As a journalist who learned his craft on the job in the tumultuous 1960s, I happened to find myself living in states where racial history was being written. Reporting that story required me to understand why discrimination, poverty, and violence remained so deeply rooted in modern America. I wrote Ten Ways to Fight Hate, I made a movie about civil rights martyrs, and, after seeing people from around the world making a pilgrimage to the sites of the civil rights struggle, published my guidebook. Over the course of a 50-year career, I have written a million words. I am proudest of those that tried to right wrongs, and sometimes did.
As a young journalist reporting racial unrest in Connecticut
and elsewhere in the 1960s, I was stunned by a 1968 government report that
declared: “Our nation is moving toward two societies, one black, and one white
– separate and unequal.” Its section on the media noted that except for crime
stories, people of color were largely missing from television and newspapers –
even in advertisements – and called on newsrooms, corporate boards, and
institutions to use affirmative action to hire minorities. I took the Kerner
Commission report to heart, and, as one of my proudest professional
accomplishments, hired the first Indian journalist in South Dakota, an action
that reverberates to this day. Today, we take black and brown faces and voices
on TV, movies, ads, and institutions for granted.
But as New Yorker writer Jelani Cobb explains in his
introduction, much of what the commission recommended has been ignored, to…
The Kerner Commission Report, released a month before Martin Luther King Jr.'s 1968 assassination, is among a handful of government reports that reads like an illuminating history book-a dramatic, often shocking, exploration of systemic racism that transcends its time. Yet Columbia University professor and New Yorker correspondent Jelani Cobb argues that this prescient report, which examined more than a dozen urban uprisings between 1964 and 1967, has been woefully neglected.
In an enlightening new introduction, Cobb reveals how these uprisings were used as political fodder by Republicans and demonstrates that this condensed edition of the Report should be essential reading…
Hi! My name is Ben Berman Ghan, and I’m the author of the short story collection What We See in the Smoke and the novella Visitation Seeds. I’ve spent pretty much every day of my life since 2015 thinking about short fiction, writing it, or editing it. In many ways, the traditions and strengths of the genre of SF are owed to the short fiction writers and the magazines that have published them over the years — magazines that I keep on reading to this day. There is something electric to me about the short story, the concentrated fervor of an SF writer having to concentrate all that imagination and emotion into something tight and sharp.
What shall we do, when at last the intricate oppressions, we have built for ourselves are pushed plainly into view? Cory Doctorow’s collection of novellas bills itself not fictions of tomorrow, but stories of our present moment. Immigration, police brutality, tech monopoly, online radicalization, all bubble sharply and brilliantly to the surface here, in a world that, frankly, doesn’t seem that far from ours. What will you do, when your toaster tells you that the bread you bought is not a compatible product? Cory Doctorow might tell you. You might not like the answer very much. Either way, with stellar writing and keen insight, Radicalized is the best kind of political fiction, unapologetic, and empathic.
If you want a better future tomorrow, you're going to have to fight for it today.
Here are four urgent stories from author and activist Cory Doctorow, four social, technological and economic visions of the world today and its near - all too near - future.
'Unauthorized Bread' is a tale of immigration, toxic economic stratification and a young woman's perilously illegal quest to fix a broken toaster.
In 'Model Minority' a superhero finds himself way out his depth when he confronts the corruption of the police and justice system.
'Radicalized' is the story of a desperate husband, a darknet…
I’m often asked if my Worst-Case Scenario books are serious or humorous. And my answer is always the same: “Yes!” While inspired by pop culture and the survival situations we see again and again in movies and on TV, the information in my books is real. I spend a lot of time seeking out experts to interview—the people who actually have done this stuff—and then distilling their survival wisdom into the form you see in the books. As humans, we want to be prepared for life’s twists and turns. Even if it’s, you know, when the aliens arrive. I’ve been a survival writer and humorist for 25 years and I ain’t stopping now!
I vividly remember reading Native Son in high school, and to this day it remains one of my favorites (as well as one of the best novels of the 20th Century).
So, when I heard a few years ago that Richard Wright’s lost-lost novella was going to be published nearly thirty years after his death, I picked up a copy. Wow. It’s the story of a Black man, accused of a crime he didn’t commit, who evades capture by (yes, as the title says) living underground in the sewers.
The survival aspects, including his ingenuity and the break-ins into buildings and basements he plans to get supplies, are fascinating. But above all this is a story about injustice and what one person is forced to do to survive in an unequal society. A great read!
New York Times Bestseller • One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah’s 15 Favorite Books of the Year
From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from…
I wasn’t a sporty teen, but I discovered rock climbing in my twenties and that later inspired my first novel, The Art of Holding On and Letting Go. I’m also a social worker, and even though my main character Cara is a competitive climber and the book features gripping (ha!) rock climbing scenes, the story is about much more – love and loss, finding home, the transformative power of nature. Sports and athleticism (or lack thereof) are something we can all relate to. What a great starting point for exploring our multi-faceted lives.
This novel is extra special because it’s written by two author friends, one Black, one white, and shows the complexity of racial inequality and police violence firsthand with basketball as the backdrop. This moving story encourages discussion and will make you reflect. It’s also a great introduction to the two authors’ work, and especially interesting to see how Jason Reynolds has since grown into his role as National Ambassador for Young People’s Literature.
A bag of chips. That's all sixteen-year-old Rashad is looking for. What he finds instead is a fist-happy cop, Paul, who mistakes Rashad for a shoplifter, mistakes Rashad's pleadings that he's stolen nothing for belligerence, mistakes Rashad's every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the pavement?
There were witnesses: Quinn - a varsity basketball player and Rashad's classmate who has been raised by Paul since his own father died in Afghanistan - and a video camera.…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Butler argues that the large increase of police assaults and killings of black men is not a breakdown in law enforcement or the activities of a few rogue cops. The system is doing what it has been designed to do. Police hurt black men, according to the author because “that is what they are paid to do.” Butler maintains that the Chokehold “is a way of understanding how American inequality is imposed.” It is a tool of oppression. One outcome of the Chokehold is mass incarceration. The construction of the thug is a means of justifying the Chokehold. Butler traces the “Ape” or “dehumanization” thesis.
The book contains loads of data showing how in city after city black people are disproportionately targeted by police officers. Programs such as Obama’s My Brothers’ Keeper ignores women and plays into perpetuating stereotypes of black men as the primary victims of racism.
Finalist for the 2018 National Council on Crime & Delinquency's Media for a Just Society Awards
Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction)
A 2017 Washington Post Notable Book
A Kirkus Best Book of 2017
"Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men." -The Washington Post
"The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander's…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Biondi does not just examine the little-known history of police brutality against black New Yorkers. It is a history of how black New Yorkers, over decades, challenged abuse at the hands of “New York’s finest.” The black challenge to police brutality has been fierce, especially as New York City’s black communities grew. But the anti-police brutality campaign has also been extremely difficult.
The story of the civil rights movement typically begins with the Montgomery bus boycott of 1955 and culminates with the 1965 voting rights struggle in Selma. But as Martha Biondi shows, a grassroots struggle for racial equality in the urban North began a full ten years before the rise of the movement in the South. This story is an essential first chapter, not only to the southern movement that followed, but to the riots that erupted in northern and western cities just as the civil rights movement was achieving major victories.
Biondi tells the story of African Americans who mobilized…
I am a professor of history at College of DuPage, a community college outside of Chicago. Growing up in New York City and rural Vermont in the 1980s and 1990s around people who questioned everything made me think a lot about how and why the social world is organized in such an obviously unjust and irrational way. I have tried to understand the development of this organization ever since.
Taibbi lays bare the overlapping problems of poverty, policing, mass incarceration, the Democratic Party, and modern protest politics by tracing the life, murder, and movement surrounding Eric Garner, who was choked to death by a police officer on the streets of New York in 2014.
Whatever you think of Taibbi, this book has one of the clearest explanations I have ever read of how a logical and well-meaning idea can become its opposite. “Broken windows theory” began as the idea that keeping cities clean and their residents free from harassment can make people feel safer and more invested in where they live.
In the abstract, this makes sense. But in the context of the massive attacks on the working class, and the black part of the working class in particular, the application of this theory by New York politicians and police officials led to the widespread “social rape” of young…
'A brilliant work of narrative nonfiction' - Booklist 'Matt Taibbi is one of the few journalists in America who speaks truth to power' - Bernie Sanders 'A searing expose' - Kirkus Review 'Taibbi may be the only political writer in America that matters' - Hartford Advocate
The incredible story of the death of Eric Garner, the birth of the BLACK LIVES MATTER movement and the new fault lines of race, protest, policing and the power of the people.
On July 17, 2014, a forty-three-year-old black man named Eric Garner died in New York after a police officer put him in…
As a youngster growing up in the segregated South, I didn’t have access to books about Black history, culture, and experiences. Although I attended all-Black schools, the curriculum and the books in our libraries were mostly selected by an all-White school board. So, I didn’t know that much about the history of my own people. I would not begin to learn that until I attended college. When I married and had children of my own, my wife and I still had problems finding a variety of books for children and young readers for our own children to read. So, we started our own publishing company to address the need for these books.
Nic Stones’s first book is a classic. When an altercation between a retired white police officer and his best friend turns violent, Justyce, a Black teenager, is forced to examine what it means to be a Black in America.
Writing letters to the late Dr. Martin Luther King, Jr. in a journal that Justyce keeps helps him come to terms with this challenging reality.
'Absolutely incredible, honest, gut-wrenching! A must-read!' Angie Thomas, author of The Hate U Give ' Painfully timely and deeply moving, this is the novel the next generation should be reading' Jodi Picoult 'Justyce's story is earnest, funny, achingly human, and unshakably hopeful. I am forever changed.' Becky Albertalli, author of Simon vs. the Homo Sapiens Agenda 'Raw and gripping' Jason Reynolds, author of Long Way Down 'A powerful, wrenching, and compulsively readable story that lays bare the history, and the present, of racism in America' John Green, author of The Fault in our Stars
--------------- Raw, captivating, and undeniably real,…
People experiencing intimate partner and other forms of violence have been taught that police, prosecutors, and courts are there to respond when they are harmed and to keep them safe. But in my practice representing survivors of gender-based violence, I have both heard about and witnessed first-hand the many ways that the criminal system punishes the survivors that it promised to protect. Survivors are harassed, harmed, and arrested by police. Their experiences of trauma are minimized and denied by prosecutors and judges. They are held criminally responsible for acting in self-defense and for the actions of the people who abuse them.
Most domestic violence shelters have this message on their voicemails: “If you are in immediate danger, call 911.” But for many survivors, particularly women of color, calling the police can lead to disaster. Ritchie’s book came out at a time when people were beginning to talk about police violence against Black men, but before #SayHerName, Sandra Bland, and Breonna Taylor were regularly included in that conversation.
You might have known that Eric Garner was choked to death by the police in New York City; you didn’t know that several weeks later, police also choked Rosann Miller, then seven months pregnant, to death. Ritchie documents how police officers verbally, emotionally, physically, and sexually abuse women of color—and how we can resist police violence.
“A passionate, incisive critique of the many ways in which women and girls of color are systematically erased or marginalized in discussions of police violence.” —Michelle Alexander, author of The New Jim Crow
Invisible No More is a timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. By placing the individual stories of Sandra Bland, Rekia Boyd, Dajerria Becton, Monica Jones, and Mya Hall in the broader context of the twin epidemics of police violence and mass incarceration, Andrea Ritchie documents the evolution of movements centered around women’s experiences…
As a kid, I was consistently described as one who had her head in the clouds. I was far away imagining all sorts of fantastical things; dragons soaring in the sky, a witch blasting a fireball in the grocery store, a werewolf coming to eat the gym teacher, the coffee barista is actually a vampire, etc. There is something alluring about supernatural beings existing in our often mundane world; whether they are being subjected to the same life we are or are wreaking havoc for any reason.
Nanette reignites storytelling when magic and storytelling are forbidden while walking a dangerous line with her sister.
E.S. Barrison weaves a story of relationships in times of suppression of truth and how destructive state-sanctioned propaganda can be.
This story rang hard on familiar stories of real-world issues placed in a magical world, and the danger of being someone willing to go against the religious state; touching on trauma, police brutality, and the rising cost of medicine.
This novella has a lot of interesting points on the power of stories.
