100 books like Visions of Power in Cuba

In her book, Casavantes Bradford reveals the centrality of children to Cuban national projects during the first four years of the Revolution. The book chronicles how the exile community and the revolutionary government both harnessed the discourse of childhood and actual children in service to divergent political goals. The Revolution Is for the Children is provocative not just because it is the first to identify children as historical actors in twentieth-century Cuba but also because it lays the foundation for future scholarship on family and migration in Cuban history.  

Chase illuminates for readers the central role played by women in the Revolution, from the urban insurrection and political activism of the 1950s to mobilization for women’s rights in the early 1960s. This book rejects assertations made by leaders, such as Fidel Castro, that men initiated women into activism and that the Revolution rescued women from oppression. The book instead emphasizes how women organized to make public demands and even sometimes convinced reticent leadership to accede to their proposals. Most exciting to me is the final chapter on dueling efforts to fortify the family, as Chase demonstrates how revolutionary supporters and opponents each rested “their political authority in claims that they best protected the family” (p. 14).

This refreshing book uncovers the reality behind Cuba’s so-called raceless Revolution. Benson traces early, state-led campaigns against racism, both their accomplishments and missteps. She reveals that in response to the new government’s claims to have eradicated racial discrimination, some Afro-Cubans rejected this Pollyanna rhetoric and mobilized for true racial equality. But Benson doesn’t just examine domestic racial policies and debates; she also delves into transnational exchanges between Cubans, exiled Cubans, and African Americans—rightfully situating Afro-Cubans within postcolonial, global movements against anti-Blackness. 

This elegant, edited volume—with contributions from historians across North America, Cuba, and the UK—takes a Cuba-centric approach to the Revolution. The contributors confront and challenge triumphalist narratives about the period and refuse to situate 1959 as a definitive moment of rupture. The chapters explore a range of subjects, including material culture, dance, the Mariel boatlift, and the archive itself to reveal how a variety of actors have perceived and responded to state power. No less impressive is the Introduction, which offers a nuanced exploration of the historiography of the Revolution over the past six decades.

Samuel Farber grew up in Cuba and has been a prolific commentator on the island’s history and current events for decades. Although Revolution and Reaction is an older book, it is still a vital source for understanding Cuba’s Revolution of 1933 and its aftermath. Written less than two decades after the Cuban Revolution of 1959, Farber’s book begins from the premise that analysis of that revolution was oversimplified because observers lacked sophisticated, complex understanding of the island’s decades leading up to that event. In particular, he identifies the Revolution of 1933 as “a major turning point,” and sets out to “analyze the interplay of… structural conditions and historical processes and events” surrounding and following that conflagration. In addition to this overarching analysis, Farber offers discussions of various critically important organizations and constituencies of Cuba’s popular politics.

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

“Gitmo” is where the relationship between these nations gets concrete, through the protectorate (1902-1934), republican (1934-1959), and revolutionary eras (1959-present). This fine study gets down into the nitty-gritty of who labors for whom (Cubans for the U.S. military), who controls the physical space in and around a foreign military base (and the foreign military based in it), and the steadily growing class conflict in this flashpoint of empire leading up to the Revolution, followed by an odd stasis since then.

I had no idea that a Cuban boy recalling his childhood could so drown me in a family and culture worlds apart from my own. Waiting for Snow evoked laughter, astonishment, and tears. The father in this story, like my own in some ways, replaced his son with another boy not even his own. Eire’s attempts to reconcile with his father never worked. I took heart from his experience. It was similar to my own attempts to cross the ravine and reach my stepfather’s love. Eire’s hilarity, sharp intellect, and ability to write the most eloquent cursing I’ve ever read kept me reading this book by a man who is now a professor of theology at Yale.

Stout gives us, in remarkable detail, the life of a woman deeply involved with the Cuban Revolution. Just how deeply came as a revelation to me. No book, I believe, in either Spanish or English, has told us a tenth as much about Celia Sanchez. Celia was Fidel’s partner through all the early days of the movement. I was swept along by the clear prose, the dynamic character of Celia Sanchez, and a thousand stories I’d never heard before. The Cuban Revolution, like many others, has been mythologized, and here is the perfect antidote: the story of a determined woman operating at the very heart of the Revolution.

I loved the unique way Daniel José Older explores the Cuban Revolution and the disappearance of ordinary citizens fighting in the war, including Marisol, whom we first meet as a spirit haunting her nephew Ramon.

Ramon sets out to uncover stories about his missing aunt, and along the way, falls in love and uncovers his mother’s own secrets related to Marisol’s disappearance.

This book reminds me about the interconnectedness of family and how family stories get told and passed on from one generation to another.