100 books like Guantánamo

Perez is a commanding figure in this scholarship, deeply learned. I like teaching this concise book of his, full of powerful illustrations (cartoons over many decades), because it really gets at how North Americans have projected their racialized and sexualized fantasies and obsessions onto this island, unable to perceive Cubans as real people, let alone historical actors.

The Machado Era (1924-1933) and the build-up of U.S. tourism are key to Cuba’s later history, but I have always found that period hard to teach. Schwartz does an admirable job of documenting the close connections between business circles in both countries, and the process by which Cuba became a playground for wealthy Americans in the ‘Teens and Twenties, fueling both deep corruption and a powerful anti-imperialism.

Utterly engrossing, this behind-the-scenes narrative over many decades demonstrates that the Cuban diplomats were almost always willing to move towards normalizing relations, but were repeatedly stymied by non-negotiable demands from the U.S. side. Besides that, it’s full of piquant details, involving the many non-official actors and secret meetings in New York, on the island, or in other countries. Diplomatic history rarely gets this exciting!

A watershed work in the new history of “the global Cold War” in the Third World, where Cuba’s revolutionary government acted with remarkable audacity to offer material, human, and military support to African revolutionaries (with the Soviet Union often a minor player). Gleijeses performed archival feats in Cuba, Africa, and the U.S. to bring together this many-sided portrait of skullduggery, intimate solidarity, and Cuban revolutionary agency.  

Among the books on this list, Gosse’s Where the Boys Are is truly a classic. I first encountered this book a few years after I finished my dissertation and found it to be one of the most original works I had ever read. I still find that to be true. Gosse (with whom I was later a colleague at Franklin & Marshall College) weaves together cultural, intellectual, political, and diplomatic history to show how the Cuban revolution inspired youth in late 1950s America and subsequently helped launch a “New Left” in the United States. Gosse reminds us of how popular Fidel Castro was across the United States in the brief period before he became Enemy #1. But his methodological approach, combining novels, films, and diplomatic records, is truly a model for later interdisciplinary scholarship as well.

This elegant, edited volume—with contributions from historians across North America, Cuba, and the UK—takes a Cuba-centric approach to the Revolution. The contributors confront and challenge triumphalist narratives about the period and refuse to situate 1959 as a definitive moment of rupture. The chapters explore a range of subjects, including material culture, dance, the Mariel boatlift, and the archive itself to reveal how a variety of actors have perceived and responded to state power. No less impressive is the Introduction, which offers a nuanced exploration of the historiography of the Revolution over the past six decades.

Max Hastings is a journalist and author of several dozen books mainly on warfare. Being well-connected he is able to draw on a wide circle of friends and acquaintances to contribute their experiences, research, and ideas to his own analysis of one of the most potentially dangerous events in post-war history.

His books draw on a very wide range of sources and are invariably highly readable but also reliable. Much has been written about the Cuban Missile Crisis and Abyss pulls facts together in a digestible way with references throughout and a useful but far from complete bibliography.

What is remarkable is that the work was undertaken within the constraints of the Covid-19 pandemic that effectively closed off archives and libraries for up to two years.

This book was written by one of the leading photographic interpreters of the Cold War. He worked directly under Art Lundahl at the National Photographic Interpretive Center (NPIC) in preparing and briefing President Kennedy on the high-altitude U-2 and low-level RF-8A Crusader's photoreconnaissance imagery that confirmed Soviet missiles in Cuba. Dino Brugioni was a family friend and a mentor to me as a young adult. He personally escorted me thru the CIA headquarters in 1977 when I was 12 years old shortly after my father’s death earlier that year. When I founded The Cold War Museum in 1996, Dino agreed to serve as an Advisory Board Member. Dino is a great writer and researcher. This book really helps the reader to learn about the importance of photographic reconnaissance, Cuban Missile Crisis, and how close we came to nuclear war with the Soviet Union.

I first met Colonel Whitten in October 2012 when he attended the Cuban Missile Crisis 50th Anniversary conference that I organized for The Cold War Museum and George Mason University. His book is a nonfiction narrative about the Marine Composite Reconnaissance Squadron 2 (VMCJ-2) that flew low-level photographic reconnaissance flights over Cuba before, during, and after the Crisis in their F8U-1P (RF-8A) Crusaders. As a result of these missions, the VMCJ-2 squadron was awarded a Navy Unit Commendation for the period September 1, 1960 – December 1, 1962. According to USMC Brigadier General William A. Bloomer (ret) who wrote the forward, this book not only gives an account of the Marine Corps role in the Crisis but also, “recounts Castro’s rise to power, the Bay of Pigs fiasco, and his build up in military capabilities courtesy of the Soviet Union.”

Norman Polmar and I have been colleagues and friends for over 20 years. Not only have we served together on several Cold War history panels including the DIA’s 60th-anniversary conference on the Cuban Missile Crisis in 2022, but we also co-authored the Epilog for my father’s book, Operation Overflight, when it was republished in 2004. Polmar’s book is an in-depth study of the personalities that orchestrated the Cuban Missile Crisis. Even the title, DEFCON-2, emphasizes exactly how close we came to launching an all-out nuclear war with the Soviet Union in October 1962.