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The author of more than a dozen books and hundreds of magazine and newspaper pieces, I taught writing for many years as a lecturer at the University of Massachusetts at Amherst. My passion for learning to write is lifelong, beginning in a musical childhood that led me from notes to words. A voracious reader, I set my ambition early-on to create stories that worked like the music I love, articulated most fully in recent books that take off from the many years I spent traveling with the iconic jazz musician Wynton Marsalis, with whom I also collaborated on Jazz in the Bittersweet Blues of Life. My focus in both learning and doing is the intersection of memory and experience in a process that is ongoing in the intertwining of life and work.
Where to begin? Proust’s gigantic masterpiece is the proverbial gift that keeps giving, none more so than in its explication and then repeated “demonstration” of the very thing it describes, the sensory triggers of what Proust calls involuntary memory but that here become the emotional propulsion for this book about writing the very beautiful book (or books—it comes in six volumes) you are reading.
As a scholar of nineteenth-century French history and literature, I had always been fascinated by a paradox: France was the first modern European country to grant the Jews full civil rights (in 1790-91) but it was also the country where modern antisemitism first took shape. I’ve explored that paradox in a series of books, including most recently The Betrayal of the Duchess. Since 2011, I’ve also directed the Yale Program for the Study of Antisemitism. Many people don’t realize that France today has the third-largest population of Jews in the world, after Israel and the United States. And it continues to be ground-zero for antisemitic attacks. So studying this history is more important than ever.
This is the best history of the Dreyfus Affair and I wish it were available in English. Whereas most histories of the Affair cast Dreyfus as a hapless victim or as a patriotic automaton, who might not have even been a Dreyfusard had he not been Dreyfus, Duclert shows him to have been a true hero, whose super-human resolve and fortitude eventually allowed justice to prevail. Dreyfus emerges not as a martyr to antisemitism but as the first example of the resistance hero, the model for the struggle against authoritarianism and state terror in the twentieth century.
Des milliers de livres existent sur l'affaire à laquelle Alfred Dreyfus a donné son nom, mais nul n'a jamais écrit sa biographie. Curieuse, troublante lacune? Ne fallait-il pas montrer le rôle éminent que cette figure ignorée, déformée (quasi niée jusque chez une partie des dreyfusards), a joué dans le combat pour la vérité et la justice ? Certes Lazare, Zola, Péguy, Jaurès, Clemenceau et d'autres ont été nécessaires, mais sans le concours actif du principal intéressé (et de sa famille), y aurait-il eu seulement une affaire ? Un condamné qui se fût abandonné, qui eût capitulé devant la souffrance morale…
As a scholar of nineteenth-century French history and literature, I had always been fascinated by a paradox: France was the first modern European country to grant the Jews full civil rights (in 1790-91) but it was also the country where modern antisemitism first took shape. I’ve explored that paradox in a series of books, including most recently The Betrayal of the Duchess. Since 2011, I’ve also directed the Yale Program for the Study of Antisemitism. Many people don’t realize that France today has the third-largest population of Jews in the world, after Israel and the United States. And it continues to be ground-zero for antisemitic attacks. So studying this history is more important than ever.
This is the first novel by Modiano, who won the Nobel Prize for Literature in 2014. It has been translated into English but with a French title, which contains a pun that can’t be translated (referring both to a location in Paris and to the infamous badge imposed by the Nazis). A darkly comic and shocking send-up of French antisemitic literature, the novel features a clownish protagonist named Raphaël Schlemilovitch who embraces every antisemitic stereotype imaginable, becoming in turn, a cosmopolitan, a traitor, a collaborator, and a pimp before winding up on the couch of Sigmund Freud begging to be put out of his misery. Modiano wrote this novel to exorcise the demons of French literature and it helped him carve out a place as a distinctly Jewish voice in the French literary pantheon.
The first novel by the winner of the Nobel Prize for Literature 2014, which with The Night Watch and Ring Roads forms a trilogy of the Occupation
'A Marcel Proust of our time' Peter Englund, permanent secretary of the Swedish Academy
'Modiano is the poet of the Occupation and a spokesman for the disappeared, and I am thrilled that the Swedish Academy has recognised him' Rupert Thomson, Guardian
Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation.
We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
I have to say that I do sometimes judge a book by its cover and this one blew me away. I could already tell it would be a fun account of women in 1920s Cairo. I loved learning about the positions in society these divas held at a time when women around the world were just starting to get some rights—maybe.
One of the world's most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and '30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a "modern" Egyptian. Women came to dominate the Egyptian entertainment industry-as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.
Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo's most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman…
I became intrigued by the German occupation of Paris when I moved here in 1993. I began to imagine how the French citizens would have lived alongside the enemy; housing them, serving them, working for them, feeding them, and even entertaining them, while hiding what was really in their hearts. This duplicity fascinated me, and I read all the books I could on the subject. Living in Paris, I also had the opportunity to talk to French people who had lived through the occupation. Putting all the pieces together, I did my best to recreate the atmosphere in my two novels.
This is the diary of a 21-year-old Jewish woman living in Paris during the German Occupation. A student at the Sorbonne, we follow her as she writes a first-hand account of the ever-increasing hardships and terrors her and her family face. She writes candidly about her experiences, her thoughts and beliefs as she and her family go about their daily routines, while living in constant fear of being arrested. It is a touching, personal testimony about Paris during World War II. She was arrested on the one night her family decided to sleep in their own home. Tragically, she died only days before her camp was liberated by the British. Some poignant details in her diary stayed with me long after I finished reading, and I used some of them in my novel.
Not since The Diary of Anne Frank has there been such a book as this: The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now being published for the first time, 63 years after her death in a Nazi concentration camp.
On April 7, 1942, Hélène Berr, a 21-year-old Jewish student of English literature at the Sorbonne, took up her pen and started to keep a journal, writing with verve and style about her everyday life in Paris — about her studies, her friends, her growing affection for the “boy with the grey eyes,” about…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
This cover completely drew me in because the typewriter,
cityscape, and WWII airplanes all show an urgency and a story just waiting to be
told. Cohen writes about prominent WWII foreign correspondents, including
Dorothy Thompson and Frances Fineman, who travel the world in search of the
latest war update. It was certainly not as easy to get from country to country
back then—especially across vast oceans—so I really appreciated their
determination to travel.
NEW YORK TIMES EDITORS’ CHOICE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
“High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, BookPage
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles,…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Marc Chagall is a household name to arts aficionados, but
his daughter Ida was also renowned in the Paris art world before World War II.
This lovely novel tells of the overbearing way Chagall treated Ida and how he
viewed her more as an assistant than a daughter. And when she married, he
painted “The Wedding Chair” as a gift to her, which represented his anger at
her leaving. This novel helped bring about a new trend to recount the untold
stories of women alongside—or even in front of—famous men.
"In prose as painterly and evocative as Chagall's own dazzling brushstrokes, Gloria Goldreich finely evokes one of the most significant masters of modern art through the discerning eyes of [his] loyally protective daughter."—Cynthia Ozick, award-winning author of Foreign Bodies
An exquisite, haunting exploration of the complex mind of Marc Chagall, and the artist's famous chair, through the eyes of his daughter during World War II—perfect for fans of Mrs. Poe and The Paris Wife
Beautiful Ida Chagall, the only daughter of Marc Chagall, is blossoming in the Paris art world beyond her father's controlling gaze. But, her newfound independence is…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Isabel Rosario Cooper was not just a movie starlet during the golden age of Hollywood; she was also preyed on by General MacArthur. The book shows just how difficult it was for Asian American actors to make it in Hollywood and leads one to wonder if things have really changed that much today.
In Empire's Mistress Vernadette Vicuna Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography-a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a…
I am teaching Theater studies at the Hebrew University of Jerusalem. Among my courses, “The World of Theater in the Reflection of Cinema" was a notable one. My favorite film was Children of Paradise. However, I was taken aback when a friend questioned the film's alleged anti-Semitic elements. I scrutinized the character of the Old-Clothes Man, Josué, noticing his stereotypical Jewish traits. As my research went further, I discovered the original 1942 script, where Josué played a more significant role as an overt Jewish traitor, ultimately slain by the film's hero, Deburau. This revelation prompted extensive research in Paris and Jerusalem, uncovering veiled Jewish portrayals in other French films made during the German occupation.
I enthusiastically recommend Legacies of Anti-Semitism in France, a must-read for those intrigued by the complex interplay of literature, history, and cultural context.
This book provides an insightful exploration of the writings of four influential figures—Maurice Blanchot, Jacques Lacan, Jean Giraudoux, and Andre Gide—in the context of France's pre-World War II history of anti-Jewish thought. Mehlman's essays dive into a range of fascinating topics, from Blanchot's unique conception of literature to Lacan's distinctive style, Giraudoux's connection to Racine, and the intricacies of sexual politics in Gide's work.
I found Mehlman's insights into Giraudoux particularly enlightening. Especially his analysis of The Madwoman of Chaillot broadens our understanding of how historical context shapes literary works, offering invaluable perspectives on the intellectual history of contemporary France.
The banquiers that the Madwoman of Chaillot kills in the 1942 play are openly described as Jews in a 1938 Giraudoux’s text: Pleins Pouvoirs. Don't miss the…
Legacies of Anti-Semitism in France was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
These four essays-on Blanchot, Lacan, Giraudoux, and Gide-have as their focus the barely imaginable coherence which the writings of four major contemporaries take on when read in the light of France's pre-World War II heritage of anti-Jewish thought. As the essays delve into such crucial topics as the inaugural silence in Blanchot's sense of literature, the "style" of Lacan, Giraudoux's relation to Racine, and the…
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
This incredible memoir reads like a thriller. Polish-born Francoise ran a Berlin bookshop until she was forced to flee from Nazi persecution, first to Paris, then to Southern France. The term ‘unputdownable’ is a terrible cliché, but was literally the case for me with this breathtaking story of escape and survival. Clear your diary before you open the covers of this compelling book.
In 1921, Francoise Frenkel - a Jewish woman from Poland - opens her first bookshop in Berlin. It is a dream come true. The dream lasts nearly two decades. Then suddenly, it ends.
It ends after police confiscations and the Night of Broken Glass, as Jewish shops and businesses are smashed to pieces. It ends when no one protests. So Francoise flees to France, just weeks before war breaks out.
In Paris, on the wireless and in the newspapers, horror has made itself at home. When the city is bombed, Francoise seeks refuge in Avignon, then Nice. She fears she…
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