90 books like Black Rain

On the Horizon is unique, as it brings Lois Lowry’s personal experiences to the page.

Lowry was born in Honolulu, where the U.S./Japan war began during WWII with the bombing of Pearl Harbor, and was eleven years old when she moved to Tokyo where her father was stationed during the Occupation.

On the Horizon conveys great meaning over the course of its 72 pages, is creatively illustrated, and is appropriate for young and older readers alike. It delivers substance in verse—about those who died or whose lives were forever changed at Pearl Harbor and in Hiroshima. Names of the deceased and ordinary items—tricycles, paper cranes, and dolls—tell extraordinary stories of hate, shame, guilt, fear, loss, grief, and hope.

I really enjoyed Christopher Nolan’s Academy Award-winning Oppenheimer movie, and this book is the perfect book to read after watching it. Hiroshima was the first widespread account of what Oppenheimer’s creation – the atomic bomb – did to the people of Hiroshima.

Written in the immediate aftermath of the nuclear bombing, Hiroshima tells the story of six men and women who survived amidst the destruction that killed over 100,000 other people. By focusing on these six survivors, Hersey makes the almost unimaginable scale of destruction achingly real and relatable. At one point, he describes "the wounded as silent as the dead around them," and this line sends shivers down my spine. 

Few writers can conduct such detailed investigative reporting and tell the story in such a human way that still resonates today, nearly 80 years after it was first published. 

Hiroshima No Pika is an Illustrated book that immerses YA readers into the daily life of the Japanese before the atomic bomb was unleashed on them.

The aftermath is shown in raw and haunting illustrations. My father-in-law, an American hiding his identity in Hiroshima, was sixteen years old and working in a factory making rifles for his emperor when the bomb fell. Hiroshima No Pika tells the horrors of what he experienced that day. 

My favorite part is the ending. “It can’t happen again,” she says, “if no one drops the bomb.” Sadly, we are now closer to midnight (90 seconds) on the Doomsday Clock than at any point since the Bulletin of Atomic Scientists developed the design in 1947. Indeed, it can happen again. But we must have hope and work toward peace.

Since John Hersey’s Hiroshima is my top book pick about the Hiroshima bombing, it makes sense that Fallout is another favorite.

Blume uses her journalistic talents to take the reader on a thrilling journey through the U.S. Government's attempts to cover up the horrific effects of the blast and its aftermath and the efforts to keep secret Hersey’s necessary article about Hiroshima right up to its publication.

Many believe the lessons in Hiroshima served as a deterrent that has kept the atomic warfare genie in its bottle for all these many years. Fallout tells the story of just how difficult it was to pull that off. Buckle up.

I first heard of Kouno’s work through the animated adaptation of In This Corner of the World. Town of Evening Calm and Country of Cherry Blossoms are a short story and short series (respectively) about Hiroshima. Like many other shojo/josei artists, Kouno uses the natural world to impart tone and mood, but is particularly good at it.

12-year-old Yuriko, a girl living in Japan with her expanding family and navigating the tricky terrain of World War II, is unlike other tween female protagonists.

She’s not outwardly assertive, feisty, or heading off on a quest. She’s more of a jewel of innocence, love, and curiosity. But when we witness the bombing of Hiroshima through her eyes, we see unexpected heroism take flight. The losses she suffers, the setbacks, the nightmares, the horror, the pure honesty in how she conveys it.

Author Burkinshaw wrote the book in honor of her mother, who survived Hiroshima. It’s unlike most books for kids that come down the pike. It’s about bravery, family, and beautifully illuminates Japanese culture. The story is about facing unimaginable events but not losing your heart in the battle. 

Sadako Sasaki was a real child, one who survived the bombing of Hiroshima but who died from its aftereffects a number of years later. Hospitalized and terminally ill, she folded origami cranes, hoping magically, and fruitlessly, that they would bring her luck and save her life. A statue of Sadako stands outside of the Peace Museum in Hiroshima; I visited there a few years ago and was reminded again of the tragedy of war.

When Theodore “Dutch” Van Kirk, the Enola Gay’s crack navigator, decided to self-publish his memoirs, he was over 90. He told me he wanted it as a legacy to his family. Many of his friends, however, said he waited until everyone else was dead so he could have the last word! Knowing Dutch’s impish sense of humor, I suspect it was a little of both.

No matter. Sue Dietz has done a wonderful job of chronicling Van Kirk’s long and eventful life. Further, it allowed me a clearer window into the life of bombardier Tom Ferebee—Dutch’s lifelong best friend. Just as important, Sue was extremely generous in allowing me to liberally quote from her work; my book is the better for it. 

Nuclear weapons are not just dangerous if they are used in a nuclear war. Their development, testing, production, deployment, and decommissioning are all harmful to the planet. My favourite thing about this book is how this fact is explored and examined at the global and local levels.

With a geographer’s attention to the specifics of space and place, Alexis-Martin takes us on a journey around the world and through history that illuminates how all parts of the nuclear weapon production cycle have harmed people whose stories we often don’t hear. From indigenous communities displaced by nuclear weapons production facilities to the British veterans who were used as lab rats and exposed to nuclear tests by the state, this book uncovers the often hidden history of nuclear weapons.

I really enjoyed this, especially as Alexis-Martin then reflects on how we can prevent nuclear war in the future.

Set in the years immediately following Japan’s surrender in WWII, this less well-known novel offers insight into how some Japanese soldiers saw their behavior: not as war criminals, but as acting in retaliation for American bombing raids. The story should not be read as an exoneration of Japanese atrocities, but rather as a window into the much larger problem of understanding an enemy’s perspective. Warning: this perspective shift is sure to make you uncomfortable, forcing you to revisit some assumptions about the “Good War.”