82 books like Waiting for Snow in Havana

Westover’s memoir is a fascinating exploration of the clash between ignorance and enlightenment, with a plot twist that involves her eventually realizing she was raised in a real-life survivalist cult. Her journey from a sheltered, isolated upbringing to earning a PhD is nothing short of extraordinary.

But what really hooked me was her biting wit and the way she grapples with the contradictions of loving a family that’s as endearing as they are exasperating. It’s like watching someone untangle a lifetime’s worth of emotional knots, one revelation at a time, and somehow finding humor in the most unexpected places.

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

Lisa Brennan-Jobs is the daughter of Steve Jobs, co-founder of Apple, and one of the wealthiest men in the world. This didn’t make him an attentive, loving father. Lisa was regularly ignored, and deliberately left out of his new family (he never married her mother). Her determination to win his love failed, and she blamed herself for his lack of acceptance. She longed for reassurance that never materialized. Lisa had to face the unwanted reality: “He doesn’t love me.” When Jobs was dying from pancreatic cancer, with tears, he owned that none of this was her fault. In spite of the sadness of her story, she didn’t allow his rejection and late confession to consume her with bitterness. She writes honestly and kindly about growing up with a famous father. For those of us who have searched and never gained our father’s love or acceptance, this story reminds us that… show more.

I am a secular Jew and Anne Lamott is a church-going Christian, but I feel she is my soulmate.

She is so honest, and vulnerable, and hysterically funny that reading her work feels like listening to a good friend sharing her innermost thoughts. I gave this book to someone whose mother was dying, and she claimed that reading it helped get through that dark period.

I would love to have that kind of power as a writer: the power to change people’s lives for the better. I have secretly always wanted to run the world. After all, I couldn’t do a worse job than the jerks that are running things now.

I loved the unique way Daniel José Older explores the Cuban Revolution and the disappearance of ordinary citizens fighting in the war, including Marisol, whom we first meet as a spirit haunting her nephew Ramon.

Ramon sets out to uncover stories about his missing aunt, and along the way, falls in love and uncovers his mother’s own secrets related to Marisol’s disappearance.

This book reminds me about the interconnectedness of family and how family stories get told and passed on from one generation to another.  

This elegant, edited volume—with contributions from historians across North America, Cuba, and the UK—takes a Cuba-centric approach to the Revolution. The contributors confront and challenge triumphalist narratives about the period and refuse to situate 1959 as a definitive moment of rupture. The chapters explore a range of subjects, including material culture, dance, the Mariel boatlift, and the archive itself to reveal how a variety of actors have perceived and responded to state power. No less impressive is the Introduction, which offers a nuanced exploration of the historiography of the Revolution over the past six decades.

Chase illuminates for readers the central role played by women in the Revolution, from the urban insurrection and political activism of the 1950s to mobilization for women’s rights in the early 1960s. This book rejects assertations made by leaders, such as Fidel Castro, that men initiated women into activism and that the Revolution rescued women from oppression. The book instead emphasizes how women organized to make public demands and even sometimes convinced reticent leadership to accede to their proposals. Most exciting to me is the final chapter on dueling efforts to fortify the family, as Chase demonstrates how revolutionary supporters and opponents each rested “their political authority in claims that they best protected the family” (p. 14).

Samuel Farber grew up in Cuba and has been a prolific commentator on the island’s history and current events for decades. Although Revolution and Reaction is an older book, it is still a vital source for understanding Cuba’s Revolution of 1933 and its aftermath. Written less than two decades after the Cuban Revolution of 1959, Farber’s book begins from the premise that analysis of that revolution was oversimplified because observers lacked sophisticated, complex understanding of the island’s decades leading up to that event. In particular, he identifies the Revolution of 1933 as “a major turning point,” and sets out to “analyze the interplay of… structural conditions and historical processes and events” surrounding and following that conflagration. In addition to this overarching analysis, Farber offers discussions of various critically important organizations and constituencies of Cuba’s popular politics.

This transformative book explores the early years of the Cuban Revolution from the ground up, arguing that revolutionary leadership constructed hegemony gradually—gaining popular support by creating a “grand narrative” that envisioned the Revolution as an opportunity for spiritual and political redemption. Guerra shows that leaders also censured alternative narratives and voices that challenged their monopoly over power. And because government organizations deputized citizens to defend the state, they inadvertently created “unintended dissidents,” as well as vast numbers of supporters. These arguments and more make this exceptional book a controversial one as well.  

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.