Here are 100 books that The Doctors Blackwell fans have personally recommended if you like
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I have had a long, fruitful career as a business leader, entrepreneur, and inventor in the energy and chemicals industry with seven scientific patents. I'm the founder/CEO of Chem Systems, Inc., lectured at MIT about entrepreneurship and innovation, and recently wrote a book exploring industrial inventions tracing back to the Industrial Revolution. All inventors share the same qualities: they see opportunities, stay persistent, and maintain their faith in the value of their innovation. The books on this list celebrate those qualities and honor the innovators who embody them. The authors highlight the common threads binding past, present, and future together, showing how humanity's progress depends on innovation.
I've always been inspired by the story of the Black women mathematicians at NASA — the "human computers" who calculated the formulas to launch rockets and astronauts into space. Shetterly's book brings them to life, making their feats even more remarkable, especially given their tools (adding machines, pencils, and slide rules) and challenges (they worked in the Jim Crow South).
The four amazing women the book focuses on—Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden—deserved to be brought to light. There's a movie version that conveys their brilliance in a dramatized way, but the book gets into depth in ways the movie can't. It's a great narrative about what it takes to be an innovator, no matter if you're a woman or a man.
Soon to be a major motion picture starring Golden Globe-winner Taraji P. Henson and Academy Award-winners Octavia Spencer and Kevin Costner Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA's African-American female mathematicians who played a crucial role in America's space program-and whose contributions have been unheralded, until now. Before John Glenn orbited the Earth or Neil Armstrong walked on the moon, a group of professionals worked as "Human Computers," calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American…
In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
A work of science writing might be a surprising addition to this list of storytellers, artists, and designers, but surely the life of the African American woman, mother, and cancer sufferer whose cell tissue became one of the most widely used biological lab media in contemporary medical research epitomizes creation and creativity.
Lacks’s history is a terrible story of racial anonymity and exploitation, which Skloot tells with extraordinary sensitivity. Always being sure to keep Lacks and her descendants at the forefront, Skloot both details the atrocities that sometimes underlie civilization’s progress and restores Lacks’s long overdue credit for making possible some of the most important medical advances of the twentieth century.
This book achieves the highest level of nuanced, deeply human storytelling. To me, it is one of the finest works of nonfiction ever.
With an introduction by author of The Tidal Zone, Sarah Moss
Her name was Henrietta Lacks, but scientists know her as HeLa. Born a poor black tobacco farmer, her cancer cells - taken without her knowledge - became a multimillion-dollar industry and one of the most important tools in medicine. Yet Henrietta's family did not learn of her 'immortality' until more than twenty years after her death, with devastating consequences . . .
Rebecca Skloot's fascinating account is the story of the life, and afterlife, of one woman who changed the medical world for ever. Balancing the beauty and drama…
When I covered the White House as a young reporter I was always more interested in understanding what was happening in the upstairs residence than in what briefings we were getting from the president’s advisers in the Roosevelt Room. I was raised with the understanding that in the end everyone is equal and that no one, no matter how powerful they are, gets out of the human experience. I think that’s what makes me interested in iconic women, from Elizabeth Taylor to Betty Ford. There’s nothing I like better than reading their letters and trying to understand what made them tick, and how they navigated their complicated and very public lives.
My friend Denise Kiernan shines a light on the thousands of women who worked on the Manhattan Project.
If you’ve seen Oppenheimer and you’re interested in the story behind the development of the atomic bomb, then this book will help you understand the hidden figures behind its creation. What I love the most about Denise’s writing is the way that she brings the mysterious origins of Oak Ridge, a Tennessee town created to house the people working on the bomb, to life.
At a time when the stakes couldn’t have been higher, women were at the center of the story.
The New York Times bestseller, now available in paperback—an incredible true story of the top-secret World War II town of Oak Ridge, Tennessee, and the young women brought there unknowingly to help build the atomic bomb.
“The best kind of nonfiction: marvelously reported, fluidly written, and a remarkable story...As meticulous and brilliant as it is compulsively readable.” —Karen Abbott, author of Sin in the Second City
At the height of World War II, Oak Ridge, Tennessee, was home to 75,000 residents, and consumed more electricity than New York City, yet it was shrouded in such secrecy that it did not…
I write historical nonfiction, I’m an avid reader, and I’ve long been fascinated by the past. But I’m far less interested in the stories of powerful people, political intrigues, and significant battles. I would rather read (and write) hidden history: the stories that have not yet been discovered or fully explored and stories that are left out of history books—accidentally or deliberately. I find these far more compelling. They often provide a deeper look at how history affects those who lack power, influence, and money but who nevertheless do remarkable and often heroic things. I live in Portugal and have started working on a new historical nonfiction book.
In 2018, I went to an author reading by Liza Mundy. Deep into researching my own nonfiction book, I was fascinated as Mundy talked about interviewing women who became code breakers in World War II.
The government recruited them from top colleges and universities, looking for women who were gifted in math and music. The women were sworn to secrecy and kept their word, telling people they had been secretaries during the war. They maintained that fiction into their old age or their graves.
Mundy tracked down survivors and showed them documentation that the program had been declassified. They had been released from their vow of silence and could share their stories with her. The book is excellent.
An expert on East European politics and economics analyzes and evaluates Western policies toward the new East European democracies as they struggle to build stable political orders and functioning market economies. He argues that the West must give higher priority to assisting the region and reorient its strategies so as to emphasize the political and administrative dimensions of economic reconstruction. He reviews the economic legacy of past Western policies and of Eastern Europe's previous dependency on the Soviet Union, and then examines in detail the changing East-West trade patterns, the prospect for Western investment and technology transfer, the questions of…
With over 20 years of experience as a professional artist and a successful track record of earning six figures a year from my art, I know firsthand what it takes to build a thriving artistic career. As the host of the Inspiration Place podcast, and founder of the Artist Incubator program, I’ve dedicated my life’s work to helping artists everywhere achieve their full potential and reach their goals. When you overcome the common challenges and mindset blocks that hold so many artists back and learn the practical tools and strategies you need for selling your art, you too find the same success.
This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.
NINTH STREET WOMEN is the impassioned, wild, sometimes tragic, always exhilarating story of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they painted, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and groundbreaking artists to come.
They include Lee Krasner and Elaine de Kooning, whose careers were at times overshadowed by the fame of their husbands, Jackson Pollock and Willem de Kooning, but who emerged as stunning talents in their own right, as well as a younger…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
Heather Clark is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath which was a finalist for the 2021 Pulitzer Prize and the National Book Critics Circle Award in Biography, and a Book of the Year at The Guardian, O the Oprah Magazine, Entertainment Weekly, The Times (London), Lit Hub, Good Morning America Book Club, and elsewhere. She is currently working on a new group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich, and Maxine Kumin, under contract with Knopf. She is a professor of Contemporary Poetry at the University of Huddersfield in Yorkshire, England.
Maggie Doherty tells the story of five women artists—Anne Sexton, Maxine Kumin, Barbara Swan, Tillie Olsen, and Marianna Pineda—who were among the first fellows at Radcliffe’s new Institute for Independent Study. The fellowship was originally designed for women who needed a room (and a paycheck) of their own to resume work interrupted by marriage and motherhood. Doherty weaves a history of Radcliffe’s pioneering venture with moving stories of the first fellows, whose friendships strengthened their resolve to pursue art in the face of male skepticism.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD
In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
This is a compelling, detailed history of three influential singer/songwriters – Carole King, Joni Mitchell, and Carly Simon. Their early careers were wildly different, yet intersected in unexpected ways as they each found their unique paths to success. What I love most about this deftly written account is that specific songs are set in their historical context, so you better understand what was happening with the artist at that time and gain new insights into the songs that still resonate today, fifty years later.
A groundbreaking and irresistible biography of three of America’s most important musical artists—Carole King, Joni Mitchell, and Carly Simon—charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of…
Years ago, I wrote mystery novels featuring women investigators when that was new in the genre. Now, I discover stories of real-life women whose lives have a natural story arc that can engage the reader from start to finish. Like gambling and prostitution, abortion, when it was illegal in the US, as it is now again in many places, was simultaneously in your face and undercover. It was also largely practiced by women, which is why I’m fascinated by books about it.
I thought I had nothing left to learn about Madame Restell, the unapologetic 19th-century abortion provider until I saw how this book was organized. While keeping the narrative flowing, Syrett helpfully organizes Restell’s career into phases defined by changes in the law, her trials, and the emergence of one male adversary after another.
I loved learning that, even after Restell met her Waterloo, her loving grandchildren profited from her legacy. As told by Syrett, a gender-norm-defying woman who was literally hounded to death somehow managed to have the last laugh.
The biography of one of the most famous abortionists of the nineteenth century-and a story that has unmistakable parallels to the current war on reproductive rights
For forty years in the mid-nineteenth century, "Madame Restell," the nom de guerre of the most successful female physician in America, sold birth control medication, attended women during their pregnancies, delivered their children, and performed abortions in a series of clinics run out of her home in New York City. It was the abortions that made her famous. "Restellism" became the term her detractors used to indict her.
As an Infectious Diseases specialist and epidemiologist, I became aware of the clandestine bio-weapons program in Russia when exposed—after the fall of the Soviet Union. I began to look at data and lecture on the potential problem before 9/11. I familiarized myself with the biology behind likely successful pathogens, including antibiotic resistance, inability to make a vaccine, and enhanced virulence designs. I also have a passion for Greek mythology that I wanted to stitch into a publication. This is the background for my book.
A best-selling crime writer, Cornwell outlines the fascinating story of a forensic pathologist about to uncover the strange story of an injured man in a hospital’s psychiatric ward. What Cornwell does as well or better than most authors is explain the excellent and latest technological testing to clarify events and identify the cause of the mystery.
From America's #1 bestselling crime writers comes an extraordinary #1 New York Times bestselling Kay Scarpetta novel.
Leaving behind her private forensic pathology practice in Charleston, South Carolina, Kay Scarpetta accepts an assignment in New York City, where the NYPD has asked her to examine an injured man on Bellevue Hospital's psychiatric prison ward. The handcuffed and chained patient, Oscar Bane, has specifically asked for her, and when she literally has her gloved hands on him, he begins to talk-and the story he has to tell turns out to be one of the most bizarre she has ever heard.
