Here are 100 books that Reporting War fans have personally recommended if you like
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I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This book was a lifesaver for me as I began to explore media-military relations about a decade ago.
Briefly but authoritatively Sweeney charts the relationship between the American military and the media from the Revolutionary War to the early twenty-first century. Sweeney, a former journalist himself, also writes well and this is a joy to read.
The subtitle suggests Sweeney’s take on the subject, and Sweeney’s work generally has been invaluable to me and this book would be the place to start for anyone interested in the subject.
Because news is a weapon of war - affecting public opinion, troop morale, even strategy - for more than a century America's wartime officials have sought to control or influence the press, most recently by ""embedding"" reporters within military units in Iraq. This second front, where press freedom and military imperatives often do battle, is the territory explored in ""The Military and the Press"", a history of how press-military relations have evolved during the twentieth and twenty-first century in response to the demands of politics, economics, technology, and legal and social forces. Author Michael S. Sweeney takes a chronological approach,…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe.
It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.
Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.
From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history.
In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
I first encountered Ed Kennedy while doing research in the AP archives and have spent the better part of a decade untangling what proved to be the biggest controversy over press coverage of the war—Kennedy’s scoop of the German surrender.
No American war correspondent was more experienced than Kennedy, who reported for the Associated Press from the Spanish Civil War until the end of World War II.
Given that Kennedy acted as an AP bureau chief in both North Africa and Paris, his memoir, written in the late 1940s but not published for sixty years, is the best insider account we have at how American reporters interacted with army public relations and censorship officials during the war.
On May 7, 1945, Associated Press reporter Ed Kennedy became the most famous -- or infamous -- American correspondent of World War II. On that day in France, General Alfred Jodl signed the official documents as the Germans surrendered to the Allies. Army officials allowed a select number of reporters, including Kennedy, to witness this historic moment -- but then instructed the journalists that the story was under military embargo. In a courageous but costly move, Kennedy defied the military embargo and broke the news of the Allied victory. His scoop generated instant controversy. Rival news organisations angrily protested, and…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
I first encountered Liebling’s work about Normandy during World War II when I received a Fulbright fellowship to teach at the university in Caen in the 1980s.
His Normandy Revisited was the only book in the library at VCU that had Normandy in the title. I’ve been a fan ever since, as his work is both canny and often laugh-out-loud funny. Liebling worked for the New Yorker for many decades, and wrote the best long-form journalism of the war.
Liebling possessed an intimate knowledge of French language and culture, which gave him unparalleled access to civilians both in French North Africa and in Normandy in the months after D-Day.
One of the most gifted and influential American journalists of the 20th century, A. J. Liebling spent five years reporting the dramatic events and myriad individual stories of World War II. As a correspondent for The New Yorker, Liebling wrote with a passionate commitment to Allied victory, an unfailing attention to telling details, and an appreciation for the literary challenges presented by the discursive, centrifugal, both repetitive and disparate nature of war. This volume brings together three books along with 26 uncollected New Yorker pieces and two excerpts from The Republic of Silence (1947), Liebling's collection of writing from the…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.”
By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent.
"Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women
"Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
When newspapers were the only medium before radio and TV and the internet, they were omnipresent in their own way, and highly partisan. They played dirty, and Lincoln did too. He knew that his careful words would have no impact unless he could get them printed in at least some of the papers he favored, bribed with access and rewards, or helped outflank their (and his) rivals.
“Lincoln believed that ‘with public sentiment nothing can fail; without it, nothing can succeed.’ Harold Holzer makes a significant contribution to our understanding of Lincoln’s leadership by showing us how deftly he managed his relations with the press of his day to move public opinion forward to preserve the Union and abolish slavery.” —Doris Kearns Goodwin
From his earliest days, Lincoln devoured newspapers. As he started out in politics he wrote editorials and letters to argue his case. He spoke to the public directly through the press. He even bought a German-language newspaper to appeal to that growing electorate in…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
I write stories and poetry intended to influence positive change in our world. Since marrying Kent 25 years ago and then growing to know and love his parents, something stirred in me to learn more and to write Of White Ashes. In our research, we relied on over 50 primary Hiroshima sources, visited the family home in Hiroshima, saw the bomb shelter my father-in-law dug into the side of a hillside, visited the Hiroshima Peace Memorial Museum, the few buildings that still stand, and walked where my father-in-law walked. Researching and writing Of White Ashes changed me—forever. My article, "How the History of Nuclear Violence Shapes Our Present", was published in CrimeReads.
Since John Hersey’s Hiroshima is my top book pick about the Hiroshima bombing, it makes sense that Fallout is another favorite.
Blume uses her journalistic talents to take the reader on a thrilling journey through the U.S. Government's attempts to cover up the horrific effects of the blast and its aftermath and the efforts to keep secret Hersey’s necessary article about Hiroshima right up to its publication.
Many believe the lessons in Hiroshima served as a deterrent that has kept the atomic warfare genie in its bottle for all these many years. Fallout tells the story of just how difficult it was to pull that off. Buckle up.
Journalism and history have been my dual obsessions since high school, and my work for the past 13 years has focused on the intersection between them. The pressures of journalism, its tremendous impact, and the extraordinary characters who tend to be drawn to the profession are endlessly fascinating to me. In my time as a PhD student, professor, researcher, and book review editor for an academic journal, I have read hundreds of books about American journalism and its past (maybe over 1,000 now that I think about it, but I haven’t kept count!). I’ve also reviewed several for the Washington Post. These are some of my favorites.
Some books center on an argument, some focus on narrative, and some revolve around characters. What impressed me about this book is that it does all three remarkably well.
I was amazed to learn how some of the most powerful publishers in the U.S. and U.K. either dismissed the Nazi threat or (like Lord Rothermere and the Daily Mail) openly cheered for Hitler.
It also helps that the five men and one woman included in this “axis” all had fascinating backgrounds and quirky personalities, which Olmsted presents in wonderfully concise sketches.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
