The best books on Jews in modern France

This is the best history of the Dreyfus Affair and I wish it were available in English. Whereas most histories of the Affair cast Dreyfus as a hapless victim or as a patriotic automaton, who might not have even been a Dreyfusard had he not been Dreyfus, Duclert shows him to have been a true hero, whose super-human resolve and fortitude eventually allowed justice to prevail. Dreyfus emerges not as a martyr to antisemitism but as the first example of the resistance hero, the model for the struggle against authoritarianism and state terror in the twentieth century.

This is a book about a group of fabulously wealthy Jewish families (the Cahen D’Anvers, the Reinachs, the Rothschilds, and others) who amassed first-class art collections and left them to the French state only to see the state turn on them during the German Occupation. With great sensitivity, McAuley explores the lives of these very elite Jews, many of whom were related through ties of friendship and marriage, painting a rich portrait of their gilded but “fragile” world. He shows the complicated motivations behind their collections—the drive to belong and to express that belonging through art. This is certainly a snapshot of a very particular class, but it reveals something profound about the nature of the French-Jewish experience.

Hélène Berr was the French Anne Frank: a university student during the German Occupation, she kept a journal of her experience, which her family kept private until 2008, when it became a publishing sensation. The journal covers the period from 1942, when Jews were forced to wear the yellow star, until her arrest in 1944. Gifted with a literary sensibility, Hélène observes the world around her as the walls began to close in, but still manages to grasp moments of love and joy amid the suffering. A precious record of day-to-day life in Occupied France, the journal also provides that rarest of Holocaust narratives: the voice of someone who did not survive.

This is the first novel by Modiano, who won the Nobel Prize for Literature in 2014.  It has been translated into English but with a French title, which contains a pun that can’t be translated (referring both to a location in Paris and to the infamous badge imposed by the Nazis). A darkly comic and shocking send-up of French antisemitic literature, the novel features a clownish protagonist named Raphaël Schlemilovitch who embraces every antisemitic stereotype imaginable, becoming in turn, a cosmopolitan, a traitor, a collaborator, and a pimp before winding up on the couch of Sigmund Freud begging to be put out of his misery.  Modiano wrote this novel to exorcise the demons of French literature and it helped him carve out a place as a distinctly Jewish voice in the French literary pantheon.