100 books like Fallout

On the Horizon is unique, as it brings Lois Lowry’s personal experiences to the page.

Lowry was born in Honolulu, where the U.S./Japan war began during WWII with the bombing of Pearl Harbor, and was eleven years old when she moved to Tokyo where her father was stationed during the Occupation.

On the Horizon conveys great meaning over the course of its 72 pages, is creatively illustrated, and is appropriate for young and older readers alike. It delivers substance in verse—about those who died or whose lives were forever changed at Pearl Harbor and in Hiroshima. Names of the deceased and ordinary items—tricycles, paper cranes, and dolls—tell extraordinary stories of hate, shame, guilt, fear, loss, grief, and hope.

I really enjoyed Christopher Nolan’s Academy Award-winning Oppenheimer movie, and this book is the perfect book to read after watching it. Hiroshima was the first widespread account of what Oppenheimer’s creation – the atomic bomb – did to the people of Hiroshima.

Written in the immediate aftermath of the nuclear bombing, Hiroshima tells the story of six men and women who survived amidst the destruction that killed over 100,000 other people. By focusing on these six survivors, Hersey makes the almost unimaginable scale of destruction achingly real and relatable. At one point, he describes "the wounded as silent as the dead around them," and this line sends shivers down my spine. 

Few writers can conduct such detailed investigative reporting and tell the story in such a human way that still resonates today, nearly 80 years after it was first published. 

A few weeks ago, I saw the Oppenheimer movie, now widely praised for igniting conversation and debate on the topic of nuclear weapons and criticized for failing to show the devastating impact of the bomb on the Japanese. Books like Black Rain tell that story.

The title Black Rain denotes horror. Indeed, being among those Japanese on whom the black rain fell was a horror unimaginable to most of us. Soon after the bomb exploded, thunderous inky clouds released sticky black raindrops over the city. People suffering from desperate thirst opened their mouths to the heavens and drank the deadly droplets. Later, they would learn these droplets were gifts of radioactive poison.

Written with superb attention to detail and vivid descriptions, Black Rain helps us understand the devastating impact of nuclear war on humanity.

Hiroshima No Pika is an Illustrated book that immerses YA readers into the daily life of the Japanese before the atomic bomb was unleashed on them.

The aftermath is shown in raw and haunting illustrations. My father-in-law, an American hiding his identity in Hiroshima, was sixteen years old and working in a factory making rifles for his emperor when the bomb fell. Hiroshima No Pika tells the horrors of what he experienced that day. 

My favorite part is the ending. “It can’t happen again,” she says, “if no one drops the bomb.” Sadly, we are now closer to midnight (90 seconds) on the Doomsday Clock than at any point since the Bulletin of Atomic Scientists developed the design in 1947. Indeed, it can happen again. But we must have hope and work toward peace.

The compelling, digestible, and often dangerous metaphor is the star of Brown Tide Rising.

Santa Ana clearly explains that it is the mediated metaphor that embeds itself in our brains, cementing ideas and tropes. Looking at Latino metaphors in historical issues of the Los Angeles Times, he offers a new application for linguist George Lakoff’s cognitive model of metaphor, which studies how metaphors map to each other.

For instance, Santa Ana identifies “flowing waters” as one such metaphoric tie-in that joins metaphors such as tides, surges, waves. I like this book because it is a great reminder about how the images conjured by words—in this case metaphors—make us “see” the world in certain ways. 

This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe. 

It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.

Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.

When newspapers were the only medium before radio and TV and the internet, they were omnipresent in their own way, and highly partisan. They played dirty, and Lincoln did too. He knew that his careful words would have no impact unless he could get them printed in at least some of the papers he favored, bribed with access and rewards, or helped outflank their (and his) rivals.

This is a now-classic essay that explores the ways mainstream news media (and subsequent academic studies) downplayed and/or misrepresented the revolutionary nature of the Spanish Civil War. Although the war began as a result of a failed military coup d’etat against a legally-elected republican government, it came to be seen simply as a battle between communists (identified with the government) and supporters of order (who were actually the fascist rebels!). Drawing parallels with the ways U.S. media represented the revolutionary forces in Southeast Asia during the Vietnam War, Chomsky makes clear just how significant that misrepresentation became—not just at the time, but in the continuing historiography of the Spanish Civil War.

Moseley was the Chief European Correspondent for The Chicago Tribune for the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship. 

It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.

Readers get a vivid sense of how World War II was just that—a war that raged across the globe. 

Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.” 

By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.