Here are 100 books that The Great American Magazine fans have personally recommended if you like
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From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
Burns brilliantly tells the story of those first potent American journalists, the pamphleteers, who brought to their craft lively, probing, acerbic, and often angry commentary and reporting. Some ripped into George Washington and the Federalists, thus establishing a tradition of journalism that extends to our own time. Others went after Jefferson and the fledgling Democratic-Republicans. And one, James Callender, broke the story of the now-famous Jefferson dalliance with his slave Sally Hemmings.
Infamous Scribblers is a perceptive and witty exploration of the most volatile period in the history of the American press. News correspondent and renonwned media historian Eric Burns tells of Ben Franklin, Alexander Hamilton and Sam Adams,the leading journalists among the Founding Fathers of George Washington and John Adams, the leading disdainers of journalists and Thomas Jefferson, the leading manipulator of journalists. These men and the writers who abused and praised them in print (there was, at the time, no job description of "journalist") included the incendiary James Franklin, Ben's brother and one of the first muckrakers the high minded…
From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
This is primarily the story of three newspapers--James Gordon Bennett’s New York Herald, Horace Greeley’s New York Tribune, and the merged paper under the ownership of diplomat and politician Whitelaw Reid and his heirs, including his daughter-in-law, Helen Rogers Reid, a firecracker of an executive and woman about town. But it is also a comprehensive story of New York newspapering from the 1830s to the 1960s and about the city and country that served as the focus for news coverage during those decades. It is a poignant tale of soaring triumphs and ultimate decline as new challenges beset the newspaper business and even large cities could no longer support multiple papers.
Why did the newspaper with better writing and graphics than any other American daily go to an early grave?
Few American newspapers - and perhapsnone at all in the view of somestudents of the craft - have matched the many excellences of the New York Herald Tribune. In the crispness of its writing and editing, the bite of its criticsand commentators, the range of its coverage, and the clarity ofitstypography, the "Trib" (as media people and many of itsreadersaffectionately called it) raised newspapering to an art form. Ithad aninfluence and importance out of all proportion to itscirculation.Abraham Lincoln valued its…
From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control.
From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
The big Detroit newspaper market eventually narrowed down to two newspapers--the News and Free Press--neither of which could knock out the other while neither could turn a profit in a competitive market. This is the story of the struggle of the two greatest newspaper chains--Gannett and Knight-Ridder--to forge a “joint operating agreement” allowing them to merge production and business efforts while retaining separate newsrooms. Few participants cared much about editorial standards as the rush for huge profits drove the process. In the end, it all came a cropper. It’s a sordid tale in many ways but a riveting one.
Gruley writes of the 25-year struggle between the Detroit News and the Detroit Free Press--two proud, family-owned newspapers that became pawns in the hands of the largest newspaper chains of our time, Gannett and Knight-Ridder. A tale of greed and power, of Wall Street and the courts.
I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escapefrom the world—we read to understandit. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?
Like Holbert’s other novels, Lonesome Animals and The Hour of Lead, this one is populated by unusual characters, teems with senseless violence, and is rendered in a voice as compelling as it is unique. Set near the Grand Coulee Dam, Whiskey is about two part-Native American brothers, Andre and Smoker, who set out to find Smoker’s daughter, Bird, when she’s taken by a religious zealot. But the madcap plot is just one-third of a bigger story about the brothers and their destructive parents, Peg and Pork, and their collective collisions with alcoholism, marriage, the law, and one another. Though Whiskey belongs on the top shelf, expect it to burn going down. I wish I’d written it.
Whiskey burns pleasantly as it goes down, but has a lasting, powerful effect.
Brothers Andre and Smoker were raised in a cauldron of their parents’ failed marriage and appetite for destruction, and find themselves in the same straits as adults—navigating not only their own marriages, but also their parents’ frequent collision with the law and one another. The family lives in Electric City, Washington, just a few miles south of the Colville Indian Reservation. Fiercely loyal and just plain fierce, they’re bound by a series of darkly comedic and hauntingly violent events: domestic trouble; religious fanaticism; benders punctuated with pauses…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
This cover completely drew me in because the typewriter,
cityscape, and WWII airplanes all show an urgency and a story just waiting to be
told. Cohen writes about prominent WWII foreign correspondents, including
Dorothy Thompson and Frances Fineman, who travel the world in search of the
latest war update. It was certainly not as easy to get from country to country
back then—especially across vast oceans—so I really appreciated their
determination to travel.
NEW YORK TIMES EDITORS’ CHOICE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
“High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, BookPage
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles,…
I am a history professor at Boston University, where I teach and write about modern American popular thought, political culture, trade, travel, and war especially in urban and transnational contexts. I enjoy histories that are based on deep and creative bodies of research and that push past timeworn myths and clichés about the American past.
The efforts of antifascist foreign correspondents to bring the United States into the war on the side of the Allies are well known.
Olmsted shines a light on the less-recognized but equally consequential collaboration between American and British rightwing journalists who did not want their nations to war against Hitler. Olmsted’s account brims with hilarious passages about the eccentric lifestyles of media moguls such as William Randolph Hearst and Lord Beaverbrook, as well as jaw-dropping quotes from the editorial pages of their newspapers.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
I’ve worked in and around journalism long enough to know that not all journalists are heroes. Few even aspire to be. But there is something quietly heroic about the daily task of holding the powerful to account, even in democracies where the risk of imprisonment or assassination is less than in more authoritarian states. Here is my selection of books to remind all of us about some of these more heroic aspects of the journalism trade. I hope you find reading them enjoyable and maybe even inspiring.
Journalism takes many forms, and this readable study by a journalist-turned-academic examines some of the more alternative styles and outlets that operate beyond the corporate mainstream media industries. Alternative they may be, but the projects studied by Forde produce proper journalism rather than the uninformed commentary or aggressive shouting adopted by some who like to style themselves as ‘alternative media.’ None of the journalists she interviews would see themselves as heroes but, by defying the odds to produce independent reporting in the cause of social justice around the world, they engage in countless small acts of heroism every day.
Community media journalists are, in essence, 'filling in the gaps' left by mainstream news outlets. Forde's extensive 10 year study now develops an understanding of the journalistic practices at work in independent and community news organisations. Alternative media has never been so widely written about until now.
We all need to understand more about how the world ticks, who is in control, and why they act as they do. And we need to salute those of courage who refuse to go along with the flow in a craven or unthinking way. I was an MP for 18 years and a government minister at the Department for Transport with a portfolio that included rail, bus, active travel, and then at the Home Office as Crime Prevention minister. After leaving Parliament, I became managing director of The Big Lemon, an environmentally friendly bus and coach company in Brighton. I now act as an advisor to the Campaign for Better Transport, am a regular columnist and broadcaster, and undertake consultancy and lecturing work.
A highly perceptive if rather depressing examination of how the British media works, how expensive investigative journalism has largely given way to opinion columns and trivia about so-called celebrities, how stories are often not stories, how papers dress up partisan opinion as fact. In short, an exposure of the falsehoods, distortion, and propaganda that have corrupted the media. Nick Davies was a journalist at the Guardian.
Does 'fake news' really exist? Find out from the ultimate insider.
After years of working as a respected journalist, Nick Davies, in this shocking expose, reveals what really goes on behind the scenes of this contentious industry.
From a prestigious newspaper that allowed intelligence agencies to plant fiction in its columns, to the newsroom that routinely rejected stories due to racial bias, to the number of papers that accepted cash bribes. Gripping, thought-provoking and revelatory, this is an insider's look at one of the most tainted professions.
'Meticulous, fair-minded and utterly gripping' Telegraph
'Powerful and timely...his analysis is fair, meticulously…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.
Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe."
