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A. J. Liebling.
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I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This book was a lifesaver for me as I began to explore media-military relations about a decade ago.
Briefly but authoritatively Sweeney charts the relationship between the American military and the media from the Revolutionary War to the early twenty-first century. Sweeney, a former journalist himself, also writes well and this is a joy to read.
The subtitle suggests Sweeney’s take on the subject, and Sweeney’s work generally has been invaluable to me and this book would be the place to start for anyone interested in the subject.
Because news is a weapon of war - affecting public opinion, troop morale, even strategy - for more than a century America's wartime officials have sought to control or influence the press, most recently by ""embedding"" reporters within military units in Iraq. This second front, where press freedom and military imperatives often do battle, is the territory explored in ""The Military and the Press"", a history of how press-military relations have evolved during the twentieth and twenty-first century in response to the demands of politics, economics, technology, and legal and social forces. Author Michael S. Sweeney takes a chronological approach,…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe.
It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.
Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.
From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history.
In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
I first encountered Ed Kennedy while doing research in the AP archives and have spent the better part of a decade untangling what proved to be the biggest controversy over press coverage of the war—Kennedy’s scoop of the German surrender.
No American war correspondent was more experienced than Kennedy, who reported for the Associated Press from the Spanish Civil War until the end of World War II.
Given that Kennedy acted as an AP bureau chief in both North Africa and Paris, his memoir, written in the late 1940s but not published for sixty years, is the best insider account we have at how American reporters interacted with army public relations and censorship officials during the war.
On May 7, 1945, Associated Press reporter Ed Kennedy became the most famous -- or infamous -- American correspondent of World War II. On that day in France, General Alfred Jodl signed the official documents as the Germans surrendered to the Allies. Army officials allowed a select number of reporters, including Kennedy, to witness this historic moment -- but then instructed the journalists that the story was under military embargo. In a courageous but costly move, Kennedy defied the military embargo and broke the news of the Allied victory. His scoop generated instant controversy. Rival news organisations angrily protested, and…
Flint Whitlock spent five years on active duty as an officer in the U.S. Army (1965-1970, including tours in West Germany and Vietnam), and is a qualified parachutist (Fort Benning, 1965). He has been an award-winning, full-time military historian since 2003, and has 14 books (mostly about WWII) to his credit. He has also been the editor of WWII Quarterly magazine since 2010 and gives battlefield tours for the Smithsonian, National Geographic, and other organizations.
Published in time for the 50th anniversary of D-Day (Operation Overlord) in 1994, Ambrose’s 656-page tome covers the broad scope of the massive, history-changing operation, with special attention paid to the parachute and glider operations. The author details the overall planning of the air-and-sea operation—and analyzes why the most carefully planned invasion in history nearly went terribly wrong. This is the ultimate history of the battle that changed the outcome of World War II.
Chronicles the events, politics, and personalities of this pivotal day in World War II, shedding light on the strategies of commanders on both sides and the ramifications of the battle.
Listening to my father’s stories about flying for the U.S. 15th Air Force in the Second World War kindled my love for military history at a young age. He brought to life the individual experiences and strategic context of bombing targets like Ploesti and Brenner Pass. Later, I pursued my doctorate in history and focused on U.S. Marine Corps history. More recently, my interests shifted to writing about broader topics like American military history, grand strategy, and race and gender in warfare. Even so, my father left me with an enduring desire to understand human interests and emotions, whether among common soldiers or senior generals. This desire affected my work as a teacher and author.
First published in 1959, some 15 years after the Allied invasion of Normandy on D-Day, Cornelius Ryan’s book stands as a classic narrative of that amphibious assault. Writing in the vivid prose of an experienced journalist, Ryan also conducted research like a seasoned historian. He interviewed combatants of every nation and rank and sent questionnaires to many others. I feel like I am in the thick of the fight alongside Allied soldiers in the landing craft approaching the beach and with Germans hunkered down in the fortifications trying to stop their amphibious assault. Throughout his narrative, Ryan blends analyses of the good and bad decisions made by both sides.
Cornelius Ryan tells the story of the hours that preceded and followed H-Hour of D-Day ? June 6, 1944, when as dawn approached, as paratroopers fought in the hedgerows of Normandy, the greatest armada the world had ever known assembled off the beach -- almost 5000 ships carrying more than 200,000 soldiers. a military This is the story of people: the men of the Allied forces, the enemy and the civilians caught up in the confusion of battle. 700 D-Day survivors were interviewed for the book.
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic…
In the weeks after D-Day, the level of artillery action in Normandy was unprecedented. In what was a relatively small area, both sides bombarded each other relentlessly for three months, each trying to overwhelm the other by sheer fire power.
The Guns of Normandy puts the reader in the front lines of this horrific battle. In the most graphic and authentic detail, it brings to life every aspect of a soldier’s existence, from the mortal terror of impending destruction, to the unending fatigue, to the giddy exhilaration at finding oneself still, inexplicably, alive.
Flint Whitlock spent five years on active duty as an officer in the U.S. Army (1965-1970, including tours in West Germany and Vietnam), and is a qualified parachutist (Fort Benning, 1965). He has been an award-winning, full-time military historian since 2003, and has 14 books (mostly about WWII) to his credit. He has also been the editor of WWII Quarterly magazine since 2010 and gives battlefield tours for the Smithsonian, National Geographic, and other organizations.
One of my all-time favorite books; it inspired me to become a military historian. Through extensive interviews with the actual participants, Ambrose detailed how gilder-borne British commandos pulled off a nearly textbook example of how to take an enemy-held bridge. Whenever I lead tours to Normandy, I always make sure we stop at Pegasus Bridge and recount the valor of the British troops who performed what many said was impossible.
I read my first book on WWII when I was 8 years old. It was about the Battle of Britain and I’ve never looked back. I began specializing in 20th Century Canadian military history in very literally all its facets. Discussing the war with hundreds of Canadian veterans over the last half century has been immensely inspirational to me. I’ve obtained a Ph.D. in Canadian military history from McGill University, visited Canadian battlefields in Europe at least 15 times, worked as the WWII historian at the Canadian War Museum, and have published on many aspects of Canadian military history. For more than 30 years I have been able to teach these subjects to students.
Terry Copp is one of Canada’s foremost military historians and his towering knowledge is on full display in this brilliant study of Canada’s role in the 1944 Normandy Campaign. Copp interviewed dozens of veterans and visited Normandy some 20 times to walk the ground and see the unfolding of the battle through the men’s eyes.
Fields of Fire redresses an imbalance in our understanding of Canada’s battlefield performance in Normandy that several leading international and some Canadian scholars feel was underwhelming. But not Copp.
He minutely and compellingly re-examines and convincingly contextualizes Canadian generalship, the terrain over which the men fought, the nature of German defences, Canadian casualties of 18,000 in just ten weeks, including psychological casualties due to battle exhaustion, and other factors that oblige us to assess the Canadians’ performance more positively.
He is palpably proud of these men’s achievements and deeply sensitive to the cruel fates of…
Fields of Fire offers a stunning reversal of accepted military history. Terry Copp challenges and refutes the conventional view that the Canadian contribution to the Battle of Normandy was a 'failure': that the allies won only through the use of 'brute force,' and that the Canadian soldiers and commanding officers were essentially incompetent. His detailed and impeccably researched analysis of what actually happened on the battlefield portrays a flexible, innovative army that made a major, and successful, contribution to the defeat of the German forces in just seventy-six days. Challenging both existing interpretations of the campaign and current approaches to…
Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…
I confess to a passion for WW2 fiction and non-fiction, so this book was a no-brainer for me. Frances Slanger, a Polish Jew who immigrated and grew up in Boston, was the first nurse to due during the D-day invasion at Normandy. She left a legacy in writing that helps the author piece together her story and offer insight into what military nurses faced.
The heart-wrenching and inspirational WWII story of the first American nurse to die at the Normandy landings, the true account of a woman whose courage and compassion led to what a national radio show host in 1945 called "one of the most moving stories to come out of the war—a story of an army nurse that surpassed anything Hollywood has ever dreamed of."
She was a Jewish girl growing up in World War I-torn Poland. At age seven, she and her family immigrated to America with dreams of a brighter future. But Frances Slanger could not lay her past to…
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