100 books like France

Marc Bloch was a prominent French historian, who specialized in Medieval social history during the years between the two world wars of the twentieth century. He was a major figure in the formation of the “Annales School” which focused on the study of history with an emphasis on long-term developments in social history. Of Alsatian-Jewish background, he wrote the book Strange Defeat during the summer of 1940, following the rapid defeat and conquest of France by Nazi Germany. Bloch’s book was published in France after the war, in 1946, but he did not live to see it. He was able to maintain a professorial position at the University of Montpelier in southern France but, after joining the Resistance, was captured, tortured, and executed in 1944. In Strange Defeat, Bloch examined the long-term causes of the 1940 defeat, focusing on the failure of the French military leadership to adjust to… show more.

First published in the 1980s, this is a classic in memory studies, tracing the evolution of public memory in France regarding the Vichy regime over a forty-year period. Rousso shows how the first narrative about “everyone resisted,” promoted by Charles de Gaulle, was gradually replaced by a more realistic version of the past, including recognition of Vichy’s collaboration with the Nazis in rounding up Jews and members of the Resistance.

First published in 1972, this book significantly altered the views of French collaboration with the Nazi German occupiers during the Second World War. During the immediate postwar years, many in France maintained that the Vichy government of Marshal Philippe Pétain and its supporters had done everything possible to resist and subvert the German occupiers and that the Resistance and the Pétain government had been part of the same struggle, the “sword and shield” of France against the German occupiers. Writing at a time when most relevant French archives were closed to historians and using German archival material that was captured during the war, Paxton showed that contrary to the Vichy government’s being a shield, it had in fact more actively supported the Germans while establishing an authoritarian government aligned in many ways with Nazi Germany and Fascist Italy. This book altered French views of the war to the point where… show more.

Whereas historians and others in postwar France focused on French resistance to Nazi Germany during their Second World War occupation (1940-1944) relatively few in wartime France did in fact actively resist the Germans. Instead, while some in France either collaborated with the Germans after France’s defeat in 1940, many and arguably the majority chose a more passive accommodation to German supremacy. Especially in the early years of the occupation, French civilians often found the German soldiers more polite and seemingly respectful of the country they had just conquered than had been France’s British allies. Many in France, artists, intellectuals, business, and labor leaders, as well as military and clergy, were quite willing to accept German rule. Some hoped that German occupation would lead toward a more authoritarian French state, more in line with those of Germany and Italy at the time. Anti-Semitism was prevalent in France, where local people often… show more.

This book doesn’t deal with veiled representations of Jewish Characters in French theater during German Occupation, but it decrypts subtle political messages in French Drama during this period.

It takes you on a journey into the world of dramatic works produced in Nazi-occupied Paris. It's fascinating how financial support from Vichy led to a revival of theater during that challenging time. You'll find within it well-known classics like Anouilh's Antigone but also hidden gems like Cocteau's The Typewriter.

The book doesn't stop at the past, it concludes with a look at Truffaut's The Last Métro, showing us how the present can reinterpret history. Krauss's meticulous research, including insights from archival materials, gives you a deeper understanding of the intricacies of staging and design. This work isn't just important for scholars; it's a captivating exploration that breathes life into French drama and offers unique insights into the Occupation era.

I enthusiastically recommend Legacies of Anti-Semitism in France, a must-read for those intrigued by the complex interplay of literature, history, and cultural context.

This book provides an insightful exploration of the writings of four influential figures—Maurice Blanchot, Jacques Lacan, Jean Giraudoux, and Andre Gide—in the context of France's pre-World War II history of anti-Jewish thought. Mehlman's essays dive into a range of fascinating topics, from Blanchot's unique conception of literature to Lacan's distinctive style, Giraudoux's connection to Racine, and the intricacies of sexual politics in Gide's work.

I found Mehlman's insights into Giraudoux particularly enlightening. Especially his analysis of The Madwoman of Chaillot broadens our understanding of how historical context shapes literary works, offering invaluable perspectives on the intellectual history of contemporary France.

The banquiers that the Madwoman of Chaillot kills in the 1942 play are openly described as Jews in a 1938 Giraudoux’s text: Pleins Pouvoirs. Don't miss the… show more.

Cinema of Paradox is a captivating journey into the intricate world of French cinema during the challenging years of the Nazi occupation of France. This book offers a unique window into a period when the French film industry not only survived but flourished, producing enduring classics like Carne's Children of Paradise.

Evelyn Ehrlich's meticulous exploration guides us through the tapestry of French filmmaking from the outbreak of World War II in 1939 to the liberation of France in 1944. What sets this book apart is its comprehensive approach, delving into the political, cultural, and social context that shaped the cinematic landscape in occupied France. It also sheds light on the occupiers' perspective, revealing the surprising encouragement from the Nazis for the French to maintain their high cinematic standards for their own purposes.

Though the book doesn’t approach the problem of veiled representations of Jewish characters in French cinema, Cinema of… show more.

This book is not directly linked with my research, but it shows how financial interests can influence artistic works. It especially shows the critical role of the producer in the messages brought by a film.

The Collaboration reveals a hidden chapter of Hollywood's past. Ben Urwand shows the complex relationship between Hollywood and Nazi Germany during a time when cinema was at its zenith. The book discovers a very disturbing reality. Major Hollywood studios, despite many of them being led by Jewish executives, made secret agreements with Nazi authorities to avoid depicting Germany unfavorably or addressing the persecution of Jews.

Urwand's diligent research, backed by letters, memos, and historical accounts, paints a picture of compromise on the part of Hollywood producers during that period of history, which preferred their financial interests over their moral duties.

The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.

But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.

Max Hastings here describes the fight between the 10th SS Panzer Division and the French resistance forces, assisted by the British Special Operations Executive, in France in the period following D-Day, 1944. Hastings is in my view a peerless writer on conflict and military history, with a deep understanding of the costs of conflict on individuals, and considerable empathy for those caught up in it. I like that this empathy does not result in excessive romanticization of those engaged here in the irregular warfare against the Nazi German forces. Despite the unambiguous and obvious rights and wrongs of the conflict here described, the author never loses sight of the complexity of human motivations among the combatants, and indeed of the tactical errors and sometimes costly foolishness on the allied side as well as the German.