Here are 100 books that The Book of Lost Saints fans have personally recommended if you like
The Book of Lost Saints.
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I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
Even though I grew up in Jamaica, which is about 334 miles from Haiti, I knew nothing about the 1937 Parsley Massacre, during which thousands of Haitians were executed under the orders of Dominican President Rafael Trujillo.
This book blends the personal love story of Amabelle and Sebastien with the history and politics of that time. I came away from this book with a greater understanding of survival, racism in the Caribbean, and the power of memory.
It is 1937, and Amabelle Desir is a young Haitian woman working as a maid for a wealthy family in the Dominican Republic, across the border from her homeland. The Republic, under the iron rule of the Generalissimo, treats the Haitians as second-class citizens, and although Amabelle feels a strong sense of loyalty to her employers, especially since her own parents drowned crossing the river from Haiti, racial tensions are heightened when Amabelle's boss accidentally kills a Haitian in a car accident. The accident is a catalyst for a systematic round-up of Haitians, ostensibly for repatriation but in fact a…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
There’s no escaping past actions in this book—from a dying man confessing he assumed the identity of a dead friend and began a new life to the exploits of the Paisley family during colonial-era Jamaica.
I love the way the family stories intertwine, how the book traces the movement of Jamaican people from the Caribbean island to England and America, and the way the ghosts in the family are not just people but also broader things: slavery, colonization, migration, and abandoned families.
Longlisted for the 2020 Center for Fiction First Novel Prize
A "rich, ambitious debut novel" (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.
*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazine's Top New Book of the New Decade*
Stanford Solomon's shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
Sri Lankan photojournalist Maali Almeida is stuck in purgatory and determined to find out how he died. Maali is no saint, and his questionable antics—both his sexual exploits and the questionable work he took on during Sri Lanka’s civil war—come back to haunt him as he slips in and out of places he had been when he was alive.
I loved the irreverence, the humor, and the insights into a civil war I knew little about and I was endlessly fascinated by the portrayal of purgatory and the afterlife.
Colombo, 1990. Maali Almeida-war photographer, gambler, and closet queen-has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to contact the man and woman he loves most and lead them to…
The Exact Placebegan as a collection of stories about growing up on a small farm in a large family. Many were unusual and funny. An editor who critiqued my manuscript said: “You’ve found your voice and write well, but why have you left out the role of your stepfather and your faith which became an important part of who you are? If you want more than just an entertaining story, take it to a deeper level.” I was afraid revealing such things would ostracize me from my family, but I understood the wisdom of his advice. I kept the stories and rewrote the book determined to be vulnerable and honest.
I had no idea that a Cuban boy recalling his childhood could so drown me in a family and culture worlds apart from my own. Waiting for Snowevoked laughter, astonishment, and tears. The father in this story, like my own in some ways, replaced his son with another boy not even his own. Eire’s attempts to reconcile with his father never worked. I took heart from his experience. It was similar to my own attempts to cross the ravine and reach my stepfather’s love. Eire’s hilarity, sharp intellect, and ability to write the most eloquent cursing I’ve ever read kept me reading this book by a man who is now a professor of theology at Yale.
“Have mercy on me, Lord, I am Cuban.” In 1962, Carlos Eire was one of 14,000 children airlifted out of Havana—exiled from his family, his country, and his own childhood by Fidel Castro’s revolution. Winner of the National Book Award, this stunning memoir is a vibrant and evocative look at Latin America from a child’s unforgettable experience.
Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. For the Cuba of Carlos’s youth—with its lizards and turquoise seas and sun-drenched siestas—becomes an island of condemnation once a cigar-smoking guerrilla named Fidel Castro ousts President…
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
This elegant, edited volume—with contributions from historians across North America, Cuba, and the UK—takes a Cuba-centric approach to the Revolution. The contributors confront and challenge triumphalist narratives about the period and refuse to situate 1959 as a definitive moment of rupture. The chapters explore a range of subjects, including material culture, dance, the Mariel boatlift, and the archive itself to reveal how a variety of actors have perceived and responded to state power. No less impressive is the Introduction, which offers a nuanced exploration of the historiography of the Revolution over the past six decades.
What does the Cuban Revolution look like "from within?" This volume proposes that scholars and observers of Cuba have too long looked elsewhere-from the United States to the Soviet Union-to write the island's post-1959 history. Drawing on previously unexamined archives, the contributors explore the dynamics of sociopolitical inclusion and exclusion during the Revolution's first two decades. They foreground the experiences of Cubans of all walks of life, from ordinary citizens and bureaucrats to artists and political leaders, in their interactions with and contributions to the emerging revolutionary state. In essays on agrarian reform, the environment, dance, fashion, and more, contributors…
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted group of women who call themselves the Tattooed Ladies. They’re there…
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
Chase illuminates for readers the central role played by women in the Revolution, from the urban insurrection and political activism of the 1950s to mobilization for women’s rights in the early 1960s. This book rejects assertations made by leaders, such as Fidel Castro, that men initiated women into activism and that the Revolution rescued women from oppression. The book instead emphasizes how women organized to make public demands and even sometimes convinced reticent leadership to accede to their proposals. Most exciting to me is the final chapter on dueling efforts to fortify the family, as Chase demonstrates how revolutionary supporters and opponents each rested “their political authority in claims that they best protected the family” (p. 14).
A handful of celebrated photographs show armed, fatigues-clad female Cuban insurgents alongside their companeros in Cuba's remote mountains during the revolutionary struggle. However, the story of women's part in the struggle's success only now receives comprehensive consideration in Michelle Chase's history of women and gender politics in revolutionary Cuba. Restoring to history women's participation in the all-important urban insurrection, and resisting Fidel Castro's triumphant claim that women's emancipation was handed to them as a ""revolution within the revolution,"" Chase's work demonstrates that women's activism and leadership was critical at every stage of the revolutionary process.
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
In her book, Casavantes Bradford reveals the centrality of children to Cuban national projects during the first four years of the Revolution. The book chronicles how the exile community and the revolutionary government both harnessed the discourse of childhood and actual children in service to divergent political goals. The Revolution Is for the Children is provocative not just because it is the first to identify children as historical actors in twentieth-century Cuba but also because it lays the foundation for future scholarship on family and migration in Cuban history.
Since 1959, the Cuban revolutionary government has proudly proclaimed that ""the revolution is for the children."" Many Cuban Americans reject this claim, asserting that they chose exile in the United States to protect their children from the evils of ""Castro-communism."" Anita Casavantes Bradford's analysis of the pivotal years between the Revolution's triumph and the 1962 Missile Crisis uncovers how and when children were first pressed into political service by ideologically opposed Cuban communities on both sides of the Florida Straits.
Casavantes Bradford argues that, in Havana, the Castro government deployed a morally charged ""politics of childhood"" to steer a nationalist…
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
This transformative book explores the early years of the Cuban Revolution from the ground up, arguing that revolutionary leadership constructed hegemony gradually—gaining popular support by creating a “grand narrative” that envisioned the Revolution as an opportunity for spiritual and political redemption. Guerra shows that leaders also censured alternative narratives and voices that challenged their monopoly over power. And because government organizations deputized citizens to defend the state, they inadvertently created “unintended dissidents,” as well as vast numbers of supporters. These arguments and more make this exceptional book a controversial one as well.
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Guerra argues that these visual representations explained rapidly occurring events and encouraged radical change and mutual self-sacrifice. Mass rallies and labor mobilizations of unprecedented scale produced tangible evidence of what Fidel Castro called ""unanimous support"" for a revolution whose ""moral power"" defied U.S. control. Yet participation in state-orchestrated spectacles quickly became a requirement for political inclusion in a new…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
Stout gives us, in remarkable detail, the life of a woman deeply involved with the Cuban Revolution. Just howdeeply came as a revelation to me. No book, I believe, in either Spanish or English, has told us a tenth as much about Celia Sanchez. Celia was Fidel’s partner through all the early days of the movement. I was swept along by the clear prose, the dynamic character of Celia Sanchez, and a thousand stories I’d never heard before. The Cuban Revolution, like many others, has been mythologized, and here is the perfect antidote: the story of a determined woman operating at the very heart of the Revolution.
Celia Sánchez is the missing actor of the Cuban Revolution. Although not as well known in the English-speaking world as Fidel Castro and Che Guevara, Sánchez played a pivotal role in launching the revolution and administering the revolutionary state. She joined the clandestine 26th of July Movement and went on to choose the landing site of the Granma and fight with the rebels in the Sierra Maestra. She collected the documents that would form the official archives of the revolution, and, after its victory, launched numerous projects that enriched the lives of many Cubans, from parks to literacy programs to…
