Here are 100 books that The Thirty-Nine Steps fans have personally recommended if you like
The Thirty-Nine Steps.
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I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
The first and best of my list from the master spy himself.
It is a complicated plot that is skillfully and gradually laid bare in what starts as a murder investigation by a retired MI6 agent and ends as a political coup for the ‘Circus’ (MI6).
A great read from the start; I think this is one of Le Carre’s best and one that helped influence me in my writing. The book is much better than the TV or movie versions, and le Carre’s characterisation of Smiley is superb.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
Tell Max that it concerns the Sandman...
A very junior agent answers Vladimir's call, but it could have been the Chief of the Circus himself. No one at the British Secret Service considers the old spy to be anything except a senile has-been who can't give up the game-until he's shot in the face at point-blank range. Although George Smiley (code name: Max) is officially retired, he's summoned to identify the body now…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.
The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.
The tenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by bestselling crime writer Peter Robinson - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions...
Disguised as his disreputable cousin Death Bredon, Lord Peter Wimsey takes a job - one that soon draws him into a vicious network of blackmailers and drug…
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.
In my humble opinion, this is the greatest adventure tale in the English language!
Robert Louis Stevenson practically invented pirates for the modern world, particularly his chief antagonist, the crippled but formidable Long John Silver. Highly intelligent, cunning, crafty, ruthless, yet somehow appealing, Silver set the standard for all pirate heroes to come.
Whenever I get bogged down studying pirates, I turn to Treasure Island to remember what it is to enjoy my subject!
Penguin presents the audio CD edition of Treasure Island by Robert Louis Stevenson.
Following the demise of bloodthirsty buccaneer Captain Flint, young Jim Hawkins finds himself with the key to a fortune. For he has discovered a map that will lead him to the fabled Treasure Island. But a host of villains, wild beasts and deadly savages stand between him and the stash of gold. Not to mention the most infamous pirate ever to sail the high seas . . .
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
I hate this book for all the reasons I love it: because it’s perfect.
It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.
Romance. Deception. Murder. Shiny things.
Genius.
Forget the movie, pick up the real thing. Poirot at his best.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man’s…
Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
The first time I talked to my New York agent, I told her my three favorite novels were The Spy Who Came in From the Cold, the Eye of the Needle, and, of course, the Day of the Jackal. She caught her breath. “I’ve just written an article,” she said, “saying those were the three best thrillers ever.”
Here’s a secret. Old City Hall is not the first book I’ve written. I spent ten years writing a thriller inspired by Jackal. Set in 1988, an assassin is on her way to Toronto to kill the G-7 world leaders meeting there. The manuscript never sold. Then, last year, I pulled out my “book-in-a-drawer” and updated it as a prequel. Now it’s my new novel. I’ve moved in my writing from legal thrillers to historical dramas (my last novel is based on a Nazi massacre in Italy in 1944) and…
The Day of the Jackal is the electrifying story of the struggle to catch a killer before it's too late.
It is 1963 and an anonymous Englishman has been hired by the Operations Chief of the O.A.S. to murder General De Gaulle. A failed attempt in the previous year means the target will be nearly impossible to get to. But this latest plot involves a lethal weapon: an assassin of legendary talent.
Known only as The Jackal, this remorseless and deadly killer must be stopped, but how do you track a man who exists in name alone?
I’m a reader and writer of thrillers, especially espionage, but I also love literary fiction, including contemporary writers like Kazuo Ishiguro, Mohsin Hamid, and Amor Towles. And I enjoy reading classic writers including Gogol, Dostoyevsky, and Kafka. So, when it comes to reading thrillers, I gravitate towards those that are very well written, with precise prose and evocative imagery. This is my crossover list of the best five spy thrillers for readers of literary fiction. If you’re a literary reader interested in dabbling in a bit of espionage, these five books would be a great place to start.
This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.
Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.
Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.
When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.
'From the bottom of the stairwell Malcolm could only see that the room appeared to be empty. Mrs Russell wasn't at her desk. Out of the corner of his eye he noticed that Dr. Lappe's door was partially open. There was a peculiar odour in the room . Malcolm tossed the sandwich bags on top of Walter's desk and slowly mounted the stairs.
'He found the sources of the odour. As usual, Mrs Russell had been standing behind her desk when they entered. The blast from the machine gun in the mailman's pouch had knocked her almost as far back…
