Here are 100 books that Last Call at the Hotel Imperial fans have personally recommended if you like
Last Call at the Hotel Imperial.
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My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
There’s so much texture on this cover, and the Renoir painting stands out because it’s probably the most recognizable part. The story involves Irene Cahen d’Anvers, the woman who sat for Renoir as a young girl, and how she came from a prominent Jewish family in France. Irene made some pivotal decisions that would forever change the lives of her ex-husband and daughter.
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction
"The depths of French anti-Semitism is the stunning subject that Mr. McAuley lays bare. . . . [He] tells this haunting saga in eloquent detail. As French anti-Semitism rises once again today, the effect is nothing less than chilling."-Diane Cole, Wall Street Journal
"Elegantly written and deeply moving. . . . [A] haunting book."-David Bell, New York Review of Books
In the dramatic years between 1870 and the end of World War II, a number of prominent…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
I have to say that I do sometimes judge a book by its cover and this one blew me away. I could already tell it would be a fun account of women in 1920s Cairo. I loved learning about the positions in society these divas held at a time when women around the world were just starting to get some rights—maybe.
One of the world's most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and '30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a "modern" Egyptian. Women came to dominate the Egyptian entertainment industry-as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.
Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo's most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Marc Chagall is a household name to arts aficionados, but
his daughter Ida was also renowned in the Paris art world before World War II.
This lovely novel tells of the overbearing way Chagall treated Ida and how he
viewed her more as an assistant than a daughter. And when she married, he
painted “The Wedding Chair” as a gift to her, which represented his anger at
her leaving. This novel helped bring about a new trend to recount the untold
stories of women alongside—or even in front of—famous men.
"In prose as painterly and evocative as Chagall's own dazzling brushstrokes, Gloria Goldreich finely evokes one of the most significant masters of modern art through the discerning eyes of [his] loyally protective daughter."—Cynthia Ozick, award-winning author of Foreign Bodies
An exquisite, haunting exploration of the complex mind of Marc Chagall, and the artist's famous chair, through the eyes of his daughter during World War II—perfect for fans of Mrs. Poe and The Paris Wife
Beautiful Ida Chagall, the only daughter of Marc Chagall, is blossoming in the Paris art world beyond her father's controlling gaze. But, her newfound independence is…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Isabel Rosario Cooper was not just a movie starlet during the golden age of Hollywood; she was also preyed on by General MacArthur. The book shows just how difficult it was for Asian American actors to make it in Hollywood and leads one to wonder if things have really changed that much today.
In Empire's Mistress Vernadette Vicuna Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography-a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a…
I am fascinated by the extraordinary things ordinary people do, particularly women. Women show such strength; they juggle so many things every day, and they can draw on huge reserves of power in a crisis. Time and time again, I see how when women pull together, they can conquer anything. A woman on her own can do many things, but when we band together, nothing can stop us. So often, others concentrate on the negative aspects of a group of women together, but I have seen the power of female friendship and how we can reach the stars when we hold each other up.
I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.
I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human.
This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.
Beloved author Maeve Binchy's first published novel, an engrossing coming of age tale about the incredible bond of friendship.
To escape the chaos of London during World War II, young Elizabeth White is sent to live a safer life in the small Irish town of Kilgarret. It is there, in the crowded, chaotic O’Connor household, that she meet Aisling—a girl who soon becomes her very best friend, sharing her pet kitten and secretly teaching her the intricacies of Catholicism.
Aisling’s boldness brings Elizabeth out of her proper shell; later, her support carries Elizabeth through the painful end of her parents’…
Journalism and history have been my dual obsessions since high school, and my work for the past 13 years has focused on the intersection between them. The pressures of journalism, its tremendous impact, and the extraordinary characters who tend to be drawn to the profession are endlessly fascinating to me. In my time as a PhD student, professor, researcher, and book review editor for an academic journal, I have read hundreds of books about American journalism and its past (maybe over 1,000 now that I think about it, but I haven’t kept count!). I’ve also reviewed several for the Washington Post. These are some of my favorites.
Some books center on an argument, some focus on narrative, and some revolve around characters. What impressed me about this book is that it does all three remarkably well.
I was amazed to learn how some of the most powerful publishers in the U.S. and U.K. either dismissed the Nazi threat or (like Lord Rothermere and the Daily Mail) openly cheered for Hitler.
It also helps that the five men and one woman included in this “axis” all had fascinating backgrounds and quirky personalities, which Olmsted presents in wonderfully concise sketches.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
No other magazine ever burst upon the national scene with as much financial and editorial force as Life, founded by Henry Luce in 1936 to exploit the new technology of high-shutter-speed cameras that could capture events and activities like never before. Luce’s vision (actually, it came initially from his future wife, Clare Boothe Luce) was to stir the human spirit with photos of sports stars in action, the magnitude of huge structures such as the Grand Coulee Dam, a baby being born, the agony of war. With such photography mixed with probing and discursive long-form journalism, Luce transformed American magazine journalism--and got very, very rich in the process.
The well-known columnist blends personal reminiscence, historical reportage, interviews, and social analysis in an authoritative history of "Life" magazine and its unique thirty-six-year history
As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers.
The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?
'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'
In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
A popular cliché tells you that you need to find something you are passionate about, make it your job, and you'll never work a day in your life. I have always loved writing but never wanted to be tied down to one form, and working freelance allowed me to write books, sensational tabloid tales, and in-depth investigations depending on what came up on my desk.
At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.
Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will…
David Gemmell was the UK's number one fantasy and historical novelist until his death in 2006. A regular Sunday Times bestseller, and international sensation, his legacy lives on through his novels, his influence on the genre, and through the David Gemmell Legend awards.
White Knight/Black Swan was David Gemmell's crime thriller debut, first published under a pseudonym in 1993 and long out of print, and highly sought-after by readers. Re-editing and republished under his own name, it's a must read for fans of his heroic and powerful style.
An action-filled story set in working class London in the 1980's, Jardine…
I’m the author of a number of books for kids and teens, many of which imagine young characters having more influence than you might expect. My book The Museum of Lost and Found is about an 11-year-old girl who secretly curates a museum. The Campaign is about a 12-year-old who runs her babysitter’s campaign to become mayor of their town. And This Song Will Save Your Life is about a 16-year-old who secretly becomes an underground DJ. These characters have realistic and relatable kid problems, emotions, and relationships—but they also get to have responsibilities and power well beyond their years.
One of the things I like about this type of book is that the main characters often have a secret identity.
To their classmates or teachers or parents, they’re just an ordinary kid—but when they’re not being watched, they’re doing something important and impactful. I love the tension of worrying that their secret identity might get found out. In this series, the main character’s secret identity is that she’s an accomplished and influential restaurant critic and no one knows, not even her parents.
“A scrumptious gem of a story!”—Jennifer A. Nielsen, New York Times bestselling author of The False Prince
Meet Gladys Gatsby: New York’s toughest restaurant critic. (Just don’t tell anyone that she’s in sixth grade.)
Gladys Gatsby has been cooking gourmet dishes since the age of seven, only her fast-food-loving parents have no idea! Now she’s eleven, and after a crème brûlée accident (just a small fire), Gladys is cut off from the kitchen (and her allowance). She’s devastated but soon finds just the right opportunity to pay her parents back when she’s mistakenly contacted to write a restaurant review for…
