62 books like Hidden Figures

My reading is almost entirely influenced by my own family’s extraordinary history. My mother and father-in-law were both illegitimate. Both suffered for the fact and my father-in-law was 11 years old when he first found out and was reunited with his mother, albeit on a second-class basis compared to his half siblings. My mother trained bomb aimers. My father flew Lancaster bombers and was just 19 years old in the skies above wartime Berlin. My own books combine history, my personal experiences, and my family’s past to weave wartime stories exploring the strains that those conflicts imposed on friendships.

I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.

As a lifelong journalist, I’m riveted by stories that dissect actual events. Nonfiction is my wheelhouse and I’m fortunate to have a related body of distinguished work. Over the decades, I’ve written for exceptional newspaper and magazine editors who taught me the craft of making reality not only engaging – but also meaningful. Instead of ignoring the not-so-convenient truths – details that might be swept away by a historical fiction writer – I hunt for them. My coverage of inequities, hurricanes, and real estate scams has taught me: show, don’t tell. Any author who can take a mountain of interviews, details, facts and color and transform it into a thought-provoking story, they have my attention. 

When I covered the White House as a young reporter I was always more interested in understanding what was happening in the upstairs residence than in what briefings we were getting from the president’s advisers in the Roosevelt Room. I was raised with the understanding that in the end everyone is equal and that no one, no matter how powerful they are, gets out of the human experience. I think that’s what makes me interested in iconic women, from Elizabeth Taylor to Betty Ford. There’s nothing I like better than reading their letters and trying to understand what made them tick, and how they navigated their complicated and very public lives.

Anthony Summers and I are the authors of several books that focus on the world of intelligence, including The Eleventh Day: The Full Story of 9/11 and Osama bin Laden- which was a Finalist for the Pulitzer Prize. As we revealed in our most recent book, A Matter of Honor, U.S. code-breaking efforts in World War II began with a colossal failure – Pearl Harbor. According to the first official report on the disaster, the attack “had been clearly foreshadowed” in the Japanese diplomatic traffic the U.S had decoded. The story of how the Americans turned that initial failure into success came to fascinate me.

Heather Clark is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath which was a finalist for the 2021 Pulitzer Prize and the National Book Critics Circle Award in Biography, and a Book of the Year at The Guardian, O the Oprah Magazine, Entertainment Weekly, The Times (London), Lit Hub, Good Morning America Book Club, and elsewhere. She is currently working on a new group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich, and Maxine Kumin, under contract with Knopf. She is a professor of Contemporary Poetry at the University of Huddersfield in Yorkshire, England.

I’m a window-seat person. If I’m on a trip, I want to see much more than the device propelling me forward. In crime books, the vehicle is always the crime, but I want that felonious little engine to also propel me through realms where I become more explorer than passenger, where I’ve entered marvelous and unexpected worlds that become characters in themselves. It almost doesn’t matter what that world is, whether it’s 19th-century Chicago architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a crime gets you at least two books, or even genres, for one!

As a critical care doctor, I love pausing when taking care of patients in a modern ICU to reflect on how far we’ve come in the care we can provide. I want to be entertained while learning about the past, and so I seek out books on medical history that find the wonder and the beauty (and the bizarre and chilling) and make it come alive. I get excited when medical history can be shared in a way that isn’t dry, or academic. These books all do that for me and capture some part of that crazy journey through time. 

I’m a British science editor and author of a string of books on the scientific, medical, and social implications of advances in genetics research. I trained as a geneticist but found more personal satisfaction wielding a pen rather than a pipette. I’m especially drawn to science stories that have medical implications for the public and a strong narrative thread. Prior to writing Editing Humanity, I covered the race for the BRCA1 breast cancer gene (Breakthrough), the Human Genome Project (Cracking the Genome), and the rise of personal genomics (The $1,000 Genome). I’m currently writing a biography of sickle cell disease, arguably the most famous genetic mutation in human history.

FernGully was one of my favorite movies as a kid, and it made me really think about the natural world and how humans interact with it. Now, aged 35 with kids of my own (who also love FernGully), I consider myself a climate activist for the work I do in helping everyday people to believe they can be a part of the solution to climate change. As an author, podcast host, and community builder, I've connected with other humans with fascinating passions, perspectives, and values. I want to show my audience that we can all view the world differently, but there is one important thing we need to all believe, that we matter.