100 books like You Don't Belong Here

Janice P. Nimura digs deep into the diaries and letters of the Blackwell sisters, who were among the very first women in America to be trained as doctors. The book reads like a novel without sacrificing historical accuracy and scholarly rigor. I found myself deeply moved by the sisters’ struggles to be taken seriously as physicians in an entirely male world. Jeered in lecture halls and treated as curiosities off-campus, they maintained a dignified courage and a relentless work ethic. Eventually, they shamed their skeptics and opened the doors for future generations of women doctors. This is a compelling tale told well.

This brilliant classic of military history and human folly, first published in 1961, should have been read by America’s “best and brightest” architects of America’s 10-year fiasco. French Journalist and historian Bernard Fall vividly captured the sights, sounds, and smells of the brutal conflict between the French and the Communist-led Vietnamese nationalists. I get angry every time I think of the arrogance of America’s leaders who never examined Fall’s insightful warnings of the futility of jungle fighting that would defeat the United States in the bloody years to follow. Fall’s blueprint for disaster graphically shows that even with lethal modern military force, the French could not defeat the hit-and-run tactics, ambushes, booby traps, and nighttime raids that would become drastically familiar to American troops. The final French downfall ended at Dien Bien Phu in 1954. Street Without Joy has remained in print for half a century and I stress… show more.

This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.

Most books about the military are written by men. But I was fascinated by this practical tip-based book by journalist Rosie Garthwaite. Wonderful anecdotes amongst real gems for staying safe in dangerous places. I also used it as research for one of my novels about a female war correspondent in Afghanistan.

On the Front Line is an award-winning collection of stories by veteran war correspondent Marie Colvin. Prior to being targeted for assassination by the Syrian government in February 2012 while she covered the civil war there, Colvin's career and writing showed peerless courage in the pursuit of stories that revealed the inhumanities of war and civil strife. The book contains insightful accounts of interviews of Arafat and Gadaffi as well as her intimate reporting of fighting in Kosovo, Chechnya, East Timor, Afghanistan, Iraq, and the chaos of the Arab Spring uprisings. Blinded in one eye shrapnel while reporting on the Sri Lankan Tamil Tigers, Colvin's style and legendary courage live on in this select collection of her work.

June Carolyn Erlick, editor-in-chief for ReVista, the Harvard Review of Latin America, casts a seasoned journalist’s eye on the 1980 abduction of  Guatemalan journalist Irma Flaquer. Returning home, Flaquer was pulled from her car and was never seen again. Flaquer, a popular and respected journalist with an influential column, Lo Que Otros Callan or "What Others Don't Dare Write",  was also the founder of the first Guatemalan Human Rights Commission. Throughout her career, Flaquer survived beatings, car bombs, and drive-by assassination attempts that did not daunt her from doing her job as a reporter to expose Guatemalan suffering at the hands of their corrupt U.S.-backed government and the cost the Guatemalan people paid as Cold War pawns.

It's What I Do: A Photographer's Life of Love and War is the memoir of Lynsey Addario, a photojournalist who is called to cover multiple wars in the Middle East and Africa. This book not only spans Addario’s professional journey to capture the utter devastation of life in the midst of war, but also her struggles to find a reasonable balance between her dangerous yet fulfilling career and the personal relationships in her life - something many women face! If you want an absorbing read and to be inspired, I cannot recommend this book enough.

Sherry Buchanan takes us on the Ho Chi Minh trail in a riveting and as relevant a journey to study today as it was 50 years ago. She charts new territory - especially in the vivid, often heartbreaking stories of women who fought in the war as teenagers and the forced roles of housewives who stood on rooftops facing death to shoot down US planes that bombed their homes. Buchanan details the countless centuries of Vietnam's perilous path to freedom. But her vivid writing and crystal clear interviews with women--their youthful dreams and present-day realities--shine a powerful light on a war and a previously unexplored dimension that should never be forgotten.

Before the U.S. entered the war in Vietnam, Graham Greene forecast its disastrous consequences. His love triangle, set amid the escalating conflict, perfectly captures the naiveté of American interventionism overseas. I love the subtext of the tale, which is narrated by an embittered British journalist. Although it’s never spoken, we intuit that he is addicted to opium and living the life of a dissolute expatriate. Fowler watches in horror as a U.S. diplomat tries to steal both the woman and the country he has adopted. He claims impartiality and indifference until he cannot any longer.

Ocean’s book is vulnerable, intimate, and heartbreaking in the most life-affirming way.

The way he writes about love between a mother and son, and a son and another boy, feels so universal and delicate, like the scent of a rose that is here one moment but just as suddenly drifts away. As an immigrant myself, I felt the starkness in the way Ocean describes the hardship of living in a land not one’s own.

I finished the book feeling like I needed to go hug my mom and tell her I love her. Those bonds of family are so shattering yet important. Ocean’s book reminds me to allow myself all the depth of feeling because life is hard, but whoa, it is also gorgeous.