100 books like Legacies of Anti-Semitism in France

I like very much the monumental book of Julian Jackson on Vichy and the French Occupation.

Despite its length, Jackson’s book remains engaging throughout. The book delves first into the formative years of Vichy. It sheds light on the political tensions that preceded this period. It elucidates how individuals from various political backgrounds were drawn to this attractive vision of societal rejuvenation. It emphasizes the unclear limits between right and wrong during this challenging era.

The book is very important both for students and researchers.

This book doesn’t deal with veiled representations of Jewish Characters in French theater during German Occupation, but it decrypts subtle political messages in French Drama during this period.

It takes you on a journey into the world of dramatic works produced in Nazi-occupied Paris. It's fascinating how financial support from Vichy led to a revival of theater during that challenging time. You'll find within it well-known classics like Anouilh's Antigone but also hidden gems like Cocteau's The Typewriter.

The book doesn't stop at the past, it concludes with a look at Truffaut's The Last Métro, showing us how the present can reinterpret history. Krauss's meticulous research, including insights from archival materials, gives you a deeper understanding of the intricacies of staging and design. This work isn't just important for scholars; it's a captivating exploration that breathes life into French drama and offers unique insights into the Occupation era.

Cinema of Paradox is a captivating journey into the intricate world of French cinema during the challenging years of the Nazi occupation of France. This book offers a unique window into a period when the French film industry not only survived but flourished, producing enduring classics like Carne's Children of Paradise.

Evelyn Ehrlich's meticulous exploration guides us through the tapestry of French filmmaking from the outbreak of World War II in 1939 to the liberation of France in 1944. What sets this book apart is its comprehensive approach, delving into the political, cultural, and social context that shaped the cinematic landscape in occupied France. It also sheds light on the occupiers' perspective, revealing the surprising encouragement from the Nazis for the French to maintain their high cinematic standards for their own purposes.

Though the book doesn’t approach the problem of veiled representations of Jewish characters in French cinema, Cinema of… show more.

This book is not directly linked with my research, but it shows how financial interests can influence artistic works. It especially shows the critical role of the producer in the messages brought by a film.

The Collaboration reveals a hidden chapter of Hollywood's past. Ben Urwand shows the complex relationship between Hollywood and Nazi Germany during a time when cinema was at its zenith. The book discovers a very disturbing reality. Major Hollywood studios, despite many of them being led by Jewish executives, made secret agreements with Nazi authorities to avoid depicting Germany unfavorably or addressing the persecution of Jews.

Urwand's diligent research, backed by letters, memos, and historical accounts, paints a picture of compromise on the part of Hollywood producers during that period of history, which preferred their financial interests over their moral duties.

This is the first novel by Modiano, who won the Nobel Prize for Literature in 2014.  It has been translated into English but with a French title, which contains a pun that can’t be translated (referring both to a location in Paris and to the infamous badge imposed by the Nazis). A darkly comic and shocking send-up of French antisemitic literature, the novel features a clownish protagonist named Raphaël Schlemilovitch who embraces every antisemitic stereotype imaginable, becoming in turn, a cosmopolitan, a traitor, a collaborator, and a pimp before winding up on the couch of Sigmund Freud begging to be put out of his misery.  Modiano wrote this novel to exorcise the demons of French literature and it helped him carve out a place as a distinctly Jewish voice in the French literary pantheon.

There’s so much texture on this cover, and the Renoir painting stands out because it’s probably the most recognizable part. The story involves Irene Cahen d’Anvers, the woman who sat for Renoir as a young girl, and how she came from a prominent Jewish family in France. Irene made some pivotal decisions that would forever change the lives of her ex-husband and daughter.

Where to begin? Proust’s gigantic masterpiece is the proverbial gift that keeps giving, none more so than in its explication and then repeated “demonstration” of the very thing it describes, the sensory triggers of what Proust calls involuntary memory but that here become the emotional propulsion for this book about writing the very beautiful book (or books—it comes in six volumes) you are reading.

This is the best history of the Dreyfus Affair and I wish it were available in English. Whereas most histories of the Affair cast Dreyfus as a hapless victim or as a patriotic automaton, who might not have even been a Dreyfusard had he not been Dreyfus, Duclert shows him to have been a true hero, whose super-human resolve and fortitude eventually allowed justice to prevail. Dreyfus emerges not as a martyr to antisemitism but as the first example of the resistance hero, the model for the struggle against authoritarianism and state terror in the twentieth century.

This book so impressed me because it highlights how pressing the Dreyfus scandal was. I was especially drawn in because, while Harris knows this is a tale of anti-Semitism (and a harbinger of the Holocaust), she also elicits its distinctly modern aspects.

I was amazed to discover how Dreyfus was a polarizing figure not just because he was Jewish but because the acceptance of a Jew into the ranks of society struck many Frenchmen as a sign of how much their world was being overturned.

My suspicions about modernity were confirmed: it doesn’t merely advance our technology but affects every facet of society at once: our fashions, economy, politics, and morals (usually for the better). The book is also a great history (something else that I love).

Plenty of Resistance activity in the Lot, certainly, but it was also the home of the vicious anti-semite Louis Darquier de Pellepoix, who rounded up many Jews to their deaths on behalf of the Vichy Government. Years later, Carmen Callil, founder of Virago, was seeking psychiatric help when she came across his daughter Anne, a psychiatrist, who had been abandoned by her despicable parents.

It was Anne’s death by suicide that set Callil off on a stunning attempt to track the life of Darquier, a drunkard, a rapist, and a man of few if any redeeming features. He disgraced his family and native town, where his father was mayor of Cahors, capital of the Lot. He was sentenced to death but, protected by Franco, died a free man in Spain.

“Only lice were ever gassed at Auschwitz” was his mantra as he sent children off to the gas chambers.