Thirty-four years later, Daisy is looking for closure. Did her mother leave of her own volition? Is she still alive and living the good life? Or did she meet with a bad end? The premise of a disappearing mother can take many different paths, and Millhone handles each scenario in turn as she delves deep into the past…all without the aid of a cell phone and internet.
California private investigator Kinsey Millhone is hired to solve a decades-old cold case in this "undeniably entertaining" (Los Angeles Times) #1 New York Times bestseller from Sue Grafton.
Cases don't get much colder than that of Violet Sullivan, who disappeared from her rural California town in 1953, leaving behind an abusive husband and a seven-year-old named Daisy. But PI Kinsey Millhone has promised the now adult Daisy she'll try her best to locate Violet, dead or alive. All signs point to a runaway wife-the clothes that disappeared; the secret stash of money Violet bragged about; the brazen flirtations she indulged…
